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A FREE Facebook Watch Event: Resurrecting Dead Fairy Tales - Lecture and Q&A with Folklorist Jack Zipes

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A graphic novel co-created by artist Miriam Libicki and Holocaust survivor David Schaffer for the Narrative Art & Visual Storytelling in Holocaust & Human Rights Education project. Made possible by the Social Sciences and Humanities Research Council (SSHRC).

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The Museum of the Southern Jewish Experience is scheduled to open soon.

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Tag: Imri Elya

Boy makes historical find

Boy makes historical find

The tablet found by Imri Elya. (photo by IAA via Ashernet)

Imri Elya was on an outing with his parents at Tel Jemmeh archeological site near Kibbutz Re’im when he picked up the square clay object. His parents contacted the Israel Antiquities Authority (IAA) and they handed over the item to the authority’s National Treasures Department.

photo - Imri Elya, 6, from Kibbutz Nirim, near the Gaza Strip, holds his certificate of good citizenship and the tablet he found
Imri Elya, 6, from Kibbutz Nirim, near the Gaza Strip, holds his certificate of good citizenship and the tablet he found. (photo by IAA via Ashernet)

According to archeologists Saar Ganor, Itamar Weissbein and Oren Shmueli of the IAA, the artifact was imprinted in a carved pattern, and the artist’s fingerprints even survived on the back. The tablet depicts the scene of a man leading a captive. According to the researchers, “The artist who created this tablet appeared to have been influenced by similar representations known in Ancient Near East art. The way in which the captive is bound has been seen previously in reliefs and artifacts found in Egypt and northern Sinai.”

They date the artifact to the Late Bronze Age (between the 12th and 15th centuries BCE) and believe that the scene depicted symbolically describes the power struggles between the city of Yurza – with which Tel Jemmeh is identified – and one of the cities close to the Tel, possibly Gaza, Ashkelon or Lachish, or the struggle of a nomadic population residing in the Negev. The researchers believe that the scene is taken from descriptions of victory parades; hence, the tablet should be identified as a story depicting the ruler’s power over his enemies. This opens a visual window to understanding the struggle for dominance in the south of the country during the Canaanite period.

Format ImagePosted on June 12, 2020June 11, 2020Author Edgar AsherCategories IsraelTags archeology, history, IAA, Imri Elya, Israel, Israel Antiquities Authority
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