freelancer – Page 81

Greens seek breakthrough

BC Green Party leader Sonia Furstenau wants to “make sure we have a province that is centred around well-being, that is centred around everybody’s basic needs being met and is centred around creating communities where everybody can thrive.” (photo from facebook.com/SoniaBCGreens)

Sonia Furstenau is hearing from Jewish voters that they feel abandoned. The BC Green Party leader wants to rebuild trust between the Jewish community and the province’s elected officials, she said.

“Trust comes from relationships, it comes from understanding and it comes from people really being reliable,” Furstenau told the Jewish Independent. “I think we have shown that we are committed to approaching the work we do from a place of building relationships.”

The Green leader, who hopes to exponentially expand her two-member caucus in the legislature in the Oct. 19 election, reflected on what she has heard from Jewish British Columbians recently.

“I’ve had many conversations in the past month with members of the Jewish community who have expressed to me … that people feel abandoned, that people are concerned about growing incidences of antisemitism,” she said. “It’s a recognition of the need to continue conversations and stay connected.

“But, at a provincial policy level, it’s education, education, education,” Furstenau said. “I know that the premier has made a commitment to [mandatory] Holocaust education and I think that is important and necessary. I want to expand that. We need every student in BC to graduate with a very firm and reliable fact-based understanding of 20th-century history. We need people to be able to withstand the disinformation that is now becoming so dominant in discourse, political and otherwise.”

To address the challenges, Furstenau said students need to be equipped against disinformation so that they can navigate the contemporary world with a solid grounding in history and what it means to be an engaged citizen in a democracy. That means understanding the Holocaust in the context of the 20th century, she said, but also in the context of the antisemitism that has existed for centuries.

“The key piece is that we are building an informed and inclusive community here in BC that does not tolerate hatred or discrimination or racism of any kind,” she said.

As much as she wants voters to consider policies or issues, Furstenau is urging British Columbians to think first and foremost about representation.

“When we go into the ballot box, we’re not voting for a party or a premier,” she said. “We’re voting for the person who is going to be our voice in the legislature.”

She is asking people to take seriously “the question of who is going to be the best representative for me in my community,” she said.

“We have a first-past-the-post system,” she said. “We elect, in this case, 93 representatives to the legislature and, in the best-case scenario, we have a diversity of voices and viewpoints and ideas and we have a legislature where people can find the capacity to work together and across party lines.”

In addition to a number of independent candidates, likely including a few incumbents made politically homeless by the suspension of the BC United party’s campaign, Furstenau hopes voters will consider Green candidates and elect enough members who do not belong to either of the two largest parties to result in a minority government.

“What I think would be an ideal outcome in this election is [a scenario where] no single party has all of the power,” she said, “that we have a legislature with a diversity of voices and representation and we are seeding the conditions where we’re working collaboratively, finding common ground and focusing on solutions for people.”

Furstenau is knocking on doors and the issue she hears about most from voters are affordable housing, cost-of-living, access to reliable health care and climate change.

“When people talk about housing, of course they talk about the fact that we have a growing homelessness crisis in this province,” she said. “The vast majority of people that I talk to about this want to see solutions so that we don’t have people who are living without homes in our communities. That’s a really key piece and some of the politicization and rhetoric that we are already hearing in this election misses the mark, as far as I’m concerned. We can solve this. We can make sure that nobody in our community is living without housing, and we should. For us, the key thing is that British Columbia could be the best place on earth to live. It’s a beautiful place, it’s full of extraordinary people, it’s got an enormous amount of richness and diversity and what we want … is to ensure that everybody here has the best chance to have a good life in British Columbia.”

The coalescence of right and centre-right candidates is not a positive development for democracy, in Furstenau’s view.

“I don’t think that having fewer choices on the ballot is a good thing,” she said. “I think, in a democracy, more choice is better. I think this was an unfortunate loss for the people of BC and I think that suggesting that we should have concentration of political parties and fewer political parties is the wrong direction. We just have to look south of the border to see where that leads us. I was disappointed by the decision that Kevin Falcon and a small number of people apparently made to fold an entire political party. That’s not the kind of leadership that we need right now and it’s not an approach to democracy that we need right now.”

Barring unforeseen developments, there are three main parties to choose from, and Furstenau hopes for a Green electoral breakthrough.

“We are determined to elect the biggest Green caucus in history,” she said. “We have six or seven key ridings where we see that possibility.” In addition to her own riding of Cowichan Valley, she cites other Vancouver Island ridings as possible pickups, including Saanich, Courtenay-Comox, Esquimault and Victoria-Beacon Hill, as well as West Vancouver-Sea to Sky, which the party narrowly lost last election, and opportunities in the Kootenays.

“We’ve built our platform around the idea of well-being, that when we have a society that is rooted in the well-being of its citizens, of its communities and its natural world, we get to a place where we don’t have the kind of conditions to create more hatred and more discrimination,” Furstenau said. “We know that political parties will scapegoat groups of people, including Jewish people. We know that, when people don’t feel safe and secure, we get into political discourse that is dangerous and so our response to that is let’s make sure we have a province that is centred around well-being, that is centred around everybody’s basic needs being met and is centred around creating communities where everybody can thrive and we have to be focused on that and that’s what we are doing.”

Vote – and volunteer

CJPAC, the Canadian Jewish Political Affairs Committee, wants you to vote in the Oct. 19 British Columbia provincial election. But they want you to do more, too.

“Yes, you should vote,” said Kara Mintzberg, CJPAC’s director for BC. “But you should also remember that volunteering will give you potentially even more impact than your one vote in the ballot box.”

CJPAC is a national, independent, multipartisan organization with a mandate to engage Jewish and pro-Israel Canadians in the democratic process and to foster active political participation.

“CJPAC is here to make it easy,” Mintzberg said. That includes giving people who have never volunteered on a campaign before the lay of the land and identifying activities where they can use their interests or skills to help the candidate of their choice.

“There’s really something for everyone,” she said, whether one prefers getting out and meeting people or working in an office.

Matt Woods Baum, director of marketing and communications for CJPAC, said that, whether it is hammering lawn signs in the ground, phone banking, organizing events or canvassing door-to-door, it is important for Jewish voters to get involved in the process.

“Now more than ever, it’s critical that people take action to get involved,” he said.

