VIFF’s mixed offerings

Franz stars newcomer Idan Weiss. (photo from lene Film Production)

As it does every year, the 2025 Vancouver International Film Festival, which runs Oct. 2-12, has offerings of particular interest to the Jewish community. Below are the synopses (less some of the hyperbole) from the festival’s website of the three films featuring Jewish content, as well as the three films about Israel, all of which are from Palestine and other countries – there are no films from Israel in this year’s festival. The Jewish Independent, which has been a media partner of the festival for more than 20 years, has chosen to sponsor Franz.

Franz

You don’t need to have read Kafka to know what “Kafkaesque” means – the idea that the world is a nightmare, a sick joke at your expense, continues to resonate a century after the writer died. Franz Kafka’s “uneasy dreams” have inspired filmmakers like Orson Welles, David Lynch, Michael Haneke, Terry Gilliam and Roman Polanski, to name a few, and now director Agnieszka Holland has delivered a biopic that’s Kafkaesque and then some.

Holland blends scenes from Kafka’s life as a German Jew in Austro-Hungarian Prague with dramatizations of his short stories and – at the film’s most surreal – documentary footage of Kafka’s present-day tourist economy (“Who will join me for a Kafka burger?”). Franz (2025) is densely layered but lively, starring newcomer Idan Weiss, whose tragicomic presence suggests a persecuted clown somewhere between Charlie Chaplin and Adrien Brodie.

Franz is in German and Czech with English subtitles, and runs 127 minutes. It screens Oct. 7, 8:45 p.m., at Vancouver Playhouse, and Oct. 11, 3:30 p.m., at Granville Island Stage. (18+)

Orphan

photo - Bojtorján Barabás in Orphan
Bojtorján Barabás in Orphan. (photo from Pioneer Pictures/Good Chaos)

Orphan (2025) is set in communist Hungary in the late 1950s. Conceived during the war and brought up by his mother, Andor (Bojtorján Barabás) is convinced his father will return one day. Instead, another man emerges to stake his claim to both mother and child. Berend (Grégory Gadebois) is a butcher and a gentile and, even worse, a divorcee. Appalled, Andor is determined to save his mother from this brute.

The latest film from Son of Saul director László Nemes builds Andor’s world from the inside out, through the child’s troubled eyes. This personal vision grants us access to the wider history unfolding on the edge of the frame, which Andor barely comprehends: the fallout from the Holocaust, the crushing grip of the communist state. 

Orphan is in Hungarian with English subtitles, and runs 132 minutes. It screens Oct. 2, 8:45 p.m., at Fifth Avenue Cinema (19+) and Oct. 4, 6:30 p.m., at International Village 9. (18+)

Cover-Up

photo - Cover-Up is about journalist Seymour Hersh
Cover-Up is about journalist Seymour Hersh. (photo by Praxis Films)

Cover-Up (2025) pulls viewers into the uncompromising ethos of journalist Seymour Hersh. From exposing the My Lai massacre to unraveling CIA abuses and Abu Ghraib atrocities, Hersh has spent decades dragging concealed histories into the light – often at great personal and political cost. In this portrait, Oscar-winning filmmaker Laura Poitras (Citizenfour) and Emmy-winning Frontline producer Mark Obenhaus trace Hersh’s process. “I barely trust you guys,” Hersh quips, establishing a candid and often thorny dynamic between subject and directors.

Cover-Up is a meditation on source protection, moral clarity and the imperative to report when it’s needed most. Its story bridges past and present: Hersh is still reporting, now turning his gaze toward Gaza.

Cover-Up has a content warning for graphic violence. It screens at Fifth Avenue Oct. 11, 5:45 p.m. (19+), and at International Village 10 on Oct. 12, 3:45 p.m. (18+) 

Divine Intervention

Palestinian Elia Suleiman is at the height of his powers with this series of deadpan, interconnected, absurdist vignettes about Palestinian life on either side of an Israeli military checkpoint. Mutely following the travails of two lovers – one who lives in Nazareth, the other in Ramallah – as they navigate the wall between them, Divine Intervention (2002) is surreal, satirical and biting in its political criticism. It’s both sad in its vision of the world but also warm in its humour.

All but forgotten from the mainstream filmgoing consciousness, Jacques Tati’s innovations with form and tone have been repurposed by filmmakers as varied as Roy Andersson, Aki Kaurismäki, Ulrich Seidl and, perhaps most of all, Wes Anderson. But Suleiman’s method of feeding the Tati-esque through the prism of Palestinian experience creates something completely new that walks a line between melancholy and absurdity. And what an amazing soundtrack!

