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Tag: style

Predicting the future

Predicting the future

Trend forecasters Lior Fisher Shiloni, left, and Nataly Izchukov. (photo by Michael Topyol)

What do jeans, trench coats and a little black dress all have in common? A place of honour in women’s wardrobes, that’s for sure. And it’s no accident – the three are timeless trends that have been around for decades.

“A trend is a state of mind, a very, very wide perspective that begins in the margins and slowly reaches the masses,” said Israeli trend forecaster Nataly Izchukov. “A trend undergoes evolution and is here to stay. People always think it comes and goes, but that’s actually a mistake. It develops and updates, and it’s here to stay.”

In 2014, Izchukov founded the Visionary, a Tel Aviv lifestyle and design trend forecasting agency that deciphers for its customers the way the wind is blowing. She and her business partner, Lior Fisher Shiloni, also expose the Israeli public to the art of forecasting and even pass on their knowledge in a first-of-its kind local “trendology” school.

Forecasting the future, Izchukov explained, begins in researching the past. She and her team study what has happened in the past year or so across the world, from politics and economics to natural disasters, cinema and fashion, and try to understand how it will affect esthetics and designs. “For example, one of the leading trends for the summer of 2020 is going to be acid-bright colours,” she said. Its source of influence? The yellow vests movement in Paris.

The second step is social research, which involves identifying their clients’ audience and what interests them on social networks and in the media. The third step is what Izchukov calls iconography, the interpretation of the findings in a more abstract way. This all leads to conclusions regarding megatrends and the microtrends that ensue.

Izchukov gave the example of older solo women travelers. More older women are jet-setting off by themselves, but are still looking to feel safe and secure and have a sense of community on their travels. This translates into many different microtrends for Izchukov’s clients, including how hotels are decorated and the colour palette that best suits their guests.

The biggest megatrend, however, is sustainability. “It deals with promoting the status of women, with poverty, with education, it’s a very, very wide issue,” said Izchukov.

Trends are not fads. Fads are not sustainable; they enter and exit our lives quickly. Top examples of fads, Izchukov noted, are Kardashian-style cycling shorts, the 1990s digital pet Tamagotchi craze and a recent favourite – handheld spinners. By contrast, a trend can take three to four years to go mainstream, and not all businesses have patience for such a process.

“They mostly want us to create fads, but we’re really seeing a change developing in 2020,” she said of her clients. “The biggest change is the extreme climate happening across the world. What happened now in Australia [with widespread bushfires] is one of these extreme cases that made people say, ‘OK, there’s a problem here.’ There was great denial of the topic among companies.”

The emphasis on sustainability is causing apprehension in the Israeli business scene, she said. One of the problems is the high cost of creating sustainable fashion.

“The product ends up being expensive and people don’t really want to spend that money on it,” Izchukov said. “There’s still a gap between the goodwill of people for the world to be a better place, and people wanting a good and attractive price, and you have to think how to bridge it.”

Izchukov predicts some big changes in the coming decade for fashion, food and hospitality in Israel.

“In fashion, a few very substantial things are going to happen – mostly companies that will change their appearance and their production lines in a more sustainable, ecological and recycling direction,” she said. “There’ll be fewer stores but these will include a lot more content and information that is beyond fashion.”

In Israel, there will be greater inclusion of people with disabilities in the fashion world, she said. This is in line with the global trend for inclusivity, which sees fashion houses employing ambassadors of all sexes, genders, religions and sizes.

In the Israeli hospitality sector, we can expect “the substantial entry of more hostels and of very affordable hotels,” she said. “They’ll try to create a very interesting experience in their locations in terms of the customer and the hotel itself.”

Izchukov predicts that food will increasingly go in the direction of “how we can eat in a healthier manner that precisely matches our needs and our bodies.”

She said, “Artificial intelligence will greatly help to resolve the issues of need and of customization.”

Food is also a great example of the impact local cultures have on trends. Izchukov noted the failure of American companies such as Starbucks to succeed in Israel. While Israelis like to think that the global giant failed because the local coffee is far superior, Izchukov suggested it has more to do with the Israeli state of mind. Self-service, waiter-less, eateries are a doomed business model in Israel, she said, because locals much prefer personal attention.

Israel21c is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.

Format ImagePosted on March 13, 2020March 12, 2020Author Naama Barak ISRAEL21CCategories WorldTags forecasting, Israel, Lior Fisher Shilon, Nataly Izchukov, style, trendology
Jewelry that’s easier to wear

Jewelry that’s easier to wear

This necklace uses snap fasteners instead of clasps [see below]. (photo from Deborah Rubin Fields)

Diane von Furstenberg is attributed with saying: “Jewelry is like the perfect spice – it always complements what’s already there.” Some of us would say that’s all well and good, until you have to ask for help in closing a necklace.

