Tag: Disney

Disney’s first coming out

The cast of the Disney Channel’s Andi Mack included, left to right: Asher Angel as Jonah Beck, Peyton Elizabeth Lee as Andi Mack, Joshua Rush as Cyrus Goodman and Sofia Wylie as Buffy Driscoll. (photo by Disney Channel/Mitch Haaseth)

Before it was canceled two weeks ago, after three seasons, the Disney Channel’s Andi Mack covered new ground. The tween coming-of-age show not only had a Jewish character, Cyrus Goodman, but he was the first openly gay character on the channel. The coming-out storyline, which aired earlier this year, received high praise for the way it was handled. The show’s inclusivity is one reason fans are still fighting – via social media – to keep the show on the air. New episodes will run through the end of summer.

Joshua Rush, who played Cyrus, is Jewish himself. On the ABC TV show Good Morning America, Rush, who is 17, said that the response was overwhelmingly positive. “I’ve really gotten to see the myriad ways that both this new coming-out scene for Cyrus, and this Jewish representation of his family, has affected the fans,” Rush said.

The scene in which Cyrus comes out to his friends is set in front of a buffet spread of traditional Jewish food at his grandmother Bubbe Rose’s shivah. While explaining the foods, such as kugel, classic bagels and lox and gefilte fish, he blurts out that he is gay. The episode, called “Once in a Minyan,” was written by Jonathan Hurwitz, whose credits include The Daily Show. Hurwitz shared in a guest post for GLAAD (Gay and Lesbian Alliance Against Defamation) that he was driven from personal experience to write this episode as “someone who’s Jewish, has dealt with long-term anxiety and has come out to his friends and family.”

photo - Joshua Rush played the first openly gay character on the Disney Channel: Cyrus Goodman on the show Andi Mack
Joshua Rush played the first openly gay character on the Disney Channel: Cyrus Goodman on the show Andi Mack. (photo by Disney Channel/Mitch Haaseth)

Cyrus’s Judaism allowed the writers and show’s creative team to incorporate Jewish traditions and rituals. In one episode, Cyrus has a bar mitzvah – and, in it, Rush recites the same Torah portion from his own bar mitzvah. Another example is the shivah scene, where the writers included Jewish bereavement rituals like covering mirrors and the recitation of the Mourner’s Kaddish; there is also a yahrzeit candle on display.

Prior to the announcement of the show’s cancelation, the Jewish Independent spoke with Rush, who was born in Houston, Tex., but now resides in Los Angeles.

JI: Did you have any input in the character being Jewish?

JR: Our show’s creator, Terri Minsky, is Jewish, and so am I. From the beginning, there had been discussions of the character being Jewish, but actually acting on it in the context of the bar mitzvah and shivah episodes came later, after the character was more fleshed out. The storylines themselves were all Terri’s though.

JI: Did you suggest the bar mitzvah storyline, since you had recently had one?

JR: After learning of the character’s Judaism and being more comfortable with Terri and the writing staff, I was immediately very excited at the idea of giving Cyrus a bar mitzvah. I loved mine but, because I celebrated mine in Israel, I didn’t get all the accoutrements of an American bar mitzvah, so I really enjoyed the massive party we had for the “bash mitzvah”!

JI: What kind of feedback have you gotten from family, friends and fans about your character being gay? Being Jewish?

JR: The feedback has been overwhelmingly positive. I think, a lot of the time, the media, and especially kids shows, display Jewish characters in side plots. See Chanukah being “Jewish Christmas,” Pesach being “Jewish Easter,” etc. With this great representation of the religion in the cast and writer’s room, we were able to show a Jewish character who is a main character, who has his own life, his own story, and being Jewish is just a part of that. Not being the butt of jokes as a result of his faith has given me a lot pride.

JI: What messages do you hope viewers will get from your storylines?

JR: I think something that’s really special about Cyrus is that he knows that he doesn’t know everything about the world and about himself. But he’s never afraid to ask the tough questions about who he might be and what that means for his life. That’s an incredibly honourable thing, and I think we can all learn from that.

JI: On a personal note, does your family celebrate Jewish holidays?

JR: We celebrate most holidays and being Jewish is a big part of our household. The show was very flexible with allowing us to celebrate Yom Kippur, Rosh Hashanah, and we even cooked traditional Jewish foods for Chanukah every winter, much to the delight of the crew. (My dad makes the best matzah balls on planet earth!)