Divine Intervention is in English, Arabic and Hebrew with English subtitles, and runs 92 minutes. It screens Oct. 6, 8:45 p.m., at VIFF Cinema, and Oct. 12, 3:45 p.m., at the Cinematheque. (18+)

Palestine 36

Set during the 1936 Palestinian uprising against British colonial rule, this historical drama follows an ensemble of characters. Yusuf (Karim Daoud Anaya), a peasant, straddles two worlds – the city of Jerusalem and his farming village. Denied fair wages, a Jaffa port dockworker (Saled Bakri) joins the rebel movement. Elsewhere, a widowed mother (Yafa Bakri) stashes away an heirloom gun in hopes of defending her family from the British military’s raids.

Shot on location and interspersed with archival footage, the film boasts an international cast, including Hiam Abbas, Jeremy Irons and Liam Cunningham. Palestine 36 (2025) is the third feature from writer-director Annemarie Jacir to be selected as the Palestinian entry for best international feature at the Academy Awards.

Palestine 36 is in Arabic and English with English subtitles, and has a running time of 118 minutes. The film is at Fifth Avenue Oct. 9, 9 p.m., and Oct. 10, 11:45 a.m. (19+)

With Hasan in Gaza

Three unearthed MiniDV tapes from 2001 offer a time capsule of life in Gaza before devastation. What begins as a search for a former prison mate leads to a road trip from the north to the south of Gaza, accompanied by Hasan, a local guide whose fate remains unknown. As the camera moves through Gaza’s streets and landscapes, it captures fleeting moments of everyday life: vendors, schoolchildren, shopkeepers, relatives and strangers, all going about their days in a place that, today, has been forever altered.

In With Hasan in Gaza (2025), Palestinian filmmaker Kamal Aljafari transforms forgotten footage into a time capsule. What was once ordinary is now precious, even endangered. “It is a film about the catastrophe and the poetry that resists,” Aljafari writes.

With Hasan in Gaza is in Arabic with English subtitles, and runs 106 minutes. It screens Oct. 10, 3:30 p.m., at VIFF Cinema and Oct. 12, 6:30 p.m., at International Village 8. (18+) 

– from viff.org

Writers fest starts soon

image - Among Ghosts book coverhe 38th annual Vancouver Writers Festival takes place on Granville Island Oct. 20-26. Among the 130-plus local and international authors at 87 events are several members of the Jewish community. A glance through the lineup finds, in order of appearance, Rachel Hartman, Marsha Lederman, Guy Gavriel Kay, Katherine Ashenburg, Jill Yonit Goldberg, Eve Lazarus, Sam Wiebe and Jerry Wasserman. There are, no doubt, others.

Hartman, author of the bestseller Seraphina, comes to the festival with Among Ghosts, which has a found-family theme set in a vibrant fantasy world. She participates with other writers in Paranormal Activity: Ghost Stories for YA (grades 8-12) on Oct. 21, 1 p.m., at Granville Island Stage ($12).

image - October 7th book coverLederman talks with Linden MacIntyre about his latest work of nonfiction, An Accidental Villain, on Oct. 21, 6 p.m., at the NEST ($27), and she is in conversation with Elamin Abdelmahmoud on Oct. 22, 5:30 p.m., at the Revue Stage ($27), about her own new book, October 7th: Searching for the Humanitarian Middle. October 7th is a collection of Lederman’s columns for the Globe and Mail, which have been a real-time archive capturing a period of deep division and trauma.

image - Written on the Dark book coverKay, the internationally bestselling author of Tigana, All the Seas of the World and A Brightness Long Ago, talks about his latest fantasy novel, Written on the Dark, which is set in a magical version of medieval France, replete with ambitious royals, assassins and invading armies. He also talks about his overall body of work with moderator Robert J. Wiersema on Oct. 24, 8 p.m., at the Revue Stage ($27).

image - Margaret’s New Look book coverAshenburg, author of Margaret’s New Look, published her first fiction book at the age of 72. She will join two other writers in the session called Wisdom, Age & Beauty, which takes place Oct. 25, 5 p.m., at Waterfront Theatre ($27). She also participates with several other writers in the Afternoon Tea on Oct. 26, 3:30 p.m., at Performance Works ($50), which includes high tea delicacies, including a signature glass of sherry.

image - After We Drowned book coverThe Soundtrack of Life panel, on Oct. 25, 8 p.m., at the Revue Stage ($27), includes Jill Yonit Goldberg with her book After We Drowned, a haunting coming-of-age story with a fierce feminist subplot set in 1984 to the music of Tina Turner, Madonna and Stevie Nicks.

image - Beneath Dark Waters book coverOn Oct. 26, 10:30 a.m., at Performance Works ($40), Lazarus joins six other authors of nonfiction in an event described as TED Talk meets café social, with a morning snack included. Lazarus explores a forgotten tragedy in Beneath Dark Waters, an account of the 1914 sinking of the Empress of Ireland.

