Skip to content

Where different views on Israel and Judaism are welcome.

  • Home
  • Subscribe / donate
  • Events calendar
  • News
    • Local
    • National
    • Israel
    • World
    • עניין בחדשות
      A roundup of news in Canada and further afield, in Hebrew.
  • Opinion
    • From the JI
    • Op-Ed
  • Arts & Culture
    • Performing Arts
    • Music
    • Books
    • Visual Arts
    • TV & Film
  • Life
    • Celebrating the Holidays
    • Travel
    • The Daily Snooze
      Cartoons by Jacob Samuel
    • Mystery Photo
      Help the JI and JMABC fill in the gaps in our archives.
  • Community Links
    • Organizations, Etc.
    • Other News Sources & Blogs
    • Business Directory
  • FAQ
  • JI Chai Celebration
  • JI@88! video

Search

Weinberg Residence Spring 2023 box ad
Follow @JewishIndie

Recent Posts

  • Vazana at Chutzpah! Fest
  • VIFF films explore humanity
  • Past, present & future
  • VIFF 2023 ticket giveaway
  • Dialogue on democracy
  • A land of contradictions
  • Love and relationships
  • Elana Wenner joins museum
  • New librarian at Waldman
  • Tulchinsky at VPL as 2023 writer in residence
  • A heartwarming gathering
  • Six weeks of fun
  • Obligated to warn of danger
  • Recovery from surgery
  • לקנדה יש תוכנית נוודים דיגיטליים חדשה
  • Resilience in facing fire
  • Trio launches campaign
  • Moment for gratitude
  • Gondar in need of help
  • Response to death sentence
  • Train as peer support
  • CJPAC bridges engagement
  • The traveling Hebrew school
  • Volunteer from your home
  • CIJA takes campaign public
  • Film is a tribute to Burquest
  • Local teens in JCC Maccabis
  • Value of community
  • Local among new olim
  • Rockower win leads to NOLA
  • Urban warfare training
  • Kalla’s toxic new thriller
  • Habonim role pivotal
  • A yearly reminder to return
  • About the Rosh Hashanah cover art
  • New recipes for a new year

Archives

photo - Dancers Jeremy O’Neill, Ted Littlemore and Kate Franklin

A further peek at Cohen’s Orfeo

0 Flares 0 Flares ×

Dancers Jeremy O’Neill, Ted Littlemore and Kate Franklin. (photo by Idan Cohen)

Last May, Idan Cohen introduced local audiences to his reimagining of Christoph Willibald Gluck’s opera Orfeo ed Euridice. He will share more of this ongoing work in EDAM dance company’s Spring Choreographic Series, in which he is a guest artist, along with Jennifer McLeish-Lewis.

In six performances between April 10 and 20 at EDAM’s home at the Western Front on East 8th Avenue, Cohen and McLeish-Lewis will present new work, while EDAM, under artist director Peter Bingham, will present a directed improvisation.

“I was introduced to Peter and the EDAM family through Linda Blankstein, who I met through the DanceLab residency I took part in last May at the Dance Centre,” Cohen wrote the Independent in an email from London’s Heathrow Airport, as he waited for his flight back to Vancouver. “Among the many other roles through which Linda supports Vancouver’s arts community, she is on the board of EDAM, and was kind enough to introduce my work to Peter.

“The space and people at EDAM were very welcoming,” said Cohen, who is artistic director of Ne. Sans Opera and Dance. “Peter invited me and the performers to take his daily morning classes, and offered this wonderful opportunity for me, Ne. Sans and the artists collaborating on this piece – musicians/dancers Jeremy O’Neill, Ted Littlemore and Kate Franklin.”

The part of Orfeo ed Euridice that Cohen will showcase next week is called Trionfi Amore (in English, The Triumph of Love).

“In Greek mythology, Orpheus [Orfeo, in Greek] was a musician and a poet who had the ability to enchant all living creatures through his musical gift, and could even stop the waves of the ocean from rolling,” explained Cohen. “In an attempt to bring his newly married wife Eurydice back to life from the dead, Orfeo persuades the guardians of the underworld to allow him entry to their kingdom.

“Trionfi Amore deconstructs the key elements and motives of the story and puts it into a contemporary context. We integrate dance with a bit of live music in a piece that speaks of love, and of the power of music and art to move, entertain and touch us. We also look at the power of art to manipulate, exploring the ways in which different aspects of love can be transformed into the act of performance. I am focusing on the ‘love story’ part of the mythological tale, recreating its themes through the intimacy and fragility of the body.”

For more about Orfeo ed Euridice, see jewishindependent.ca/the-power-of-music-and-love. For tickets to one of the EDAM Spring Choreographic Series performances, visit edamdance.org.

Print/Email
0 Flares Twitter 0 Facebook 0 Google+ 0 0 Flares ×
Format ImagePosted on April 5, 2019April 2, 2019Author Cynthia RamsayCategories Performing ArtsTags choreography, dance, EDAM, Idan Cohen, Ne. Sans, opera, Orfeo ed Euridice

Post navigation

Previous Previous post: Story of love and second chances
Next Next post: Quebec’s underlying goal
Proudly powered by WordPress