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Tag: Boris Sichon

Music a family tradition

Music a family tradition

Rebecca Sichon will perform a set at the Mission Folk Music Festival on July 26. She, her father Boris Sichon, DIVKA and Nastasia Y share the stage earlier that day as well. (photo by Sara De Ledesma)

Ukrainian-Canadian jazz, soul and R&B artist Rebecca Sichon grew up attending the Mission Folk Music Festival, and performed there as part of the Youth Open Stage in 2017. At this year’s festival, July 24-26, she will take to the  stage with her own music and band – she will also perform with her father, Boris Sichon, a festival veteran, as part of the show Unorthodox.

“I believe this will be my 16th time performing at the Mission Folk Music Festival,” said Boris Sichon. “What keeps bringing me back is the atmosphere. It is a very special festival, where there is a real connection between artists, organizers, volunteers and the audience.

“People come not only to listen to music, but also to discover something new,” he said. “As a musician who plays unusual instruments from different cultures, I always feel that people at Mission are open, curious and ready to travel with me through sound.”

Trained in classical percussion in Ukraine, where he was born, and in St. Petersburg, Sichon has traveled extensively – as a composer and performer – learning countless musical traditions along the way. In his performances and workshops, he draws on his collection of more than 400 instruments gathered over decades.

photo - Boris Sichon
Boris Sichon (photo from missionfolkmusicfestival.ca)

This year, though, his participation in the folk festival will be a little different than usual.

“I will be supporting Rebecca’s songs by creating atmosphere around her voice and piano,” he said. “I will be playing different instruments, including flutes, the Armenian duduk and maybe the Australian didgeridoo. I will also bring some atmospheric percussion instruments like the ocean drum, rainstick and wind machine. These instruments bring sounds of nature into the music and create a space around the songs.

“I may also share some solo pieces during the festival, with instruments from different parts of the world,” he added.

“For the Unorthodox set, I will be mostly performing with my dad and singing a few tunes that marked the start of my artistry,” said Rebecca Sichon.

“We grew up singing folk songs in Yiddish, Ukrainian and Romani and plan to showcase a few of our favourites,” she said.

Her personal set will include songs from her album, which is currently in the works, and her more popular tunes – “all living in the world of soul, jazz and R&B.” She will be joined in concert by Nicholas Bosman (bass, electric guitar, vocals), Mat Trewhit (backing tracks, cajon, percussion) and Elias Cerpa (keyboards, vocals).

“I grew up immersed in music, thanks to my very musical father, Boris, and my very encouraging and noise-tolerating mother, Faina,” said Sichon about her choice of career. “The radio was always on in the house, playing classical, jazz, world music or whatever CD my dad would bring home from his tours. I was put into piano lessons at the age of 7, my dad hoping it would give me the skills needed to songwrite and accompany myself in the future. I went on to complete six levels of the Royal Conservatory in piano and, just as my dad hoped, started writing and accompanying myself at the age of 11.”

She has always gravitated to jazz, soul and R&B. “I remember transcribing Ella Fitzgerald’s ‘Airmail Special’ at the age of 9, and loving the complexity of rhythm, enunciation and melody,” she said. “However, in my teens, I primarily wrote and listened to pop, thinking it was the ‘right’ direction to go in artistically. In my early 20s, I realized soul, and its relative genres, are exactly where I want to be musically.”

In addition to the piano, her father encouraged her to try out different instruments when she was young.

“I was a bit resistant to it,” she admitted. “But, as I’ve gotten older, I have slowly started a collection of instruments he’s gifted me, and I have a much bigger appreciation for it now. I do love the guitar and find it the most versatile, but I always come back to the piano; it feels the most grounding and inspiring for songwriting.”

While her dad is a musician through and through, Sichon said, “My mom would tell you she isn’t, but she’s got a beautiful voice, can play piano and is immensely creative in visual arts (she makes clothing and accessories out of wool, aka felting).”

Growing up, her parents instilled in her “a deep respect and admiration for Judaism and its traditions,” she said. “Growing up in a small town, I didn’t have much access to Jewish community, something I later found through attending Camp Miriam, a Jewish summer camp that gave me a meaningful sense of connection and belonging. While I no longer actively practise Judaism, being Jewish remains an important part of my identity. I carry a lot of love for the community and feel proud of my heritage and the generations of family history that came before me.”

Boris and Faina Sichon have five children. “Music was always a natural part of our family life,” said Boris Sichon. “At different times, all of the children played instruments…. Today, Rebecca is the only one who is a professional musician, but, for us, music was never only about becoming a musician. It was about creativity. We often improvised together at home. It was not important whether someone was a great player or just starting. The important thing was to listen, experiment and create something together.”

Father and daughter were making music together long before they shared a stage.

