Skip to content

Where different views on Israel and Judaism are welcome.

  • Home
  • Subscribe / donate
  • Events calendar
  • News
    • Local
    • National
    • Israel
    • World
    • עניין בחדשות
      A roundup of news in Canada and further afield, in Hebrew.
  • Opinion
    • From the JI
    • Op-Ed
  • Arts & Culture
    • Performing Arts
    • Music
    • Books
    • Visual Arts
    • TV & Film
  • Life
    • Celebrating the Holidays
    • Travel
    • The Daily Snooze
      Cartoons by Jacob Samuel
    • Mystery Photo
      Help the JI and JMABC fill in the gaps in our archives.
  • Community Links
    • Organizations, Etc.
    • Other News Sources & Blogs
    • Business Directory
  • FAQ
  • JI Chai Celebration
  • [email protected]! video
Weinberg Residence Spring 2023 box ad

Search

Archives

"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

Recent Posts

  • Who decides what culture is?
  • Time of change at the Peretz
  • Gallup poll concerning
  • What survey box to check?
  • The gift of sobriety
  • Systemic change possible?
  • Survivor breaks his silence
  • Burying sacred books
  • On being an Upstander
  • Community milestones … Louis Brier Jewish Aged Foundation, Chabad Richmond
  • Giving for the future
  • New season of standup
  • Thinker on hate at 100
  • Beauty amid turbulent times
  • Jewish life in colonial Sumatra
  • About this year’s Passover cover art
  • The modern seder plate
  • Customs from around world
  • Leftovers made yummy
  • A Passover chuckle …
  • המשבר החמור בישראל
  • Not your parents’ Netanyahu
  • Finding community in art
  • Standing by our family
  • Local heads new office
  • Hillel BC marks its 75th
  • Give to increase housing
  • Alegría a gratifying movie
  • Depictions of turbulent times
  • Moscovitch play about life in Canada pre-legalized birth control
  • Helping people stay at home
  • B’nai mitzvah tutoring
  • Avoid being scammed
  • Canadians Jews doing well
  • Join rally to support Israeli democracy
  • Rallying in Rishon Le-Tzion

Recent Tweets

Tweets by @JewishIndie

Tag: Noah

Learning from Noah

This week, Jewish Addiction Community Services of Vancouver (JACS) is speaking across the community at various synagogues to help spread the word of how we can help those struggling with a substance use disorder. The talk centres around the weekly Torah portion, Noah, and what we can learn from it.

Who doesn’t know the story of Noah and the ark? Animals two by two, Noah saves the world.

The parashah (Torah portion) opens with: “Noah was a righteous man. He was perfect in his generation. Noah walked with God.” No wonder, then, that when God saw all the evil and sin and decided to “reboot” the system, He chose Noah as his agent on the ground.

But, there is a darker side to Noah’s personal story. The man we find at the end of the parashah is not the “perfect” man introduced to us at the outset.

The parashah tells us that, after the waters recede, the very first thing Noah does upon leaving the ark is plant a vineyard. And immediately thereafter: “He drank the wine and became drunk, and he uncovered himself in his tent.”

A casual read might lend itself to a wisecrack: after being cooped up with animals and no shower for so long, who wouldn’t crave a drink? We might chalk it up to a one-time overindulgence. But the rabbis tell us otherwise, that this digression from the central plot line is no accident. The parashah is drawing our attention to Noah’s misplaced priorities: instead of turning his energy to rebuilding and repopulating the world, his first priority was getting drunk. Thus, the rabbis consider Noah one of the first Jewish alcoholics.

And the story gets more distressing. Ham, Noah’s son, discovers his father passed out, and brings his two brothers into the mix as well, to cover their father’s naked body. The brothers are embarrassed, if not ashamed, to find their father in such a state. And, when Noah wakes up from his drunken stupor and pieces it all together, he is mortified. But instead of engaging in a moment of self-reflection, Noah channels his feelings into a rage and curses Ham and his descendants. In short, family chaos reigns, and shalom bayit (peace of the home) couldn’t be further from the truth.

This, then, is one of the earliest stories that gives rise to the saying that “addiction is a family disease” – it wreaks havoc on everyone. Through this lens, we might be tempted to judge Noah harshly for this significant failing. “How could he do such a thing?” “Did he not think of the consequences?” And, perhaps worst of all, “instead of taking responsibility for his actions he lashes out at his family? This is not OK!” At the extreme, in today’s world of uber political correctness, where cancel culture reigns, some might even be tempted to write off Noah altogether.

That said, yielding to the temptation to judge Noah would be missing the central point of the story. To be sure, Noah does not deserve a “free pass” on his behaviour, but questioning “how did this happen?” or “to what extent should we hold Noah accountable?” is of secondary importance. Far more important than “why did he do it” is “why are we surprised that he did?”