CJPAC has a designated volunteer sign-up page for the BC election at cjpac.formstack.com/forms/bc24. Mintzberg also urges people to opt in to CJPAC emails, as there is a range of online briefings, webinars and other opportunities around this and future elections.

CJPAC will be present with an information table at an election town hall, Sept. 22, 6:45 p.m., at Beth Tikvah Synagogue. Richmond election candidates will discuss issues of relevance to Jewish voters in a forum moderated by Shane Foxman. Pre-registration is required at bethtikvah-ca.shulcloud.com/event/townhall. For more information and to submit questions for the candidates, email communityawareness@btikvah.ca.

A different new year

The experience of the Jewish calendar is ever-changing because, while the week’s parshah is the same every year, the people experiencing it have changed. This seems especially true for the year just passed.

Pesach held stark resonance this spring, as Jews worldwide held in our hearts the captives in Gaza and pain around the ongoing war. Every happy moment in the calendar was darkened by the shadow of Oct. 7. Every solemn moment seemed laden with deeper significance.

It is a rare Jew whose life has not changed dramatically since that day. Israelis and Jews had ripped from us a sense of historical, collective and personal security that the Jewish state was supposed to provide. While 75 years of conflict and insurrection have reminded us that Jews have never been entirely free from the hatred of others, the collective defence embodied in the state of Israel massively reduced the vulnerability experienced by previous generations. We also understand that this security has come at a cost and that the last 75 years have also been a source of suffering for our Palestinian neighbours and cousins. This is a juxtaposition we struggle with daily.

And then Oct. 7 ripped away our sense of communal security in a profound way. For Jews worldwide, it provoked what can be considered significant intergenerational trauma, recalling times when soldiers and their civilian collaborators could enter Jewish homes, perpetrate atrocities, annihilate families, separate us from our loved ones, loot our possessions, force conversions, exile and expel us, and take us captive.

Worldwide today, Jews have experienced a different, related trauma. In too many cases, Jews in Canada and elsewhere have been betrayed by our neighbours, let down by our ostensible friends and had our awareness wrenched open to the potential for abrupt changes in political climates.

This will be the first Rosh Hashanah since Oct. 7. It will be followed by the anniversary of the terror attacks, a commemoration that will be added to the black dates of Jewish history over millennia.

Day after day we hope for the return of the captives, and it will be a joyous moment when surviving hostages come back home. Between this writing and your reading, may that dream have become real. If not by then, let us hope for their redemption by the new year or certainly before the calendar turns on a full annual cycle since their capture. Every moment is a moment too long for their captivity. And every moment is a moment too long for continued war, and the destruction experienced by innocent Palestinians who are caught in it.

We can all well remember the holy days of just a few years ago when a global pandemic kept us from celebrating in person with our loved ones. For most of us, that forced separation has passed. That togetherness is reason enough to celebrate. Even so, it is precisely the idea of togetherness – when we know that so many families have been torn apart either temporarily or permanently – that adds sad resonance to our own sense of unity.

While we mourn those who will never again celebrate with their loved ones and we hope and pray for the return of the hostages so that they can rejoice in freedom with those they love, we should also take special appreciation for the gifts of those with whom we gather.

In Jewish fashion, the changed reality in which we find ourselves is already being woven into a sort of makeshift liturgy, as more than one article in this special issue of the paper describes. Thoughtful people have developed ways to memorialize and hold spiritual space for the hostages and all affected by this historical moment.

As we complete another cycle of the calendar, the immutable foundations of our tradition provide strength and familiarity. At the same time, as individuals and as a people, we are profoundly changed.

A solemn anniversary

The Vancouver and Victoria Jewish communities will each hold a memorial ceremony Oct. 7 to honour and remember the victims of the attacks on Israel a year ago.

Led by the Rabbinical Association of Vancouver (RAV) and in partnership with the Jewish Federation of Greater Vancouver and many others, an evening event in Vancouver will be an opportunity for people of all ages to come together.

A special gathering for young adults will take place from 6 to 7 p.m., providing a space for reflection and connection. The main ceremony will begin at 7 p.m., and will include what is being described as a poignant tribute led by our community’s rabbis. The location of the event will be emailed upon registration. Register at jewishvancouver.com/october-7th-memorial.

Following the ceremony, Jewish Family Services will offer “living rooms,” in both Hebrew and English, where attendees can share their thoughts and find comfort. An Israeli sing-along will also take place, with the intention of helping participants find strength in unity and to support one another.

Relatives of Oct. 7 victims will present representative stories of the heroes and victims and organizers are planning interactive elements so participants can actively memorialize. There is an intention to ensure that all the victims’ names, as well as fallen soldiers’ names, can be articulated in the course of the program.

Politics – local or international – are to be kept out of the program. Elected officials may attend but the focus is on memorializing and honouring the dead.

While Oct. 7 created an unprecedented new world, in many ways, there is a precedent for the sort of memorial event planned, according to Beth Israel’s Rabbi Jonathan Infeld, who is head of RAV.

The Yizkor service will be the template for this commemoration, said Infeld.

“We know that the Yizkor service is something that the synagogue-going Jew can relate to, but we know that not all the members of our community go to synagogue on a regular basis,” he said. “We want to make sure that it works for everyone. Yizkor is the framework, but there will be creative pieces in it as well that will work for everyone in the community.”

As the anniversary approaches, Infeld said the community should be “thinking first and foremost of the memory of those who were murdered in this horrific, horrible terror attack.”

There are 97 hostages still being held in captivity in Gaza of the more than 240 Israelis and others kidnapped by Hamas on Oct. 7. (Four other hostages have been held since 2014/15.)

People need to be reminded of the absolute necessity to support the people of Israel at this moment, and to support fellow Jews here in Canada and around the world against the rise of antisemitism, said Infeld. “We would like to see everyone really rally together and gather together to support each other and to show our support for Israel and the Jewish people, and to comfort each other as well.”

A memorial in Victoria will take place at the same time on Oct. 7, at the Esquimalt Gorge Pavilion. Pre-registration is mandatory at jewishvictoria.ca.

On Sept. 28, as part of Beth Israel’s Selichot service, Rabbi Infeld will lead a conversation with Thomas Hand, whose daughter, Emily, was a hostage in Gaza. Emily, who turned 9 in captivity, was kidnapped along with her friend and the friend’s mother. The two girls were released in November. Hand will talk about the “spiritual, emotional and moral roller coaster” of his daughter’s captivity and eventual freedom.