“What I remember most is how emotional those moments were. Of course, she is my daughter, and I love her very much. I shared with her everything I knew about music and the world of instruments,” said Boris Sichon. “But there was also something special in her from a very young age. Even when she was 2 or 3 years old, she could sing children’s songs very clearly, with perfect pitch. She had a natural gift. Her voice always had something that could touch people. She has always been a very sensitive and caring person, and I think that feeling comes through in her singing and in the songs she writes.

“Our first public performance together was around 2011, when she was 10 years old,” he said. “I remember feeling that I was not only accompanying my daughter anymore – I was sharing music with another artist.

“What I admire most about Rebecca is that she has always been herself. She never tried to copy anyone else.”

Both Sichons have a busy summer ahead.

Rebecca Sichon will take part in Canada Together on July 1, at Canada Place. She also has an engagement on July 9 at Intrigue Wines, in Lake Country, BC, and at the Burnaby Blues + Roots Festival Aug. 8, at Burnaby Village Museum. For more information, visit rebeccasichon.com.

Boris Sichon will take part in a festival on Hornby Island in July, “with the Borealis String Quartet and composer Paul Alexander, who has written music especially for this event,” he said. “Before that, I will be involved in a summer camp, sharing music and instruments with young people and encouraging creativity.

He’s looking forward to the Mission Folk Music Festival and, later in the season, the Mission Renaissance Faire.

“All of these projects,” he said, “are connected by the same idea: using music to bring people together, create curiosity and remind us that sound is a universal language.”

The Mission Folk Music Festival takes place at Fraser River Heritage Park. It offers more than 25 acts from across North America and elsewhere, performing a range of genres. Both the show Unorthodox, which also features DIVKA and Nastasia Y, and Rebecca Sichon’s concert take place on July 26. Visit missionfolkmusicfestival.ca. 

Format ImagePosted on June 26, 2026June 24, 2026Author Cynthia RamsayCategories MusicTags Boris Sichon, jazz, Mission Folk Music Festival, R&B, Rebecca Sichon, soul
Traditional yet contemporary

Traditional yet contemporary

Boris Sichon, above, and Jesse Waldman return to this year’s Mission Folk Music Festival, which takes place July 26-28 at Fraser River Heritage Park. (photo from missionfolkmusicfestival.ca)

“I know that people are going to find that new-to-them artist that changes their world. I know that new friendships will be forged among volunteers. And I know that people will just enjoy being together in the park in community,” said Michelle Demers Shaevitz, artistic and executive director of the Mission Folk Music Festival, about the upcoming weekend-long event. “That’s what I look forward to the most.”

Joining Demers Shaevitz at this year’s festival, which takes place July 26-28 at Fraser River Heritage Park, will be fellow Jewish community members Boris Sichon and Jesse Waldman. Both musicians are returning artists to the festival, but will be performing new material.

Sichon will be leading the interactive Recychestra, an orchestra that uses musical instruments made from recycled objects. The performance is the last part of an instrument-building program offered through the City of Mission next month.

The idea for Recychestra came from a meeting with Mark Haney, a composer and musician working for the City of Mission, said Sichon. The program comprises seven sessions between July 6 and 26 at the Mission Leisure Centre, culminating in the July 28 performance at the Mission Folk Music Festival – though Sichon would like the program to carry on.

“I hope we’re going to continue this project after the festival,” he told the Independent.

Anyone who is interested in participating can do so via mission.ca/culture or by emailing [email protected].

“We don’t know yet who’s going to sign up,” Sichon said. “Kids love to create musical instruments more than playing instruments, while adults enjoy both activities. It would be great to have some musician friends from the Mission community.”

Even if someone hasn’t attended the program, they will be welcome to join the orchestra at the festival performance, said Sichon. “We will have enough recycled instruments. It will be a very friendly atmosphere, joyful. Play and dance!”

Waldman is also looking forward to performing at the Mission Folk Music Festival.

“We’ve got some great new songs to share and a couple tricks up our sleeves, too!” said Waldman, who will perform in several music sessions, including in concert with Beau Wheeler on the Sunday afternoon of the festival. The collaboration with Wheeler has been a long time in the making.

“I’d seen Beau perform at an art space in East Van nearly 20 years ago and was blown away,” said Waldman. “Many moons passed, until 2018, where I was performing in the Monica Lee Band and we shared a bill with Beau at Pat’s Pub. Beau caught our set with Monica and invited the band to stay on stage and join him and it was a magical moment. We decided we should get together again and that’s how it all started. We have a lot of the same taste in music and are both very emotional players. I try and add memorable and atmospheric parts to fit the feeling of Beau’s amazing songs.”