Noah was tasked by God with the responsibility for saving all species during the flood, and then repopulating the world thereafter. Is it any wonder he felt intense pressure? Let alone the significant possibility that, mixed with immense relief at being alive, Noah may have also suffered from a significant dose of survivor’s guilt.

We know that different people handle stress differently, and some end up resorting to coping mechanisms that are hugely self-destructive. Noah was in that camp. To be sure, he made some choices that ultimately led to his alcohol dependency, but, unfortunate as that may be, he was probably not the first to do so, and most certainly not the last.

At a Friday night service at Temple Sholom, Rabbi Dan Moskovitz, as part of his sermon, asked for a show of hands: how many in the sanctuary have been touched (self or a loved one) by substance abuse? The majority of hands went up. In short, our Jewish community is no different from any other subset of our world: far too many are afflicted by a substance use disorder.

This fact led to the formation a few years ago of JACS Vancouver. JACS’s mission is twofold.

First and foremost, JACS’s professional team helps individuals and their loved ones find a path to sustained recovery from substance abuse. If you or a loved one is struggling with substance abuse, JACS is here for you – no judgment, just support and a helping hand to navigate the system and get the resources you need to get better.

Second, JACS is dedicated to community awareness and education, striving to reframe the conversation around substance abuse disorders from judgment to compassion and support. To be clear, substance abuse disorder is a disease, not a choice: nobody sets out with intention to become drug- or alcohol-dependent. Yes, the individual’s path to acquiring a substance use disorder probably included some bad personal choices along the way, but how is that any different from a heart attack victim whose daily commute included hitting the Tim Hortons drive-through? Why do we judge the former, but organize meals and visits for the latter? And, of course, fear of being judged is a huge deterrent to reaching out for help.

Returning to Noah, the parashah is providing fair warning that none of us, not even the “a righteous man who walked with God” is guaranteed a smooth sailing through life (pun intended).

The Talmud teaches that “whoever saves one life saves the world entire.” What the parashah tells us is that Noah saved the world. What it teaches us is that it is our job by reaching out with compassion and understanding to help people save themselves.

For more information, visit jacsvancouver.com.

– Courtesy JACS Vancouver

Posted on October 8, 2021October 6, 2021Author JACS VancouverCategories Op-EdTags addiction, JACS Vancouver, Judaism, Noah, Torah

Silver linings, anyone?

By Michael Vadon - from Wikipedia
Photo by Michael Vadon – from Wikipedia

As the majority of the world sits in shock that a reality TV star was actually voted in to be the next President of the United States (happy or not, y’all have to admit only Michael Moore expected this result!), many awoke Wednesday morning trying to make some sense of it all.

It’s usually around this time that the desperately positive side of me seeks some kind of solace or acceptance by trying to find a silver lining in a seemingly poor situation – that same part of me that has allowed me to be a Vancouver Canucks fan for so many years.
It is with that train of thought that I consider what possible positive outcome might eventually come from the fact that more than 50 million Americans submitted their vote for a man with no international political experience, the temperament of a bully, sexist tendencies and an undeniable ability to look someone in the eye and lie if it suited him in that moment.
There was an intense sense of panic across the country leading up to this election. There was panic from those who feared their country was already falling apart and looked to Trump as their only option for change. There was also panic from those who opposed Trump and feared the type of change he could bring.
It became clear, however, that very few Americans felt that their country was going to be just fine no matter what happened Nov 8.
Perhaps the shocking election of Donald J. Trump was the wake-up call or the shake up the country needed to become more focused on what it needs to do in order to actually become whole again.
If Trump is as ridiculous, ignorant and unprepared as President as he showed to be during his campaign it’s going to become painfully obvious rather fast. In which case the need for dramatic reform could kick the country into high gear, unite leaders in unprecedented ways and refocus the entire country.
Or perhaps Trump becomes humbled by the responsibility of leading the free world, learns on the job quickly and becomes the new type of leader millions of Americans are hoping for. If that happened it would also completely change the way American politics function moving forward.
Of course it’s also possible he leads the country into civil war, alienates millions and sets of world-wide fires that can’t be easily extinguished while the US of A becomes a joke, sending Western society into grave danger. But let’s stay on the possible silver lining track here for a minute!
It is clear that something had to give. Much like when mother nature sets off natural disasters in order to renew herself for the longevity of the planet, perhaps this disaster of an election will do the same for the longevity of the USA.
Perhaps this is the political version of the story of Noah and the flood and America can come out of this disaster ready for a more positive future.
Unfortunately, as many Americans learned while crashing the Canadian immigration website last night, Canada is not the Ark!
Happy silver linings, everyone!
Posted on November 10, 2016November 11, 2016Author Kyle BergerCategories It's Berger Time!Tags ark, donald, Donald Trump, Election, Noah, Trump
Noah channels God’s wrath and humankind’s fallibility

Noah channels God’s wrath and humankind’s fallibility

Russel Crowe is Noah in Darren Aronofsky’s latest film. (photo from Paramount Pictures)

An earnest amalgam of free-association Bible story, dire disaster movie and family melodrama, Noah is a more thoughtful and provocative movie than one has any right to expect. Sure, it’s ludicrous and ponderous at times and embellished with gratuitous special effects, but it also succeeds in prodding the viewer to reflect on his or her behavior toward others and relationship to God.