Ari’s Theme opens VIFF

Ari Kinarthy’s nightmare before the live recording session. (screenshot from Salazar Film)

The 43rd Vancouver International Film Festival (VIFF) officially opens Sept. 26 with the screening of Ari’s Theme, a TELUS original feature documentary about local composer Ari Kinarthy by local filmmakers Jeff Lee Petry and Nathan Drillot, who run Salazar Film.

Jewish Independent readers will be familiar with all three creatives, who will attend both VIFF screenings, ready to answer audience questions, as well as participate in a panel discussion.

Sam Margolis first wrote about Victoria Jewish community member Kinarthy in 2020 – Kinarthy, 30 years old at the time, had released two albums, won an international music competition and was looking for people who might want original music for a project they were working on.

“I create all my music entirely with the computer,” he told the Independent. “Sometimes, I will have access to a guitar player or singer but normally the music will be all done by the samples I use. I usually start with just piano and sometimes will write out a score. I think of a melody and/or harmony and continue from there. I love making themes.”

Kinarthy uses a special computer system to record his music, as he has spinal muscular atrophy type 2, a symptom of which is worsening muscle weakness.

When Margolis interviewed Kinarthy a second time for the Independent, it was because Ari’s Theme was about to première at Toronto’s Hot Docs Film Festival. In the article, which was published in April, the filmmakers share that the documentary was inspired by the first JI article.

“We hired Vaka Street Casting to help find us subjects for potential documentaries. They found the JI article while searching for individuals with unique stories,” Drillot told the Independent in an interview last week.

Drillot said the number one factor he and Petry look for in possible documentary subjects is that the individual has a unique perspective – “You’ve got to be an outside the box thinker,” he said, “which Ari most definitely is.”

“As we learned more about Ari’s story, we thought about how interesting it would be to work with a composer like Ari, who has a very particular life experience, and ask him to compose music about the most impactful moments, dreams and experiences of his life and let us create cinematic scenes around them,” Petry told the Independent in April.

It was hard to imagine just how Petry and Drillot would create those scenes and how Kinarthy would not only choose the times in his life to highlight, but be able to compose the music to accompany those emotional times. We learn in the film that Kinarthy doesn’t just want to write any song – he wants to leave a legacy, to make an impact on the world, so that his life will have been, in his words, “worth it.”

screenshot - Ari Kinarthy in a recording session with musicians at the Alix Goolden Performance Hal — Ari Kinarthy in a recording session with musicians at the Alix Goolden Performance Hall. *(screenshot from Salazar Film)*

Kinarthy’s honesty with his feelings, fears and ambitions, is remarkable. He undergoes a transformation during the film. His physical challenges and the dangers to his health if he gets sick have led to him being isolated for much of his life, relying on a few key caregivers and his parents. He is mentally strong, though, and this is made clear as he questions the walls he has built to protect himself and as he lives seemingly at peace with his limitations, while also knowing what he is capable of beyond them. That he allows the filmmakers – and us – to see just how vulnerable he is, is proof of his sheer strength.

“Watching Ari go through the process of making the film was incredibly rewarding,” said Drillot. “He overcame a lot of creative obstacles and consistently impressed the whole filmmaking team with his drive, determination and creativity. Personally seeing him watch the footage in the movie theatre was the most impactful. It’s a very unique experience to sit in a movie theatre and see your life reflected back at you. I really have a lot of respect for Ari for trusting the process and for constantly rising to the occasion.”

Kinarthy opens himself up creatively in ways even he may have thought not possible. We see him working with fellow musicians Allan Slade and Johannes Winkler, who provide feedback and guidance, and help him translate his vision into reality. It is in these scenes that we witness both Kinarthy’s confidence and anxiety, and the filmmakers capture it incredibly well, unobtrusively filming the men creating together, with other shots of Kinarthy talking about the process. There is an especially powerful scene, where Kinarthy sits alone in the Alix Goolden Performance Hall, on stage, as pages of music swirl madly about him.

Ari’s Theme uses such special effects, as well as animation and reenactments, to help tell Kinarthy’s story. There are home videos of Kinarthy and his family, and it is so moving to hear him talk about his family – describing his sister as a drum, driving him to enjoy himself; his dad as a cello, supporting from the background; and his mom as a piano, providing the strong underlying cords binding the family together. “And then there was me. I was a flute,” he says. “A little sound that would come in and out. I wasn’t integral to the song, but I added something unique. I often miss that version of myself, when life was expanding, free of concern and anxiety. As I’ve gotten older, these memories have become more and more important to me.”

In the film, Kinarthy questions whether other people will be interested in his memories. Anyone who sees the documentary will likely respond with a resounding, yes! Not only interested in the memories, but inspired by the man who shared them and the man who created their impressive soundtrack.

Passages of that soundtrack will be performed live at the opening event by members of the Vancouver Symphony Orchestra. For tickets to either screening of Ari’s Theme (Sept. 26 or 28) and any other VIFF offerings, visit viff.org. The festival runs to Oct. 6.

Building on a legacy of hope

Dr. Oheneba Boachie, left, and Dr. Rick Hodes, centre, with patients. The JDC spine program in Ethiopia is seeing patients full-time and has evaluated more than 5,000 patients with spine deformities. (photo from Gary Segal)

The two previous Bring Back Hope events “were vital to getting us to where we are now,” Dr. Rick Hodes, American Jewish Joint Distribution Committee (JDC) medical director for Ethiopia, told the Independent. “They raised interest in our work and the financial gifts we received allowed us to expand, to operate on hundreds more patients, and to become the most important spine centre in the entire country of 120 million.”

Bring Back Hope III will take place Oct. 22 at the JW Marriott Parq Vancouver. The event, which was conceived by local businessman and philanthropist Gary Segal, will honour Hodes and raise funds to secure Hodes’ legacy by establishing a dedicated spine centre in Ethiopia and training doctors and medical staff.