Maybe you can release the spring, which opens the lobster clasp’s arm, but you can’t hold it long enough to actually close the clasp. Or perhaps your hands just can’t negotiate the T into a toggle clasp’s circle. Whatever your exact manoeuvrability problem, one thing is sure, putting on jewelry can be a frustrating experience. And the frustration seems to increase with age.

In The Journals of Gerontology, academics Eli Carmeli, associate professor at Haifa University, the late Hagar Patish and Prof. Raymond Coleman of the Technion state, “Hand function decreases with age in both men and women, especially after the age of 65 years. Deterioration in hand function … is, to a large degree, secondary to age-related degenerative changes in the musculoskeletal, vascular and nervous systems.

photo - The necklace's snap fasteners
The necklace above’s snap fasteners. (photo from Deborah Rubin Fields)

“Prehension is defined as the act of seizing or grasping. Aging hands and fingers are especially prone to osteoarthritis and rheumatoid arthritis. It is clear that common tasks involving precision dexterity, two-hand coordination, such as are needed to thread needles, open buttons on clothing or fine-grip tasks, as in holding a pen or cutlery, become increasingly difficult with aging. This is also true with regard to simple handgrip tasks requiring strength, such as opening bottles. The difficulty of performing such tasks may be in part due to declining vision.”

So what are the different kinds of jewelry clasps or closures and how easy are they to use? Today, eight clasps are usually added to necklaces.

The lobster clasp and spring ring clasp have a spring-loaded mechanism. Both operate by fitting one end into the opened spring side, then releasing the spring mechanism to shut.

The fishhook clasp is so named because part of the closure resembles the hook used in fishing: one end is a metal hook, while the other is an oval-shaped case. The hook slides into and locks inside the case.

Somewhat similar in shape to the fishhook, the S hook works by sliding the S-shaped hook onto a ring at the other end.

In a toggle bar clasp, one end is a long bar or T shape and the other is an open shape, usually a circle. The bar slips through the centre of the shape and locks in place.

The barrel clasp is so named because, when closed, it looks like a barrel. This clasp consists of two metal pieces, one on each end of the necklace, which close by screwing together. Likewise, in the slide-lock clasp, one tube slides inside the other and locks in place.

Finally, both ends of a magnet clasp contain magnets, which attract each another and snap together, locking the piece of jewelry in place. While not always particularly attractive, the newer magnet closures can actually look quite pleasing.

Clips designed to be easy to put on. (photo from Deborah Rubin Fields)

While all these clasps are relatively secure, if you have dexterity issues, six of the eight might be difficult to manipulate. So, if you’d like to continue wearing certain pieces of jewelry, to what clasps should you switch? For people with handgrip problems, two necklace closures are usually recommended: the slide-lock and the magnet clasps.

Israeli Keren Doron, who has designed and produced gold necklaces, however, is skeptical about a magnet clasp staying closed when the necklace is really heavy. She also warns that it is possible to damage a necklace when switching its existing clasp. There are many ways to do so, although it depends on the different kinds of jewelry. For example, Doron said not all necklaces with stones can withstand the heat of burner re-soldering.

Occupational therapists at Jerusalem’s Shaare Tzedek Hospital suggest that people with dexterity problems switch to necklaces that are long enough to simply slip over the head.

If you enjoy wearing costume jewelry, a new Israeli company offers another solution. Snaps (snaps.co.il) makes attractive necklaces and earrings that completely do away with clasps. Instead, designers Lilach Bar Noy and Inbar Ariav glue snap fasteners to the back of their pendants (using either a single or double set of snaps) and to each end of the necklace chain. Without having to apply much pressure, the male and female parts of the snap attach.

Wearing pierced earrings may also be a problem for people with hand issues. One solution is to wear omega-back earrings with a hinged back that simply flips closed; there are no tiny posts or backs to manipulate.

Neta ben Bassatt’s fashion jewelry addresses the problem of closures in a different manner. As a student at Bezalel Academy of Arts and Design, she won a prize for her coat pins designed especially for people who have visual impairments. Her wood and brass pins may be used with heavier clothes, such as cotton, wool, linen, etc. Two of her pins have a kind of clasp that can fasten best to a shirt collar or the lapel of a suit, where it is easier to get to the other side of the fabric. Her other designs feature a long, open needle pin, which can be attached anywhere on the fabric. Importantly, the wearer does not need to touch the pin itself, thus eliminating the chance of sticking oneself.

Is jewelry important? The answer depends on whom you ask. One thing is clear: jewelry has been around a long time. As early as Chapter 24 of the Book of Genesis, Abraham’s chief servant (Eliezer) is giving jewelry to Rebecca’s family. And, with people living longer, more and more adaptability and accessibility issues will arise, so we are likely to be talking about jewelry for a long time to come.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.

Format ImagePosted on March 8, 2019March 6, 2019Author Deborah Rubin FieldsCategories Visual ArtsTags disability, fashion, jewelry, style, technology
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