Waldman has been busy since the Independent spoke with him in advance of last year’s Mission folk festival. Among the highlights, he said, are “[t]he completion of a new full-length album entitled The Shimmering Divide, set for release September 2024 [and an] outstanding full band performance at Or Shalom Synagogue featuring a rendition of ‘Papirosen,’ where the band played along with my grandmother’s voice from a tape from 1957.”

The video of that performance can be viewed at youtube.com/watch?v=5F5GNRMf1fQ. For more about the song, visit jewishindependent.ca/a-great-grandmothers-song.

photo - Jesse Waldman
Jesse Waldman (photo from jessewaldmanmusic.com)

Following Waldman’s first album, Mansion Full Of Ghosts, The Shimmering Divide “sees an even more introspective songwriting exploration by Waldman with lyrics that are both confessional and poetic, vulnerable and hopeful, spanning the personal and the universal,” notes the PR material.

“For me, the title The Shimmering Divide represents the age-old battle between good and evil, which path to take to do the right thing in your life – those points in your life are charged with possibilities that can change it forever,” said Waldman.

In all, some 30 artists from around the world will be participating in this year’s Mission Folk Music Festival. In selecting performers, Demers Shaevitz tends to focus on a theme. 

“This year,” she said, “I was digging into this idea of tradition and looking for artists that are grounded in their tradition. What that means for me is finding artists who can emphasize a through line in their music. Who can take the best parts of their culture, genre, community or language, for example, and bring it to audiences in new and or exciting ways. This is key to me when I consider folk traditions: I want contemporary takes on this heritage artform. We’ll hear that in Moira & Claire and their Maritime song tradition. We’ll hear that in how PIQSIQ presents Inuit throat singing in a contemporary context. And we’ll hear (and dance) to how Kobo Town takes traditional Trinidadian sounds and modernizes them for today’s audiences.”

For more information about the festival, including the schedule and tickets, visit missionfolkmusicfestival.ca. 

Format ImagePosted on June 14, 2024June 13, 2024Author Cynthia RamsayCategories MusicTags Boris Sichon, Jesse Waldman, Michelle Demers Shaevitz, Mission Folk Music Festival, Recychestra
Connect with music

Connect with music

The Oot n’ Oots band helps launch Mission Folk Music Festival. (photo from Mission Folk Music Festival)

Family band the Oot n’ Oots helps kick off the Mission Folk Music Festival on July 21, as part of the main-stage lineup that opens the weekend of concerts and workshops. Several other Jewish community members are also participating over the weekend, including Boris Sichon, Jesse Waldman and Abigail Lapell, who helps close out the annual event on the evening of July 23.

The theme of this year’s festival builds on last year’s, said artistic director Michelle Demers Shaevitz, also a member of the Jewish community.

“In 2022,” she said, “I programmed a festival that reflected the experience of homecoming, the coming back together of our community, our festival family. This year, I’m digging into the process and ideas of connection and reconnection, as we move through our experiences beyond that initial homecoming and return to the festival. For me, the idea of reconnection speaks to getting to know who we are as a community post-pandemic and how we have changed/emerged as a result of our experiences.

“I was drawn to our 2023 artists through the ways they express their connection to their homelands, their languages, their heritage and cultures, and musical traditions,” she continued. “It’s how Okan celebrates their roots to their homeland of Cuba and her languages and stories, while Terra Spencer sings of the Maritime landscapes and communities around her.

“It could be reconnecting to language, as Cedric Watson and Jourdan Thibidoux explore their roots in the Creole community based in Louisiana alongside Wesli, who sings in his Haitian Creole of home and in French from his newly adopted community in Quebec.

“It’s the ways that Leonard Sumner and Twin Flames sing their connections to their heritage or how Alysha Brilla presents her identity in her songs.”

And, she said, it’s how the Jewish musicians weave their Jewishness into their stories and songs.

screenshot - Boris Sichon on TikTok, playing an instrument he made himself
Boris Sichon on TikTok, playing an instrument he made himself. (screenshot)

Sichon, a classically trained percussionist, plays more than 400 different instruments from around the world, many of which would send most of us to the internet to find out what they are, such as mayuri, zurna and agogo bells. He can also make music from wrenches, plastic containers, kitchen bowls and even rocks – basically, anything. His TikTok videos are quite entertaining and mind-broadening. It’s easy to see why he is in demand for school and other educational workshops. He told the Independent he is currently “in the process of preparing a new program with an accent on voice and wind instruments.”

“I love to perform for kids,” he said. “It gives them an opportunity to travel around the world with exotic musical instruments.”