Segal met Hodes on a Jewish Federation of Greater Vancouver/ JDC trip to Ethiopia in 2007. From Hodes, Segal learned about Tesfaye Anagaw, then a teenager, who had an extreme deformity in his spine that could not be operated on in Africa. Segal managed to get Anagaw the life-saving surgery he needed at Vancouver General Hospital in 2009. The experience inspired Segal to help others in similar circumstances by supporting Hodes’ work. Segal launched the Bring Back Hope Initiative (BBH) in 2012.

It wasn’t intended to be annual event, Segal told the Independent. “As a new cause with its somewhat unique origin, it took some time and thoughtful analysis to deploy the funds in a strategic manner – not just to fund the immediate and ongoing need for life-saving spine deformity surgeries, but also to increase training and capacity within Ethiopia. In addition to BBH working with JDC, the newly established BBH partnership with the UBC Branch for Global Surgical Care was unfolding methodically.

“As a result, the appropriate timing for BBH II just naturally turned out to be a five-year anniversary of the initial launch. With the similarly inspiring and even larger amount of funds raised at BBH II, I would say that, around three years later, the rumblings of a BBH III 10-year anniversary event began running through my head, only to be derailed by a couple of unforeseen ‘best laid plans of mice and men going awry’ events: COVID, followed by an outbreak of civil unrest and war in Ethiopia. So, here we are.”

One of the prominent aspects of Hodes’ work, which has been highlighted at previous BBH events, is the interfaith cooperation.

“It is not exactly a revelation to say that extremism, especially of political and religious beliefs, has historically led to much discord in the world,” said Segal. “In stark contrast, underpinning these BBH events, you have this remarkable story – rare humanitarian Jewish physician Dr. Rick Hodes, partnering with devout Baptist Ghanian-born spine surgeon Dr. [Oheneba] Boachie, working with the Catholic nuns of Mother Teresa mission in Addis Ababa, saving Muslim and Christian children. What an uplifting and powerful example of what interfaith cooperation can achieve.”

photo - From left to right: Dr. Oheneba Boachie, Gary Segal and Dr. Rick Hodes in the clinic office in Addis Ababa, Ethiopia — From left to right: Dr. Oheneba Boachie, Gary Segal and Dr. Rick Hodes in the clinic office in Addis Ababa, Ethiopia. *(photo from Gary Segal)*

An important development since the first BBH event is that the Ethiopian Ministry of Health has recognized the importance of the spine program.

Boachie and Hodes have been working together for almost 20 years, having met in 2005.

“In spring of 2006, we sent five patients and one staff person to Accra, Ghana. At the same time, Dr. Boachie and his team arrived from New York, and they operated on our patients and many others,” said Hodes. “The Ethiopian government was not making spine a priority, but now that we are seeing patients full-time and have evaluated well over 5,000 patients with spine deformities, they realize that this is a major cause of disability. They now are in favour of a national spine centre and are working with us to get this done. Their endorsement has shown us, and our donors, that we have ‘buy-in’ from the Ethiopian government.”

While the majority of surgeries took place in Ethiopia this year, Hodes said, “We also send patients to FOCOS Hospital in Ghana and Ganga Hospital in India for traction and for surgery.

“We are sending Ethiopian surgeons to India for training, as well. Over the years, the majority of our difficult surgeries have been performed in Ghana, often preceded by months of ambulatory traction. Having our own centre will allow us to provide better care and to be in control of the process and the facility.”

Currently, they operate in a government hospital as well as in a private Christian hospital, said Hodes, “but we believe that a full-time, 100%-spine centre would provide better care to Ethiopians suffering from spine issues.

“I am the main doctor in the clinic, but, in the end, this must be a program run by Ethiopians for Ethiopians,” he stressed. “A national spine centre will allow this to happen. This means having a dedicated facility, as well as fully trained Ethiopian physicians, nurses, physical therapists and others to be able to evaluate, treat, operate on and rehabilitate our patients. It is a great opportunity to provide great care to our patients, and I would love to find an Ethiopian doctor to direct it.”

Hodes was in Vancouver more than once this summer, talking about his hopes for the spine program.

“I was here,” he said, “meeting people, speaking about my work and trying to interest people in our activities in Ethiopia, which involve identifying patients, evaluating and treating them, choosing people for surgery, coordinating care and arranging surgeries – and following them afterwards for years,” as care needs don’t end after the surgery is complete.

“The Dr. Rick Hodes/JDC spine program – over the last 20 years, part of JDC’s tikkun olam non-sectarian work – has not only saved and transformed countless lives, but has also served as an inspiring example and message to both the Jewish and non-Jewish world,” said Segal, who has been on the JDC board since 2012.

Hodes has been recognized for his work in various ways. Most recently, he was given the 2024 Walter P. Blount Award by the Scoliosis Research Society, whose membership “includes over 1,000 of the world’s leading spine surgeons, researchers, physician assistants and orthotists who are involved in research and treatment of spinal deformities.” The award honours “an individual who has provided outstanding service for those with spinal deformities, through their generous actions out of a sense of service to larger social and professional goals.”

Segal and others have called Hodes “tireless” in his humanitarian work.

“I am surrounded by suffering, and it is my challenge to deal with this daily, to provide compassionate care and to raise funds for all of this,” Hodes told the Independent. “I realize that I can only help a small percent of the people who seek my care, and have to deal with that. I am motivated by my goal of helping people for whom there is no other alternative. It’s not easy. I lose sleep over this. It is never-ending.”

Hodes will return to Vancouver for BBB III. Also attending, said Segal, will be “Tesfaye, with his wife and son (whom I can’t wait to meet for the first time); two other patients whose lives were transformed through the Dr. Rick Hodes/JDC spine program; some JDC professionals from the USA, Israel and Ethiopia; and a senior Ministry of Health individual. There is also a special entertainment surprise with its own unique story and link to the evening.”

For tickets to BBH III, visit bringbackhope.com.

Unique in style, rich in culture

Kommuna Lux (photo by Maria Dmytrenko)

[Editor’s Note: Due to unforeseen circumstances related to flight restrictions, the Chutzpah! Festival must postpone Yamma Ensemble’s performances to March. However, the festival has found a vibrant alternative for Nov. 5: Itamar Erez Trio and special guests. Click here for more.]

Original music that honours the culture and traditions of its creators. Unique songs that you’d have to travel thousands of kilometres to see and hear live. Or, you could buy tickets to Chutzpah! The Lisa Nemetz Festival of International Jewish Performing Arts, which runs Nov. 1-10.

