Skip to content

Where different views on Israel and Judaism are welcome.

  • Home
  • Subscribe / donate
  • Events calendar
  • News
    • Local
    • National
    • Israel
    • World
    • עניין בחדשות
      A roundup of news in Canada and further afield, in Hebrew.
  • Opinion
    • From the JI
    • Op-Ed
  • Arts & Culture
    • Performing Arts
    • Music
    • Books
    • Visual Arts
    • TV & Film
  • Life
    • Celebrating the Holidays
    • Travel
    • The Daily Snooze
      Cartoons by Jacob Samuel
    • Mystery Photo
      Help the JI and JMABC fill in the gaps in our archives.
  • Community Links
    • Organizations, Etc.
    • Other News Sources & Blogs
    • Business Directory
  • FAQ
  • JI Chai Celebration
  • [email protected]! video

Search

Archives

Recent Posts

  • Celebrating 25 years
  • “Never again” still resonates?
  • Every person has a voice
  • The kill fee – and its fallout
  • Investing in the climate
  • Shalhevet honours Vivian Claman
  • Health workers’ courage
  • A grandfather’s story – available online to May 7
  • SFU students vote BDS
  • With a Song returns to forum
  • StandWithUs Canada course
  • Chance to meet local artists
  • Mixing global music, dance
  • Our relationship to objects
  • Orcas inspire creative music
  • A full life post-career
  • Mausoleum work to resume
  • רכישות צבאיות על ידי ממשלת קנדה
  • Helping Ukrainian refugees
  • The scarcity of water
  • Celebrate Israel with joy
  • Happy 74th birthday, Israel!
  • Fundraiser for Ukraine
  • A celebration of dance
  • 25 years since deadly crash
  • Art Vancouver fair returns
  • Presenting Mixed Repertoire
  • Fostering literacy, education
  • BGU tackles climate change
  • Revitalizing community
  • Angels still giving
  • Community milestones … Federation campaign success & Hebrew U donation
  • Immigration challenges
  • A religious pilgrimage

Recent Tweets

Tweets by @JewishIndie

Tag: Ilana Zackon

History and future combine

History and future combine

Ilana Zackon and Ariel Martz-Oberlander played current-day partisans in the immersive theatre piece Time Machine. (photo from Radix Theatre)

Two Jewish theatre artist-creators, Ariel Martz-Oberlander and Ilana Zackon, teamed up this summer to create an immersive piece based on the Jewish partisan movement, as part of Radix Theatre’s futuristic play Time Machine, set on a boat, the Pride of Vancouver.

The show took place on the yacht over a five-hour journey up Indian Arm (traditionally known as səl̓ilw̓ət) and featured both local emerging and established artists presenting new work of various genres, such as theatre, spoken word poetry, sound installation and more. The artists were asked to create a piece inspired by what Vancouver will look like in the year 2050. Some darker, others playful, the works were all grounded in a strong sense of the artists’ identities.

Martz-Oberlander and Zackon wanted to bring their ancestral roots into their piece. The pair created an immersive show in which they played two rebels helping smuggle climate refugees to safety. The 10-minute piece, which ran on a loop for an hour-and-a-half of the boat ride, took place in the boat’s basement bathroom, which acted as a safehouse. Five to seven audience members at a time were summoned by Zackon, dressed as a soldier, down into the dimly lit bathroom, where they were greeted by a similarly dressed Martz-Oberlander; “Zog Nit Keynmol” (“The Partisan Song”) played in the background.

The invited audience soon discovers they are now refugees who have just escaped fires in California. The soldiers, members of a new wave of partisans called PAP, explain that the refugees are being brought to another safehouse and prepared to enter the new world. The soldiers explain that their resistance cohort has based their movement on the survival lessons of their ancestors, partisan fighters in the forests of occupied Europe. The audience members are given new names, briefed on the types of skills, such as hunting moose, that they will need to survive in their new lives and, eventually, led into a discussion on identity.

“What’s better: start over or remember where you’re coming from?” Martz-Oberlander’s character asks. The two soldiers bicker over their differing views and invite the audience to contribute. After the group has spoken, the soldiers receive word that it is safe to move the refugees. Before leaving, audience members are given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note. The notes lined the stairwell and, as the loop continued, more and more words were added, creating a tapestry of human identity. The notes lined the bathroom walls for the remainder of the boat ride, and included such items as “curiosity and kindness,” “time to think,” “my favourite berry picking spot,” “my knowledge of languages” and “the giggles of my daughter,” among many others.

photo - Audience members were given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note
Audience members were given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note. (photo by Didier Brûlé-Champagne/DBC Photographie)

A number of the boat passengers who attended the piece were Jewish and shared how they connected with their ancestors through remembering their stories. Many non-Jews had never heard of the partisan movement and the two artists felt the work they did helped educate people on an important part of history.

Zackon and Martz-Oberlander also received, from the Jewish Museum and Archives of British Columbia, transcripts of interviews with Jewish refugees coming to Canada during the 1930s and 1940s. These testimonials were hidden around the safehouse and incorporated into the performance. The two artists hope to receive the opportunity to continue developing and expanding this work and to incorporate more of their own personal family stories about immigration to Canada.

Format ImagePosted on November 8, 2019November 6, 2019Author Radix TheatreCategories Performing ArtsTags Ariel Martz-Oberlander, climate change, environment, history, Ilana Zackon, theatre
Proudly powered by WordPress