Tag: David Diamond

Improv conference held here

Viola Spolin is widely thought to be the mother of modern improvisation. (photo from amazon.ca)

If you thought that improv was only for entertainment, think again. This summer’s applied improvisation conference at Granville Island will showcase some of the world’s best applied improvisation coaches, trainers and facilitators.

The conference will be hosted by the Applied Improvisation Network in partnership with the Improv Centre, formerly Vancouver Theatresports.

Avril Orloff is one of four Jewish community members on the Vancouver conference planning committee. She told the Independent that there will be more than 30 workshops offered, from improv in education and health care to using it to navigate difficult conversations, increase confidence, build community and address humanitarian issues.

“The hard part will be choosing among all the great offers,” she said.

Conference dates are July 27-30, with July 25-26 called “Learning Journeys” before the conference proper, where people can sign up to do a deep dive into particular topics for a half or full day.

“Another highlight is the Open Space sessions on the final day, which is a marketplace of ideas where anyone can offer a workshop on any topic they’re particularly interested in,” said Orloff. “Open Space is a great lab for people who want to test out new ideas, processes and games, or put out an ask to anyone who’s willing to answer.”

Orloff dived into applied improv in 2022 and fell in love with it.

“The weekly classes and open space sessions were a bright spot in my life during the pandemic,” she said. “They expanded my outlook beyond the confines of the immediate moment and made me feel connected during a time of isolation.”

Since then, she has used applied improv techniques more and more in her work as a facilitator, starting with the online “connection cafés” she hosted during the pandemic, and now in person.

Avi Dolgin is another community member on the planning committee. He said they are expecting 200 delegates with a dozen or so who are local but the majority from elsewhere in Canada, as well as from the United States, Europe and Asia.

Dolgin sees improv as a profound way of unlocking human potential. Now retired, he uses improvisation to teach Bibliodrama at Or Shalom.

“In my life, an improvisation mindset encourages me to greater spontaneity, unexpected creativity and a greater willingness to help others in their ideas,” he said.

Carol Ann Fried, an inspirational speaker and consultant who lives in Vancouver, is also on the conference committee. She is presenting an applied improv workshop alongside Sarah Fisk and Matt Weinstein.

“Now that many people – but not all – are meeting again in person, the need to conduct ‘hybrid meetings,’ where some are in person and others are online, has arisen,” she said. “This split format is difficult, in part because it is hard for people to interact with each other. Our session attempts to address this issue with specific structures and activities to engage people in a hybrid setting, that are based in the values of improv, and that can be used in any work context.”

Well-known improviser Colin Mochrie will be one of the keynote speakers at the conference. Mochrie is most famous for appearing in the television show Whose Line Is It Anyway for the last 30 years.

Jewish community member David Diamond is the other keynote speaker. He will be giving a demonstration of Theatre for Living, with three audience members. Based on Augusto Boal’s Theatre of the Oppressed and Diamond’s lifelong interest in physics, Theatre for Living uses improvisation to create scenes that stimulate community dialogue and calls for change, in particular cross-sectoral understanding.

Applied Improvisation Network (AIN) was created in 2002 to bring together professionals with a keen interest in the study, practice and teaching of applied improvisation. Initially, a group of 30 or so improvisers gathered for the first conference in San Diego. Today, AIN is a global community of more than 8,000 participants online and across numerous regional and local groups.

Ed Reggi is AIN’s president and another member of the Jewish community. Reggi, who lives in St. Louis, Mo., told the Independent that there has always been a Jewish presence in the organization, from its founding to the present day.

Reggi said he takes his inspiration from Viola Spolin (1906-1994), who is widely thought to be the mother of modern improvisation. Spolin was the daughter of Jewish immigrants from Ukraine. Spolin’s father, Make Mills, had escaped pogroms in Ukraine to come to the United States. Her grandfather stayed in Ukraine and died at the hands of Stalin’s troops after the Soviets took his farm.

Much of Spolin’s work and success comes from her body of experience around recreational play. She studied under Neva Boyd, who was a sociologist, and documented recreational games, dance and activities that came over from Europe, Reggi said.

“Of course, Viola’s son, Paul Sills, watched his mother developing her Theatre Games and he took them over to the University of Chicago, where he worked with Mike Nichols, Elaine May, Ed Asner, Alan Alda and Avery Schreiber and so many more.”

Sills went on to create the Second City in Chicago, now North America’s oldest improvisation theatre institution, where Saturday Night Live stars Gilda Radner, John Belushi, John Candy, John Belushi, Dan Aykroyd, Eugene Levy and Catherine O’Hara made their debuts.

Reggi is excited about attending the conference here in July.

“I think, because this conference is happening in Vancouver, I expect more Jewish presence. Last year, we were in Ávila, Spain, after two years of being halted by the pandemic. I am thrilled to be coming back together in person again.”

For more information about the conference, go to appliedimprovisationnetwork.org/vancouver-conference-2023.