Kommuna Lux from Ukraine brings its unique “Odesa Gangsta Folk” – which they describe as “thrilling klezmer music and common gangster folk songs from their hometown, all with a dose of rocket fuel” – to Vancouver to open the festival Nov. 2, 7 p.m., at the Pearl. The event is presented in partnership with Caravan World Rhythms. The group will also travel to Victoria, for a Nov. 1 show at the Edelweiss Club.

Kommuna Lux’s music is specific to their part of the world, Volodymyr Gitin (clarinet) told the Independent.

“What I like most about this style is the special energy that charges both us and our listeners,” he said. “But I also really like how diverse our music is, because it includes almost everything related to the cultural heritage of Odesa.”

Similarly, Yamma Ensemble from Israel brings its unique heritage-rich music to Chutzpah! – on Nov. 5, 7 p.m., at Rothstein Theatre. They also give an intergenerational matinee performance Nov. 4, geared to school and seniors groups, in which they will “include as many explanations as possible about the ancient musical instruments, about the Jewish communities around the world, about the songs,” lead vocalist Talya G.A Solan told the Independent.

“We wish to celebrate and enjoy the richness and the immense beauty of the Jewish culture and our origins,” she said. “We mainly bring out the mix of Jewish cultures, the mix of our different backgrounds and the fact that we came together into an organic and whole music ensemble…. So, in our music, you can hear the music of Spanish Jews from Thessaloniki and Spanish Jews from Turkey, the singing of psalms by the Jews in Iraq and the singing of religious poems from Yemen.”

photo - Yamma Ensemble — Yamma Ensemble *(photo by Zohar Ron)*

On the group’s website, they note that Yamma means “toward the sea” in Hebrew and “mother” in Arabic.

“The connection between Hebrew and Arabic is not only a connection between two very similar Semitic languages, but also a connection between the countries of origin of the Jews who lived in Arab countries and their descendants, who were born here and grew up in Israel,” explained Solan. “Our musical heritage, like our origins, is connected to the Jewish communities in the Middle East who immigrated to Israel with the language they spoke, the Arabic language in its many dialects (Yemeni, Iraqi, Moroccan, etc.). They came to Israel and had to speak the local language – Hebrew.”

Hebrew is a central element of the ensemble’s repertoire, directly tied to the members’ identity as Israeli musicians.

“Hebrew is our mother tongue, the language we were born into and the language in which we dream and communicate,” said Solan. “It is an ancient, gorgeous and special language that became extinct and was revived in the 20th century. We try to perform mostly in Hebrew. We mix between our own original creations (always Hebrew) and traditional music (Sephardic, Yemenite).

“There is no Israeli music group that performs out of Israel and has been active for a long time [mainly] performing Hebrew music,” she continued. “This fact is odd and crazy, since Hebrew is the spoken language in Israel, but none of the Israeli musicians active abroad focus on this magnetizing and beautiful ancient language.

“One of the reasons that Yamma Ensemble’s YouTube channel is the most viewed channel of Hebrew music for foreign audiences,” she said, is “the accessibility of Hebrew for foreign audiences who do not speak it. We translate all the songs, so people can watch them with English translation. We receive daily messages from all over the world from people who write us that they learn Hebrew with the songs, that they get closer to their Judaism through the songs. It feels like a serious task that we didn’t ask to take on, and it happened naturally.”

Yamma Ensemble has four albums – Yamma (2011), Basket Full of Stars (2017), Rose of the Winds (2020) and To Awaken Love (2023) – the last of which comprises entirely original music, inspired by traditional sounds, said Solan.

The group is working on an album of psalms. Their performance of Psalm 104 is “the most viewed Jewish chant on YouTube, [in the] category of live and traditional music,” she said. “It has already passed 10 million views! So, we need to record this psalms album.”

However, to produce a recording is an expensive undertaking, and that’s one thing when the music will have a relatively large market. For music “that is not commercial and does not carry profits or compensation, there must be a budgetary basis or significant support,” said Solan. People who are interested may support the psalms project via the ensemble’s website, yammaensemble.com.

Coincidentally, Kommuna Lux’s original name also has to do with the financial side of the music business.

“Dengi Vpered means ‘Money Forward’ or ‘Cash in Advance,’” explained Gitin. “This name appeared before I was in the group. One day, the guys didn’t get paid for a performance and, since then, they started taking money in advance. At the same time, they named the group that way, with a bit of Odesa humour, and also so that it would be immediately clear how they do business.

“After six incredible years of being together, it so happened that our vocalist decided to go his own way and we needed to figure out how and with whom to continue our journey. Also, for various reasons, we felt that it was necessary to change the name…. So, first we found [singer] Bagrat [Tsurkan], who quickly became a valuable member of our team, and then the name itself came along, which resonated with us very much.

“Kommuna Lux has several meanings,” he said. “One of them is ‘the Commune,’ which is united by the common idea of bringing light and joy to people. But ‘Kommuna’ can also mean a communal apartment in which several families live. In such apartments, there is a shared kitchen and sometimes a bathroom, and people need to agree with each other to live in peace and harmony. And ‘Lux’ in this case has another meaning, as a sign of the quality of how we look and sound on stage, the quality of the luxury level.”

Gitin joined the band, which has one album to date (OdesaFM), in 2014.

“I was attracted by the idea of reviving Odesa songs and Jewish folklore in a new, modern way,” he said. “Everything was created and performed with great enthusiasm and a desire to share positive emotions with people. We felt that we were doing something special.”

And they do something extra special in some of their performances – they raise money for Ukrainians affected by the ongoing war with Russia.

“Mostly, we collect money for 110 Brigade, they always need different vehicles for different goals,” said Gitin. “Also, during our last tour, we [participated in a] joint initiative of Rotary E-Club of Ukraine to buy beds for burn victims, for a hospital in the city of Kramatorsk in Donetsk region.

“Our whole life is connected with our home and we feel that every Ukrainian joined to help our people,” he said. “So, our reasons are the same, we can’t just watch, we feel that we should do what we can.”

He added, “Music is very important, especially in such periods, because, through it, it is possible to express the whole spectrum of feelings. Music can raise the spirit, unite everyone around a common idea, and also help people experience deep feelings, especially when they lose loved ones.”