The Crime Scene on Oct. 26, 7 p.m., at Waterfront Theatre ($27) is moderated by Jerry Wasserman and the authors featured include Sam Wiebe, whose The Last Exile finds PI Dave Wakeland at the centre of gang warfare on the streets of Vancouver.image - The Last Exile book cover

In addition to Lederman’s October 7th, there are a couple of other Israel-related books included in the program, the first directly, the second only tangentially.

Palestinian-Canadian author Saeed Teebi is one of the writers joining Blood in the Pen: Stories, Crises, Repair and the Writer on Oct. 21, 8:30 p.m., at Granville Island Stage ($27), and he will be in conversation with Adel Iskandar on Oct. 22, 8:30 p.m., at Waterfront Theatre ($27). Teebi is also one of the writers featured in A Doctor, a Lawyer and a Journalist Walk into a Literary Festival, on Oct. 23, 8:30 p.m., at Waterfront Theatre ($27). He describes his memoir You Will Not Kill Our Imagination as exploring “what it means to be a Palestinian in this moment, the effects of the genocide on Palestinian art and imagination, and that to even claim a belonging to the land from a country thousands of miles away is an act of subversion.”

Queer Stories on the Map on Oct. 23, 8 p.m., at Revue Stage ($27) includes Ziyad Saadi, whose reimagining of Mrs. Dalloway, Three Parties, follows a Palestinian refugee who plans to come out to his entire family at his birthday dinner party.

For more information about festival events and to purchase tickets, visit writersfest.bc.ca. 

– from Vancouver Writers Festival program

Shoah’s generational impacts

Robert Krell did not identify as a Holocaust survivor until the age of 41. His evolving realization about his own experience mirrors a larger trend in the understanding of child Holocaust survivors. As a psychiatrist, academic and leading Holocaust educator, Krell has been at the forefront of this evolution.

image - Emerging from the Shadows book coverIn a new book, Emerging from the Shadows: Child Holocaust Survivors, Their Children and Their Grandchildren, Krell brings together a number of his lectures and presentations, as well as contributions from other scholars and survivors, to explore the multigenerational impacts of the Shoah on families.

Krell discusses a “hierarchy of survival” consensus that prevailed for decades after 1945, in which concentration camp survivors were perceived as the “real” survivors, followed by hidden adults, partisans, those who fled and others.

“Children caught up in the horrors were dismissed as ‘too young to be able to remember,’” he writes.

Krell was one of those children.

There were dark portents from the beginning of his life. When Krell was born, on Aug. 5, 1940, the Dutch hospital of his birth was already occupied as an SS headquarters.

After successive waves of neighbours and family had been relocated “to the east,” never to be heard from again, the Krell family was ordered to appear for deportation. Instead, they went into hiding.

Young Robbie was given up at the age of 2 by his parents, Emmy and Leo Krell. He was hidden by a Dutch Christian family, Albert and Violette Munnik, who he would come to know as “Vader” and “Moeder,” and their daughter (his “sister”) Nora.

The Munniks remained in Krell’s life until they passed, attending his university graduation, wedding and other simchas. They would eventually be honoured as Righteous Among the Nations at Yad Vashem.

“My days in hiding were the best that any hidden child could have had,” Krell writes.

This raises questions for him as a survivor and as a psychiatrist. “From where, then, derived my feeling that something enormous and hideous had occurred? From where came this unsettled feeling of whatever it is that haunts me still? Perhaps from the separation. Perhaps from the fear of discovery or the anxieties of the adults around me. Perhaps from my silence, the absence of ordinary play, the wish not to be disturbing or noticed.”

These feelings, which much later he would discover were common among people who, as children, had experienced similar things, drove him personally and professionally.

Krell’s self-realization that he was not only a second-generation survivor – the son of survivors – but a survivor himself, struck him at the 1981 World Gathering of Jewish Holocaust Survivors, in Jerusalem. It was a realization that others were coming to concurrently.

