More than 16 years ago, I was accepted into a master class for writing fiction with a well-known regional author at a university near me in Kentucky. I’d written lots of non-fiction and dabbled in fiction. I thought this would be a good opportunity. Shortly after arrival, I realized that this was a fiction class that specialized in Appalachian themes. Although I was from Virginia, my background wasn’t Appalachian. I felt like an outsider. I was also the only Jewish person there. As things progressed, the author suggested we should always “write what we know!” He talked a lot. The class was a lot drier than I’d hoped.
When it was time for short writing exercises based on prompts, I let loose. I purposely wrote to fit in, creating a vignette around church. When it came time to read these pieces, everyone nodded along with my church scenario – I was fitting in, but only because I was purposely faking it. First, I’d proved to myself that “write what you know” wasn’t always necessary, because, of course, famous fantasy or science fiction authors don’t truly know the alternate worlds they dream up. Even fiction authors don’t always know how to do everything they describe in their imaginary worlds. Second, I’d faked being part of the majority religious culture and those classmates bought it.
In the afternoon, it was time to workshop pieces we’d submitted earlier. I’d submitted writing that had been favourably reviewed elsewhere. I felt somewhat confident. However, the workshop’s approach was to criticize without complimenting – and many comments didn’t even seem relevant to what I’d written. When I tried to respond, I was shushed and told I must not know how these kinds of workshops worked. Responding was bad form. I was meant to be “shamed” without recourse. I felt vulnerable and took their unhelpful comments to heart, forgetting that I’d been part of different yet successful writing workshops long before, as a teen at the University of Virginia. The day dragged on. I noted the famed author’s agitation and cigarette smoking at the breaks. I wasn’t having a great learning experience.
I returned home to spend the evening with my husband and my father-in-law, who was visiting from New York. They’d just heard of the sudden death of a close family friend in a skiing accident. I devoted my evening to them and realized that skipping day two of this workshop to be with family was more important. I sent regrets to the famous author’s class, but I mostly felt relief.
Later, I learned that the famous author, whose work was described as traditional, heterosexual rural Kentucky, and who had a wife and small kids, was going through a divorce at the time of the workshop. Later, he became happily married to a man. I wondered again about the “write what you know” and “represent your identity” advice.
This all came to mind when I recently read obituaries of Tom Stoppard and Frank Gehry. Stoppard, a great Czech/British playwright, only addressed his Jewish heritage later in life, when he learned more about what had happened to his family during the Holocaust. Gehry, born to a Polish-Jewish immigrant family in Toronto, heard Talmud from his grandfather as a child. Although Gehry claimed he was an atheist, he attributed his questioning and creativity to the rich encouragement of his childhood. Gehry changed his name from Goldberg to Gehry at the urging of his first wife, who wanted to avoid antisemitism.
I gained access to this fuller description of these creative figures not from a single write-up but from several. If I’d relied on the CBC’s account of Gehry, I’d only have known about his Judaism from his name change and antisemitism concerns; CBC never used the word “Jew” or “Jewish.” The retrospectives on Stoppard’s work came from both the CBC and Jewish publications, but Stoppard’s last name came from a non-Jewish stepfather. That man wanted him to stop using the name Stoppard when his work became too “tribal” or Jewish for his stepfather’s taste.
Stoppard and Gehry were ethnically Jewish and had identity struggles. They and their families wrestled with who they were in a cultural climate that made it hard to be Jewish. I didn’t know either of these men or their families, but the public obituaries and descriptions brought into sharp focus that same feeling I’d had when I wrote about church activities from a first-person perspective.
I remember a family friend who changed his name to avoid quotas, to get into medical school more than 60 years ago. I’d hoped that this need for identity code-switching would no longer be so pressing when I moved to Winnipeg in 2009. For a time, this was true. I didn’t have to be so careful about saying who I was and what that meant. Now, after Oct. 7, this struggle has risen to the forefront again.
Since Oct. 7, 2023, we’ve faced options like whether to downplay our ethnoreligious identity, embrace it with joy and pride, perform it by speaking out against hate or by being a “good Jew” who doesn’t, the kind with whom many non-Jews feel most comfortable.
This isn’t an obvious choice. Many of us code-switch daily. It’s no different than what Jews did during the Hellenizing days leading up to the Maccabees and the Hanukkah story, or the days of the European Enlightenment, when Jews were finally considered “citizens” – up to 1933 or so.
There isn’t a “one size fits all” answer, nor is it clear that anyone would have the same answer for every situation. I often think back to that “famous author,” carefully performing as a heterosexual, married man and droning on as an expert. It may be that we’re all experts on our own identities, but it’s also necessary to name the experiences we have when we purposely or unconsciously obfuscate, struggle or react with pride when it comes to who we are.
Some parts of our identities loom large. Other aspects of who we are may lurk in the background most of the time. We cannot examine these issues until we think about them and name them. It’s easy to tell people to “write what they know.” It’s much harder to write who we are and what we don’t know, especially when it feels unsafe. Further, just like how Gehry and Stoppard’s names changed, we, too, evolve, morph and change over time, even if we don’t know how to describe it.
Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.