Rounding out the musical offerings at Chutzpah! this year is New Orleans multi-instrumentalist Mark Rubin, “offering Southern Americana from a Jewish, socially conscious point-of-view.” Jacob Samuel headlines a comedy night hosted by Kyle Berger, and Jeremy Goldstein’s Truth to Power Café includes stories from Vancouverites in response to the question, “Who has power over you and what do you want to say to them?” A dance double bill features Fortress (Rebecca Margolick and Livona Ellis) and About Time (Ne.Sans Opera & Dance, Idan Cohen). Canadian Yiddishist Michael Wex brings The Last Night at the Cabaret Yitesh (di letste nakht baym yitesh) to the festival, and the Vancouver Jewish Film Festival and Chutzpah! co-present the screening of Gimpel the Fool Returns to Poland by Nephesh Theatre artistic director Howard Rypp, which “follows the show’s journey throughout different towns of Poland, while tracing [Gimpel writer Isaac Bashevis] Singer’s escape from the Holocaust, finally finding refuge in the USA.”

For tickets to any of the festival events, visit chutzpahfestival.com or call 604-257-5145.

New this year for the Chutzpah! Festival: Jewish Community Centre of Greater Vancouver members receive discounted ticket prices and concession purchases at the theatre. Select Student/Senior/JCC Member tickets and ChutzPacks and bring your membership card to the theatre.

Israeli envoy hopeful

Iddo Moed, Israel’s ambassador to Canada, was in British Columbia to promote partnerships. (photo by Pat Johnson)

Iddo Moed, Israel’s ambassador to Canada, was in Vancouver last week, meeting with businesspeople, university administrators and the Jewish community. It was his second visit to Vancouver since his appointment as ambassador a year ago.

Moed hopes to establish and expand collaborations between Israeli and Canadian academic institutions in the fields of medicine, agriculture, artificial intelligence, cybersecurity and applied research in many disciplines, as well as introduce business leaders from both countries to one another to encourage possible partnerships. He plans to bring some of the leading figures in various Israeli sectors on a cross-Canada road show, possibly early in 2025.

In a discussion with the Jewish Independent and three other media outlets, the ambassador focused on antisemitism in Canada and especially the climate on campuses.

“Most disturbing me at this time is the rise of antisemitism in Canada,” he said. “It’s something that is beyond what has happened in the past.… I am concerned because I see that Jewish communities feel less protected. Jewish students at universities feel intimidated. They don’t want to go to campus or they want to hide their identity and I think this is wrong.”

He has met with university administrators – he took heart in the resounding rejection of an anti-Israel motion by the University of British Columbia senate earlier this year – and discussed with them the need to balance academic freedom with security for Jewish, Israeli and all students.

Moed urges Canadian students to make a more thorough investigation of the roots of the current conflict and not mistake the current war as a battle between Israelis and Palestinians.

“At this point in time, we’re fighting against something else, against Hamas, against hatred,” he said. “I would challenge students to look at … both sides and try to understand.”

When speaking with students, Moed said, he emphasizes stories of coexistence in Israel.

On Oct. 7, he noted, many of the ambulances that day were driven by Arab first responders, because it was a Jewish holiday.

“Those Arab drivers that were caught by the Hamas terrorists were executed because [the terrorists] felt – just like they killed Israeli Jewish [people] – these are Israelis,” he said. “The solidarity in Israel is something that passes much of media’s attention.”

The ambassador also urges students and anyone who is engaging in discussion of the conflict to understand what the combatants represent.

“Hamas doesn’t want any deviance from their core concept of how religions should be practised,” he said. “So, there is no room for LGBTQ and there is no Queers for Palestine among Palestinians. It doesn’t exist because they don’t let them. It’s forbidden to be gay there.”

Overseas activists would do well to speak to people in the region, Moed said.

“I wish that people here would communicate with peers in the Middle East, Jews and non-Jews, hear from them, to educate themselves. That’s very, very important at this time.”

The ambassador acknowledged that relations between Israel and Canada have always been strong, but that the current conflict is causing diplomatic friction.

“The relations have always been very good and strong because they are based on a very solid foundation of shared values between Canada and Israel and that has been the case since Canada officially recognized Israel 75 years ago,” he said. “What we have today … is a growing distance between how both our countries see the conflict in the Middle East. Israel is fighting for its survival. Canada has become more and more critical of, and concerned about, the situation when it comes to the Palestinians.

“We have very good channels of communication and those are very solid and strong,” he said. “Right now, a year from the massacres [of Oct. 7] and when there are still 101 hostages being held in Gaza for which we will continue to fight until they will all come back home, dead or alive, the relations are strained by the fact that both our countries don’t always see eye-to-eye on how Israel is defending itself against a concerted effort by Iran, directly through its proxies, to annihilate the state of Israel.”

Moed, who was born in Amsterdam, has had diplomatic postings in the Netherlands, the Dominican Republic, Singapore and the People’s Republic of China, and he has held senior positions in the foreign ministry in Israel.

These are unprecedented times, he said, but he is confident that the situation will improve for Israelis and Jews.

“It will take time, but I’m very hopeful,” he said. “Humanity always prevails. It takes more time, but it does prevail. So, I’m hopeful. Yes, I’m an optimist.”

The need for transparency

Justice Jules Deschênes, who was appointed by the Canadian government in February 1985 to oversee the Commission of Inquiry on War Criminals in Canada. (screenshot from B’nai Brith Canada)

For nearly four decades, Jewish human rights organizations have been trying to figure out how Nazi war criminals were able to gain citizenship and refuge in Canada following the Second World War. Why were high-ranking members of the Nazi Allgemeine Schutzstaffel (Nazi SS) and Waffen SS troops who fought on Germany’s behalf considered eligible for Canadian citizenship? And who were they? What were their names?

The answers to many of these questions can be found in an obscure list of reports held in government archives. Since 1985, when the Deschênes Commission was appointed to investigate allegations that Nazi war criminals were living in Canada, B’nai Brith Canada and other Jewish organizations have been urging the federal government to release all the commission’s findings. Those records include an historical account of Canada’s post-Second World War immigration policies, written by historian Alti Rodal (the Rodal Report).

