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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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photo - Those who missed the Vancouver performances of Deborah Vogt’s Big Sister, which is performed by her real-life sister, Naomi Vogt, can rent it online until June 11

Big Sister available for rental

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Those who missed the Vancouver performances of Deborah Vogt’s Big Sister, which is performed by her real-life sister, Naomi Vogt, can rent it online until June 11. (photo from JW3)

Former Vancouverite Deborah Vogt’s play Big Sister is available to rent on JW3’s website until June 11.

Vogt is the arts and culture programmer at JW3, which is described on its website as a “cross-communal hub for Jewish arts, culture, family programming, social action, learning and much more.”

“JW3 opened its doors in October 2013 with the mission to increase the quality, variety and volume of Jewish conversations in London and beyond,” said Vogt of the centre, which is located in north London, on Finchley Road.

“I grew up in Vancouver and lived there my whole life, but decided to move to London three years ago,” she said. “I miss the trees, ocean and sushi in Vancouver, but love the excitement and opportunities in London. I joined JW3 as an employee in September 2019.”

Big Sister is a one-woman show about Vogt’s sister’s 75-pound weight loss, told through Vogt’s perspective, but performed by her sister, Naomi Vogt. It played the Vancouver Fringe Festival in 2018. At that time, Deborah Vogt told the Independent that writing the play was a challenge.

“First of all,” she said in that interview, “it was difficult trying to find the balance between Naomi as my real human sister and Naomi as a character. We wanted this show to be entirely truthful, while still presenting a piece of theatre. And this show touches on painful aspects of both of our lives (in a funny way, of course), so trying to write that without overstepping my place or lying to the audience about what actually happened (two sides to every story, right?) was difficult to manoeuvre.” (See jewishindependent.ca/fringe-mixes-drama-comedy.)

The video that is available via JW3’s website is from a sold-out production at the Cultch in February 2020, said the playwright. Being available online means that the work will be able to reach more people.

“The run at the Cultch sold out by opening night, so there may be people that didn’t get a chance to see it then now have the option,” said Vogt. “Putting Big Sister online in this form also expands on one of our themes: vulnerability.

“We never meant to share our work this way,” she explained. “We filmed it for archival purposes, not for public viewing. The show is meant to be live, and intimate, and present. That’s not an option right now, so, instead, we get to experiment with what it’s like for people to experience Big Sister in their living rooms.

“It also means the show lives on. For both Naomi and I, the show changes as our relationship changes. The filmed show captures our relationship in one specific moment in time. I’m interested to see what the next iteration will be.”

When asked to clarify what she meant by that, Vogt said, “I am speaking about our real-life relationship as well as our work, because the two became intertwined during Big Sister. The show allowed us to talk about things we never knew about one another, so it has affected, and strengthened, our relationship. If we decide to put the show on again, we may have to rewrite parts of it to reflect our current relationship. I have an idea for a sequel, but I haven’t told Naomi yet.”

JW3’s presentation of Big Sister is part of a season of streamed theatre through its virtual platform, said Vogt.

The first released was Wot? No Fish!!, which explores “the issue of the ‘outsider’ as artist, immigrant or disabled family member,” said Vogt. It is available for rental until June 4. Becoming Electra – “a heart-warming and original one-woman drag show about a queer Jewish girl trying to find her voice” – is available until June 21.

“The fourth piece is a West End show that had to end the run early, and more info will be released soon!” said Vogt.

About the online theatre presentations, she explained, “When JW3 had to physically shut our doors, the whole team worked incredibly hard to adapt and continue bringing programming into people’s homes. This means classes are online, we have a brand new website, and have had to come up with other creative ways to provide community during this difficult time. While we figure out the next steps for theatre and performance, we wanted to share a season of filmed versions of shows that have a special relationship to JW3. Big Sister is the first time I’ve been able to share my own theatre work with my programming work.”

While JW3 closed its doors to the public in March, Vogt said, “The building is now being used as a food bank, cooking and delivering meals to vulnerable people in Camden. The team has delivered over 5,000 meals already. So, while the building has closed to the public, the space is still being used to support the community. And that reflects the aims of the wider organization: everyone is working really hard to provide entertainment, education, community and connection during these isolating times.”

To find out more about JW3 and its programming, including various arts and culture rentals, visit jw3.org.uk.

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Format ImagePosted on May 29, 2020May 28, 2020Author Cynthia RamsayCategories Performing ArtsTags Big Sister, Cultch, Deborah Vogt, JW3, Naomi Vogt, theatre

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