Alice Burdick Schweiger is a New York City-based freelance writer who has written for many national magazines, including Good Housekeeping, Family Circle, Woman’s Day and The Grand Magazine. She specializes in writing about Broadway, entertainment, travel and health, and covers Broadway for the Jewish News. She is co-author of the 2004 book Secrets of the Sexually Satisfied Woman, with Jennifer Berman and Laura Berman.

Learning to live with autism

Owen Suskind is the subject of the documentary Life, Animated. (photo from A&E Indiefilms)

Children’s films – especially the animated variety – always make sure to highlight the moral of the story. But very few children embraced those lessons as deeply and thoughtfully as Owen Suskind.

Now in his mid-20s, Owen had a normal East Coast childhood until he suddenly stopped speaking when he was 3. His parents, Ron and Cornelia, tried every strategy and tactic to treat Owen’s autism, but he remained uncommunicative and seemingly unreachable.

Ron Suskind, the bestselling author of such nonfiction books as The Price of Loyalty: George W. Bush, the White House and the Education of Paul O’Neill, relates in the beautifully crafted and irresistibly touching documentary Life, Animated that he was stunned one day to hear Owen repeat a snippet of dialogue while watching a Disney animated movie.

It took a few years, however, to figure out that Owen was using the characters, behavioral cues and ethical directives of Disney films to make sense of and deal with his own experiences. Benefiting from the dedicated attention of his mother and various tutors, Owen regained the ability to speak, interact with other people and thrive.

Adapted from Suskind’s 2014 book, Life, Animated: A Story of Sidekicks, Heroes and Autism, the documentary will see four screenings at Vancity Theatre Aug. 5-11 (viff.org). It isn’t a stretch to predict that it will be a strong contender for the year-end shortlist for the Academy Award for documentary feature.

Unexpectedly, when Ron, Cornelia and Roger Ross Williams – the first African-American director to win an Oscar, for the documentary short Music by Prudence – sat down for an interview on a Sunday morning in early May, before they presented Life, Animated at the San Francisco International Film Festival, the conversation centred on Owen’s bar mitzvah.

“When he was about 11,” Cornelia recalled, “his therapist gave me a book, which no one’s ever heard of, called God and the Autism Connection. It talks about how so many, many of these kids operate on a different emotional plane.”

“He always had been spiritual,” Ron added. “In some ways, he preserved sort of a notion of God being there within reach that kids have but, even as he grew in sophistication, he didn’t give that up. He always had this way in which he was not encumbered by the usual doubts or hesitations that become the common currency of most people’s lives as they grow.”

Ron and Cornelia (who is Catholic and did not convert) belonged to a Reconstructionist synagogue in Bethesda, Md. Owen’s bar mitzvah tutor was Miriam Eisenstadt, whose mother was the first woman to be bat mitzvahed in the United States and whose grandfather was the founder of Reconstructionism, Mordecai Kaplan.

“The question was how would we get him up to the bimah and have him do what’s needed,” Ron said. “First, we had a problem where we didn’t know what movies to go to, because he really didn’t have much of a taste for The Prince of Egypt. It just didn’t work for him.”

So, Ron switched from one Exodus story to another, pointing Owen to An American Tale: Fievel Goes West. “Basically, it’s Eastern European Jews as mice,” Ron said.

At the same time, Owen embraced the part of his parashah that discussed the commandments a person should follow.

“He’s very rule-oriented,” Cornelia explained. “He’s better now but he used to be very black and white, and rules are very important.”

On the bimah, Owen honed in on one rule in particular: never put a block in front of a blind person.

“He talked about that in his speech, the notion of special, and he broadened it,” Ron said. “He had the designation of ‘he’s a special kid.’ He said, ‘But I think God wants us to see everyone as special.’”

Williams said Life, Animated included a poignant flashback scene from Owen’s bar mitzvah until it was removed from one of the last cuts. Indeed, the director goes so far back with the Suskinds that he arranged for the editing of Owen’s bar mitzvah video. Consequently, it’s ironic and moving to see that the most savvy film buff in Life, Animated is Owen, who discerns and delineates the positive themes of Disney films to other autistic children and young adults.

At the same time that it recounts Owen’s childhood journey, the documentary follows his current path to living independently in a residential community with support.

“You can almost feel his desire – I think it’s deep in all of us – to arrive at a place of faith, of constancy, of a sense of a universe that is coherent, and a place of love and possibility,” Ron said. “He was searching for that on his own. He was often using the best of Disney to help support that architecture, which actually is a pretty good pick, if you think about it.”

Michael Fox is a writer and film critic living in San Francisco.