“We have always felt that providing the general public with a greater understanding of Canada’s ‘Nazi past’ is a significant venture to providing closure to that time period,” explained Richard Robertson, B’nai Brith’s director of research and advocacy. “This is important because, at a time of rising antisemitism, where there are less and less survivors of the Holocaust around, it is essential that we furnish educators and advocates with as many tools as possible to enable as fulsome a teaching of the [history of the] Holocaust,” including, noted Robertson, those decisions that may have indirectly made it easier for Nazi perpetrators to escape prosecution.

The Hunka affair

Last September, a critical portion of the documentation was made public by the federal government after it was revealed that a former member of the Waffen SS Galicia Division, Yaroslav Hunka, had received a standing ovation in Parliament. Human rights advocates wasted no time in calling for the rest of the Deschênes Commission’s documents to be released, arguing that the unredacted reports could help further Holocaust education in Canada and avoid such mistakes. More than 15 groups, representing Jewish, Muslim, Iranian and Korean ethnic communities and interests, supported B’nai Brith’s petition and, on Feb. 1, the Trudeau government released the bulk of Rodal’s account.

That move has given human rights organizations access to a wealth of information about the politics, the thinking and the apprehensions that often steered the government’s decision not to prosecute or extradite war criminals. Compiled as an historical account of Canada’s post-Second World War policies, the 618-page redacted Rodal Report provides details that aren’t revealed in Deschênes’ deliberations.

Set against the backdrop of today’s rising antisemitism, the report illustrates that Canada’s current struggle to balance the needs of those targeted by antisemitism and discrimination with other democratic principles, like free speech and privacy, is nothing new.

screenshot - Alti Rodal, author of the Rodal Report — Alti Rodal, author of the Rodal Report. *(screenshot from Ukraine Jewish Encounter)*

According to Rodal, Canada’s postwar immigration policies were heavily influenced by a belief that extraditing naturalized Canadian citizens for war crimes would be, in the words of Prime Minister Pierre Elliot Trudeau, “ill-advised.”

“Trudeau’s concern,” Rodal wrote, “was that the revocation [of citizenship of an alleged war criminal] could alarm large numbers of naturalized citizens who would be made to feel that their status in Canada could be insecure as a consequence of the politics and history of the country they left behind.”

And Pierre Trudeau was not alone in his reticence to bring Nazi war criminals to court.

“All those goals which Canadian society has set for itself can certainly not be achieved by short-circuiting the legal process in the hunt for Nazi war criminals,” the commission wrote, while examining whether a military court might be an appropriate venue for litigating charges of war crimes.

By the time the commission concluded its research, it had effectively struck down every available legal mechanism for pursuing action against most former Nazis living in Canada. The Deschênes Commission determined that war criminals could not be prosecuted under Canada’s Criminal Code, but neither could they be tried by military tribunal. Nor could they be successfully prosecuted under the Geneva Conventions for acts of genocide or crimes against humanity. And Canada’s extradition laws would be ineffectual in many instances, including when it came to approving requests from Israel. Israel didn’t exist at the time of the Holocaust, the commission reasoned, and thus didn’t meet Canada’s requirements for requesting extradition of Second World War criminals.

New laws, similar challenges

Canada’s only remedy would be to amend its laws going forward. In 2000, nearly 14 years after the release of the Deschênes Commission’s report, the Crimes Against Humanity and War Crimes Act was given Royal Assent. Antisemitism, hate speech and hate crimes are now federal offences as well, covered under Section 319 of the Criminal Code. However, some legal experts say the process of bringing charges of antisemitism or hate crimes to court remains too onerous.

In June, the Matas Law Society and B’nai Brith hosted an educational webinar on the legal strategies available to Canadian lawyers when pursuing charges of antisemitism. Gary Grill and Leora Shemesh, two Toronto-based lawyers who have recently represented victims of alleged antisemitism in Ontario, offered different views as to why it is so hard to bring a hate crime to court.

“We have the tools,” acknowledged Shemesh, “we’re just not effectively using them.” She said she has represented several alleged victims of antisemitism and, in each one of the cases, the charges were later dropped.

Grill, on the other hand, suggested that the issue had to do with initiative. “It’s about political will” when it comes, for example, to ensuring that prosecutors understand that “death to Zionists” is veiled hate speech and should be prosecuted as antisemitism. “The education is easy,” he said. “We can educate prosecutors. We can educate police. It’s not a problem. [But] this is about will. It’s not about law.”

“There are problems with certain [parts] of Section 319 and [its] enumerated defences,” Shemesh said. “Prosecutions under the Criminal Code for the promotion of hatred … require the approval of the attorney general to proceed, which, I say, has partially explained why such prosecutions have been rare in Canadian jurisprudence.”

In Robertson’s opinion, there can be value in legislative oversight. The attorney general’s sign-off “is a safeguard to ensure that our hate crimes legislation … is only utilized when warranted. I believe it is designed to prevent overuse,” he said. “Listen, there’s nothing wrong with that. There’s nothing wrong with having checks and balances to ensure that the proper charges are being laid and the severity of these charges warrant such. The issue is the reluctance of the attorney general to sign off on these charges and the procedural, I would say, slow-downs in effecting the sign-off. These are the issues. If we can perfect the procedures around the sign-off, then this is a completely fine check and balance.”

photo - Richard Robertson, director of research and advocacy for B’nai Brith Canada — Richard Robertson, director of research and advocacy for B’nai Brith Canada. *(photo from B’nai Brith Canada)*

As for addressing the rise in antisemitism that Canada is experiencing today, Robertson believes the answer lies in ensuring Holocaust education is available and continues. That requires ensuring public access to the documents that most accurately tell the story – including those of Canada and other allied nations.

“With the recent issues that we’ve seen regarding immigration into Canada, I think [the Deschênes and Rodal reports serve as a] narrative that is more relevant than ever. I think it is important for us to understand our mistakes of the past so that we don’t repeat them in the future,” Robertson said. “And, as well, when it comes specifically to Holocaust education, I think it is important for Canadians to appreciate the level of complicity, if there was any complicity, in our government helping Nazis escape prosecution following the culmination of the Holocaust in World War II…. It helps to paint the totality of the picture of just how widespread the Holocaust was.”

Robertson said Canadians often think of the Holocaust as a “European issue,” that it only adversely impacted Jews in Europe. “So, understanding Canada’s role and [the Holocaust’s] aftermath helps to globalize the narrative, and perhaps that will help Canadians to better appreciate the truly global impact of the Holocaust [and the trauma] that is still ongoing.”