In performances, Sichon sings songs about “love, friendship and freedom [in] Ukrainian, Gypsy, Russian and Yiddish.” He also plays klezmer, and has taken part in the International Klezmer Festival in Jerusalem for many years. He has played at and collaborated with the Mission folk fest many times and, at this year’s festival, he takes part in a Sunday afternoon session, called Global Routes, with Dongyang Gozupa and Robin Layne & the Rhythm Makers.

photo - Jesse Waldman
Jesse Waldman (photo from Mission Folk Music Festival)

Earlier that Sunday afternoon, Waldman takes to the stage as well. A blues and folk artist, the Independent spoke with him ahead of his participation in the 2019 festival (jewishindependent.ca/blues-klezmer-at-mission). A couple of years ago, he shared more about himself and the importance of family in a piece for the JI about being inspired by his great-grandmother, Adele Waldman, to reimagine the Yiddish song “Papirosen” (jewishindependent.ca/a-great-grandmothers-song).

Making her debut at the Mission Folk Music Festival is Lapell, with a shared session on Saturday (with Alysha Brilla) and on Sunday (with Terra Spencer), as well as being part of the festival closing concert. She said “there’s so much great music on the lineup – personally, I’m especially excited for the workshop stages, to have a chance to collaborate with and get inspired by artists from across Canada and beyond.”

Based in Toronto, Lapell’s latest album, Stolen Time, which came out last year, earned her a 2023 Canadian Folk Music Award for English songwriter of the year. She was similarly recognized in 2020 for her album Getaway and she received a CFMA for contemporary album of the year in 2017 for Hide Nor Hair.

“I’m always trying to challenge myself as a writer and collaborator,” she said. “I’ve had the chance to work with so many great players and personnel on these albums and I think it’s really helped me grow from one project to the next.”

Lapell has always sung.

“Singing and writing songs is very intuitive to me and definitely a big source of comfort and community,” she said. “Ultimately, I think it’s such a primal thing, singing and sharing music – for me, it’s a way of connecting with myself, with nature and with the world at large.”

photo - Abigail Lapell
Abigail Lapell (photo by Jen Squires)

Her Jewishness finds its way into her work subtly.

“I find my writing is infused with a lot of biblical and natural imagery,” she said. “I’m very drawn to stylized, sometimes repetitive language, whether prayerful or playful or both. I was raised in a religious Jewish family, and I think there’s a reverent spirit to my music – and sometimes a touch of gentle dissonance or wry humour – that reflects some of the Hebrew and Yiddish traditions I grew up with.”

For the Oot n’ Oots – 16-year-old Ruthie Cipes (voice, ukulele) with her dad Ezra (voice, guitar, keys) and uncles Ari (voice, guitar, keys), Gabe (voice, bass) and Matthew (voice, drums) – Judaism and Jewish community are important parts of their lives, but don’t necessarily influence their music.

“We’re grateful for the wisdom of our ancestors and the culture bestowed since Abraham,” wrote Ezra and Ari in an email interview with the Independent. “It’s a great gift that makes our lives rich and meaningful. We’re members of the Okanagan Jewish Community and supporters of Chabad Okanagan.”

The family lives in Kelowna.

“Our parents moved us from Westchester County in New York to Kelowna, B.C., in 1987,” said the brothers. “They wanted to get off the money-go-round and be farmers living in connection with the earth. They ended up founding Summerhill Estate Winery.”

The Oot n’ Oots was formed in 2007, when Ruthie was born, “but it really got going in 2015 once Ruth joined the band. We released our first album in 2016, although it was mostly recorded back in 2007. Then we made two more albums after our elder brother Matthew joined the band on drums.”

The group is currently recording their fourth album. Their third album, Ponderosa Bunchgrass and the Golden Rule, was nominated for a 2023 CFMA for children’s album of the year and it also garnered a 2022 Juno Award nomination – they were named Children’s Artist of the Year at the 2022 Western Canadian Music Awards.

“We write songs to make each other laugh and to inspire each other. That’s what we’ve always done and it’s what we continue to do,” said the brothers. “It’s a practice that’s ongoing. We want it to continue to be meaningful as we all grow.”

While the awards may refer to children’s music, the Oot n’ Oots describe their music as “all generations together music.”

“That’s the sweet spot for us – when it’s toddlers, teenagers, parents and grandparents all on the dancefloor together,” said Ezra and Ari. “We have a couple of other musical projects that we do, but the Oot n’ Oots is our focus because it seems to provide the most tangible value, and it feels really good to bring that energy of joy to the world.”

In addition to the festival opener, the Oot n’ Oots play a few sessions with other musicians over the weekend, which takes place at Fraser River Heritage Park. The festival includes food and artisan market vendors, as well as a licensed bistro, and attendees can choose to camp in the park for an additional fee. For the full lineup and tickets, visit missionfolkmusicfestival.ca.

Format ImagePosted on July 7, 2023July 6, 2023Author Cynthia RamsayCategories MusicTags Abigail Lapell, Boris Sichon, Jesse Waldman, Michelle Demers Shaevitz, Mission Folk Music Festival, Oot n’ Oots
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