Cassandra Freeman is a freelance writer living in Vancouver.

Replace your fear with hope

David Diamond, Theatre for Living, directs Reclaiming Hope. (collage graphic design by Dafne Blanco, photos by Wolfgang Rappel)

Starting on March 10, Theatre for Living (formerly Headlines Theatre) will be presenting a new event. Called Reclaiming Hope, it will “engage communities in identifying and transforming the narrative of fear that permeates our culture.”

Reclaiming Hope, led by Theatre for Living’s co-founder and artistic director David Diamond, will take place 12 times from March 10 to April 2 at various locations.

“The work that I do is really based in using theatre as a way to create dialogue in the community. We are a professional theatre company, but one that is really committed to collaborations with people in all communities,” said Diamond.

Diamond originally trained as a professional actor and came out of theatre school in 1975. He worked in professional theatre, radio, television and film for a few years before creating Theatre for Living with some of his peers.

“A number of us, writers, directors, actors, became frustrated in the late ’70s with the kind of work we were being asked to do. We wanted to do some kind of theatre work that was socially relevant. After complaining about that for a very long time, we decided we would stop sitting around and complaining, and we would do something about it.”

In 1981, Diamond and his peers created a play about affordable housing. It was a hit, and thus began the establishment of Theatre for Living.

Reclaiming Hope, Theatre for Living’s newest work, was born out of an unexpected turn of events. Diamond and company were initially planning a new project entitled Freedom, which would focus on the idea that corporations may unethically possess the freedom to generate exceptional wealth. But, as Theatre for Living was raising money for this production, the Canadian federal election took place.

“The impulse for that project was grounded, frankly, in Harperism. It isn’t that those issues have now gone away, the issues still exist out there, but the juice of it changed dramatically. Changing the government hasn’t solved all of those problems, but changing the government has changed the perception of those problems.

“We had to really reframe the project. Added to that, we were having trouble raising money for that project, because it was really challenging the financial structures that we have built around us. One of the elements of Freedom that we decided to focus on in Reclaiming Hope is that we are being asked to be afraid, we are being asked to live in fear from so many different sectors,” said Diamond.

Theatre for Living decided they would mount a series of theatrical events that would look at the different ways that various communities are experiencing being asked to live in fear. They would use theatre to identify those voices of fear that take up residence in the community’s psyche. They would also use theatre to try to change the community’s relationship to those voices, so that, according to Diamond, society could move into a more actively hopeful realm.

“‘Hope’ is a verb. ‘Hope’ isn’t just sitting in your living room wishing things were different. ‘Hope’ is getting up off your ass and doing something to make our communities safer in a really human type of way for everybody.

“Somehow,” he said, “we have decided on this little blue speck of a planet, that there is a ‘them.’ That decision that there is a ‘them’ out there, that there is more than just ‘us’ living here is fueled by voices of fear.”

Diamond believes that he and his peers are not inventing something new, but rather reaching back into something ancient. Moreover, he intends to bring back the ancient idea that art itself can once again be seen as the psyche of the community.

Diamond and his company believe that the community may reclaim its collective hope through art.

“Years ago, both as an artist and as an activist, I got really tired of working against a world that I did not want. I made a real choice to work towards a world that I do want. So, at the heart of our theatre work, is the sense of reclaiming positive action,” he said.

An audience member unfamiliar with Theatre for Living’s style should expect to be very active when attending Reclaiming Hope. The event, though structured, will be different every night, as it unfolds with the stories of its nightly participants. As each show will be sponsored by different co-hosts, Diamond anticipates that the chemistry of the audience will be different every night. (For the schedule and tickets, visit theatreforliving.com.)

Diamond will begin each show with a discussion about the idea of living in fear. The audience will then choose one story that resonates the most. The person whose story that is will assume a role on stage, interacting with other audience members who will act out the voices of fear found in the story.

“Audience members will come to play those characters not because they want to play a theatre game,” said Diamond, “but because they have information to share, they understand the ‘voice.’”

Each event will be highly improvisational, and Diamond expects both funny and profound moments to occur. Judging by past events, Diamond expects about 60 to 150 people per night.

On April 3, the series of events will culminate in a day of action planning. This day will only be open to individuals who have attended at least one of the Reclaiming Hope performances. The daylong session will consist of a facilitated workshop where people will form groups based on ideas gathered from Reclaiming Hope. These groups will then make concrete plans for actions that will be the ultimate realizations of Reclaiming Hope.

“On some level,” said Diamond, “I think it is important as a culture, as an over-arching Canadian culture, that we understand and reclaim this idea that culture is not a commodity, that theatre is not a commodity, but it is a language, and we are all supposed to speak. And if we were all of us in our daily lives speaking more art, we would be living in a healthier world.”

Jonathan Dick is a freelance writer living in Toronto. His writing has appeared in the Canadian Jewish News, and various other publications in Canada and the United States.