Later that decade, the seminal book Love Despite Hate: Child Survivors of the Holocaust and Their Adult Lives, by Sarah Moskovitz, signaled the beginning of a new understanding, and the identity of child survivors as a distinct category of survivors.

In 1991, the groundbreaking ADL/Hidden Child Conference, in New York City, attracted 1,600 participants, mostly child survivors. Krell summarizes the conversations that happened there as: “Thank God, I thought I was crazy. But you were crazy with the same issues. So perhaps we are normal.” 

With Prof. Peter Suedfeld, former head of the University of British Columbia’s department of psychology, Krell conducted research into younger survivors and their children. They identified four paradoxes that were common in the families they investigated.

Survivor parents often expressed great pride in their children, but the perspective of the children was that they always fell short of fulfilling parental expectations and were often unaware of their parents’ pride.

Second, while children felt they had been provided with most of the material things, they reported feeling that they had missed out on receiving a set of values. This was belied by the evidence, Krell writes. “But it appears that, despite parental preoccupation with work and security, many second-generation survivors did absorb humanistic values for which the parents, of course, claim credit.” 

The third paradox is that “though therapy groups of second-generation survivors emphasize complaints about earlier parenting, noting a relative lack of empathy for their problems, the same group members point out to each other their obvious humaneness, achievements and exceptional personal qualities.”

The fourth paradox has to do with the parental viewpoint that withholding information about their Holocaust experiences was crucial for the normal development of their children. “But from the point of view of the children, that past life was shrouded in an elusive mystery that prevented them from understanding the components of life in play from the Holocaust background,” Krell writes.

“Despite the overwhelming complexity of lives lived in the shadow of the Holocaust, it is remarkable that the havoc wreaked on Jewish children has not irrevocably crippled the next generations,” he notes, adding that 93% of Jewish children in Nazi-occupied Europe were murdered. “It is itself a miracle that so many of the remnants of surviving children and our sons and daughters have contributed so much. Let us be proud of that.” 

Second-generation children learned quickly not to ask questions that could spur tears or other responses in their parents. Krell notes that some parents would ask why their children had not seemed interested in their Shoah experiences. In many cases, he urges members of the second generation to designate their children – the grandchildren of the survivors – to investigate the family history.

“They return with names, places of origin, descriptions of life (and of death), stories of defeat and loss, and of courage and heroism,” he writes. “They are enriched forever by knowing, for they are alive because their grandparents, against all odds, made it.”

Krell’s life has had multiple encounters with horrific history. In 1961, he was visiting Israel and his aunt got them seats in the courtroom of Adolf Eichmann’s trial.

In 1969, he was on TWA Flight 840 out of Rome when the plane was hijacked by the Popular Front for the Liberation of Palestine. The plane and its hostages spent several days in Damascus before being freed in Athens, after which he flew on to Israel.

“So, by age 30, I was a Jew who had survived two deadly enemies,” he writes.

Krell became an academic and a clinician, the director of child and family psychiatry at the UBC Health Sciences Hospital and director of residency training for 10 years. He was founding president of the Vancouver Holocaust Education Centre, on whose board he remains an active member.

Krell is the author of 11 books, two dozen book chapters and many journal articles. His interests include the care of aging survivors of massive trauma. His memoir, Sounds from Silence: Reflections of a Child Holocaust Survivor, Psychiatrist and Teacher, was published in 2021, in which year he was also inducted into the Order of Canada. He and his wife Marilyn have three daughters and nine grandchildren.

Emerging from the Shadows includes lectures and speeches from Krell, as well as writings from Vancouverite Ed Lewin, Robert Melson, Harry Penn, R. Gabriele S. Silten, Leo Vogel and Zev Weiss. 

In an epilogue, Krell reflects on the Oct. 7 terror attacks through the eyes of a Holocaust survivor.

Whereas the Nazis made some efforts to hide from the world their atrocities, the Hamas terrorists perpetrated their brutalities in broad daylight and livestreamed them online. 

“It was done in daylight, recorded and distributed! How shall we ever rest again, given such knowledge?” he asks. “How shall a Jewish child/adolescent deal with this? And who can heal this fresh wound when the old wounds had only just begun to close after three or four generations?”

His conclusion: “May I suggest that we remain moral, courageous, and worthy of being a ‘a stiff-necked people,’ strong, proud, and determined.” 