To date, most of the Deschênes documents have been made public, with the exception of Part II of the original report, containing the identity of members of the Nazi party who were granted immigration to Canada. The ancillary documents, such as the Rodal Report, also contain information that has not been made public. B’nai Brith Canada continues to lobby for their release.

Jan Lee is an award-winning editorial writer whose articles and op-eds have been published in B’nai B’rith Magazine, Voices of Conservative and Masorti Judaism and Baltimore Jewish Times, as well as a number of business, environmental and travel publications. Her blog can be found at multiculturaljew.polestarpassages.com.

A harrowing survival story

Almost every Holocaust survivor’s narrative involves some combination of extraordinary coincidence, righteous humanity amid dystopia or a series of chance events that astonishingly result in survival against all odds. The number of such flukes in the life of Vancouver woman Malka Pischanitskaya may convince readers of the author’s conclusion that survival was her destiny.

Pischanitskaya’s memoir, A Mother to My Mother, is one of the latest releases in the Azrieli Foundation’s Holocaust Survivor Memoirs Program. Begun in 2005, the program has now published scores of firsthand testimonies of Canadian Holocaust survivors, many in both official languages, and all of them available free of charge to educational institutions.

Pischanitskaya’s Ukrainian Jewish family knew its share of misery before the emergence of Nazism and war. Her father abandoned her mother before Malka was born, in 1931, and she was raised in grinding poverty by her grandmother and great-aunt while her mother worked in a nearby village and saw Malka some weekends.

The Stalinist-induced Ukrainian famine of the 1930s killed between three and five million people. The Nazi invasion of the Soviet Union, and its perpetration of the “Holocaust by bullets,” killed 1.5 million Jews, mostly shot at close range and buried in mass graves.

Young Malka’s earliest life, despite hardships, was not without happy memories of Jewish holidays and the changing of the seasons. These are tempered with stark recollections. Without electricity or anything but firewood for heat, she recalls Ukrainian winters so cold the ink at school would freeze solid.

image - A page from Malka Pischanitskaya’s memoir A Mother to My Mother, which includes paintings that she created for a 2019 exhibition — A page from Malka Pischanitskaya’s memoir A Mother to My Mother, which includes paintings that she created for a 2019 exhibition.

After the Nazi invasion of Poland and the beginning of the war, in 1939, five refugee families from Poland arrived in Romaniv (alternatively: Romanov).

“I have often wondered how much my community found out from these refugee families about what was happening under the Nazis in Poland and whether this made them more aware of the disaster that was to come,” writes Pischanitskaya.

What was to come was beyond imagining – which may help explain why Malka and her family remained in Romaniv when some other Jews fled further east into the Soviet Union.

“We were not ready – there had been no mental preparation for this moment – so we did not accept the offers to escape,” she writes.

Soon, the Nazis arrived and young Malka witnessed Jews being killed in the streets. The randomness of those murders was replaced with methodical mass executions. The story, starkly told, is predictably shocking, and differs significantly from what happened further west. Rather than ghettos and concentration camps, the Holocaust in the east was typified by summary roundups and mass killings of entire communities, usually in adjacent forests.

On Aug. 25, 1941, Ukrainian police gave Romaniv’s Jews 30 minutes to congregate in the centre of town.

“Those who were unable to walk had been taken out of their homes on stretchers,” she writes, disabusing Jews of the desperate idea they were being assembled to perform forced labour.

“We walked toward the beautiful park located a couple kilometres from the centre of town,” writes Pischanitskaya. “The crowd of close to 2,000 walked with visible sadness, expressions of disbelief.

“Men were rounded up, separated from their families, and then marched deeper into the forest where, previously, pits both massive and deep, had been dug. Women, children and the elderly were forced into rooms in the military building. Crowded in, there was hardly space to stand. Windows were locked. No fresh air; no water; no washrooms. People screamed, fainted, losing their minds; children were scared and restless.

“One by one, several groups of Jewish people were taken to slaughter. While we were kept in the building, waiting our turns, the heavy ring of machine gun fire instilled extreme fear and terror in all. The slaughter of the Jews from the Romaniv community continued from early morning until dusk – the sun had faded from our lives forever.”

Then: the first of the miracles that spared the life of Malka and her mother.

“Eventually, mothers with children were let go from the building,” she writes. “Perhaps the murderers were tired from their orgy of death and torture, or perhaps there was no room in the pits for the rest of us, but those who had to remain were slaughtered. We left them, still alive, when we had the chance to run for our lives.”

Here, Pischanitskaya catalogues the names of the many family members killed that day. She goes into grim detail about what witnesses reported from the pits.

Thus began years of hiding – and a succession of near-misses, any one of which would likely have been fatal.

The relationship that gives the book its title, of young Malka mothering her mother, is a story of a parent so paralyzed by events that she becomes almost incapacitated. Malka’s astonishing and perilous actions to ensure their survival form the bulk of the book. She begs door to door in the villages where they hide, often receiving small portions of food. At one home, she sees her own portrait on the wall, apparently pillaged from Malka’s family home after they fled – an uncanny and grotesque coincidence.

When, after the war, they returned to Romaniv, “Almost nothing remained except for memories.”

“Adult survivors went to the mass graves to pray for and memorialize their loved ones, and to bear witness,” writes Pischanitskaya.

Of all the people who survived and showed up alive after the war was Malka’s “so-called father,” as she calls him, a man whose sadistic cruelty Malka and her mother would have been better off without.

In a twist, the mother who had been “a dependent child” transformed into a courageous woman who pursued Polish and Ukrainian police for war crimes.

Like so many survivors, Pischanitskaya demonstrated improbable resilience, marrying, becoming a teacher, becoming a mother, escaping the Soviet Union, migrating to Canada and raising a successful family that continues to contribute to Vancouver’s Jewish and broader community.

A Mother to My Mother is illustrated with harrowing, moving paintings that Pischanitskaya created for an exhibition titled Romanov: A Vanished Shtetl, which was presented at the conference of the World Federation of Jewish Child Survivors of the Holocaust and their Descendants, held in 2019 in Vancouver.

To order a copy of A Mother to My Mother in print or ebook format, or any other survivor memoir, visit memoirs.azrielifoundation.org.