Darren Aronofsky, a Brooklyn Jew by birth and upbringing, has concocted a sporadically inspired film with enough fodder for a month of sermons. It’s a compelling saga up until the great flood, when key plot elements collide with enough force and absurdity to sink an ark. Metaphorically speaking, that is. After all, the species (plural) must go on.

In terms of contemporary resonance and relevance, the film’s depiction of religious absolutism pushed to the point of tyrannical self-righteousness – in the name of God, of course – neatly undercuts the inclination by zealots of any faith to claim Noah as gospel.

I remember Noah as a mild-mannered super-carpenter and reluctant zoologist in my Hebrew school classes of yore, but you don’t cast Russell Crowe to play a guy grappling with internal and existential dilemmas. His Noah is a decisive survivalist who doesn’t hesitate to kill to protect his family or to fulfil God’s plan.

Aronofsky’s Noah can only infer and deduce that plan from the occasional wondrous sign or disturbing dream, aided by his sage, Merlin-esque grandfather, Methuselah (Anthony Hopkins). Aronofsky and co-writer Ari Handel resist the temptation – and the arrogance – of having God speak directly to Noah.

We have no doubt, though, that Noah is the last true believer in the Creator, as the Lord is referred to throughout the picture. Indeed, he has a real talent for channeling God’s merciless fury. In this regard, Noah is reminiscent of Moses, who was up to the task of meting out vengeance – or justice, in the vernacular of the film – when the time came.

That association aside, Aronofsky’s most Jewish picture remains his mystical black-and-white debut, Pi, in which Handel has a cameo as a kabbalah scholar. It is much more difficult to discern a Jewish sensibility in Noah than it was (to summon another biblical adaptation) to detect Mel Gibson’s deep-seated antisemitism in The Passion of the Christ.

photo - Noah's Ark in the film Noah
Noah’s Ark, pictured here with its master builder and his son, is based on interpretations of what the biblical vessel may have looked like. (photo from Paramount Pictures)

The most jarring element in Noah from a Jewish perspective is the presence of angels, called “Watchers” and manifested as angry, hulking, walking, talking rock piles. Punished by God for trying to intervene on behalf of Adam and Eve, the Watchers decide to help Noah – and, by extension, serve their Creator – build the ark and then repel the hordes who desperately attempt to board when the hard rain starts a-fallin’.

At a crucial moment, the Watchers are redeemed for their sacrifice and return to the heavens like Roman candles. Polls report that a majority of Americans believe in angels, so for some viewers this sequence will mark the emotional high point of the movie.

Amid the concessions to visual effects-driven miracles, Noah manages to convey the nasty, brutish world of the Bible. At the same time, it demolishes Noah’s cloak of absolute good to demonstrate that no person is devoid of flaws and fallibility.

The film does not, alas, evoke the strength and power of the Bible’s matriarchs, for its female characters – Noah’s wife Naameh (Jennifer Connelly) and a young girl (Emma Watson) saved and raised by the family who grows up to be Shem’s love interest – are given little to do in the second half except cry, shriek and sob.

The biggest obstacle to a visual rendering of Noah’s mythic saga, though, is that we know how the reboot of civilization turned out. We’re living it. So the optimistic rainbow at the end of Noah has all the credibility and gravitas of a Hallmark commercial.

Whether we see the modern world as the inevitable manifestation of human nature in all its glories and depravities or as a technologically supercharged Sodom, Noah makes us ponder the fate of the world as a function of our interdependence as well as our individual morality. Should we fear God’s anger and another flood, or (as the movie hints) is a self-inflicted die-off from environmental destruction just as likely? Either way, Noah represents a powerful admonition to humankind.

What’s intriguing about a repeat apocalypse is that it would be a communication from a God who’s been silent for centuries. The power of Noah, one could say, is to remind us that every cloud has a silver lining.

Michael Fox is a writer and film critic living in San Francisco.

Format ImagePosted on April 11, 2014August 27, 2014Author Michael FoxCategories TV & FilmTags Ari Handel, Darren Aronofsky, Emma Watson, Jennifer Connelly, Noah, Russell Crowe
Proudly powered by WordPress