Power Metal a reality check

Clean cars humming down quiet streets. Solar panels shimmering on rooftops. A world powered by sunlight and wind, freed from the smoke and pollution of oil rigs and coal plants. The age of carbon, we’re told, is drawing to a close, and a cleaner, greener future is within our grasp. But what if that future lies on foundations just as dirty – and just as deadly – as the fossil fuel era we’re striving to leave behind?

In Power Metal: The Race for the Resources That Will Shape the Future (Riverhead Books, 2024), investigative journalist Vince Beiser delivers an exposé that cuts through the promising façade of the green revolution. As a seasoned journalist and with the narrative drive of a storyteller, Beiser reveals the secret supply chains behind today’s electric cars, wind turbines and solar panels – chains marked by extraction, exploitation and environmental ruin.

The materials at the heart of this transformation – lithium, cobalt, nickel and rare earth elements – are mined in staggering volumes. However, this increase in extraction comes at a cost that far exceeds dollars and cents, according to Beiser.

From the salt flats of Chile to the cobalt mines of Congo, from scrapyards in Canada to geopolitical flashpoints in China and Russia, Beiser introduces readers to a cast of characters who live on the frontlines of the resource race: child labourers sifting toxic waste for cobalt, Indigenous communities resisting mining on their ancestral lands, and powerful nations jockeying for control of tomorrow’s metals.

Beiser also brings to light the often-overlooked complexity of this electro-digital age, where minerals once obscure – like rhenium, crucial for jet engines, or rare earths that enable smartphones – have become linchpins of modern life. The race to secure these metals has sparked environmental havoc, political upheaval and rising violence worldwide, he contends.

In Power Metal, Beiser refuses to streamline or sensationalize. This is not a diatribe against technology, nor a rejection of the urgent need for clean energy. Rather, it’s a sobering reality check. As Beiser bluntly states, “There’s no such thing as clean energy.” The machines themselves may be green, he points out, but the systems that create them remain deeply flawed, still reliant on a resource-hungry, extraction-driven model that mirrors the very industrial forces we hoped to transcend.

If we are serious about building a sustainable future, Beiser argues, we must rethink not just how we power our lives, but how we source, use and value the raw materials that underpin our modern world. Simply swapping gas tanks for batteries is not enough, he says. We face a difficult question about what we’re willing to sacrifice – and which injustices we must confront – in pursuit of the green dream, he contends.

Power Metal challenges readers to rethink the green energy revolution. Beneath the promise of clean power lies a hidden world of environmental damage and human cost. Beiser doesn’t offer easy answers – but he shows why understanding this complex reality is essential if we want a truly sustainable future. For anyone ready to see beyond the surface, Power Metal is an essential, eye-opening read. 

Uriel Presman Chikiar is a student at Queen’s University and serves as executive vice-president of external relations at Hillel Queen’s.

Traveling as a woman

Caryl Eve Dolinko, author of A Woman’s Guide to World Travel, has been to 93 countries and counting. (photo from caryldolinko.com)

Caryl Eve Dolinko’s A Woman’s Guide to World Travel literally covers everything you need to know when traveling, from choosing where to go through to reacclimatizing when you get back home. Anyone, but especially women, about to take their first international trip should have this book handy. For people who have been a few places, and even for seasoned travelers, Dolinko’s latest also has snippets of history, many short, informative travel stories, an interesting perspective – and likely at least one point you’ve not thought of before.

Dolinko, who is a member of the Vancouver Jewish community, has been exploring the world for more than 40 years. She has been to 93 countries and counting. She has journeyed on her own and with others, as a young person and as an older person, as “a working professional, a mother with kids, as a straight and gay woman, and a daughter caring for an elderly parent.”

image - A Woman’s Guide to World Travel book coverA Woman’s Guide to World Travel, published by Whitecap Books earlier this year, is Dolinko’s third travel book, but the first as sole author. She co-wrote both The Complete Guide to Independent Travel (self-published) and The Globetrotter’s Guide: Essential Skills for Budget Travel (Red Deer Press), with Wayne Smits. The latter was a Canadian bestseller, notes Dolinko.

In the 25-plus years since The Globetrotter’s Guide came out, much has changed.

“The world’s population has almost doubled from over 4 billion in the early 1980s when I started to travel, to just over 8 billion today, putting a strain on finite resources,” writes Dolinko. “Many tourist attractions are now overused, overrun and exploited as a result of global tourism’s exponential growth. I believe it is past time for us to reconsider how we travel and become more aware of the impact we have.”

Her own approach to travel has changed since she started, at age 18, with a planned four-month trip to Europe that turned into “an epic eight-year odyssey.”

“When I first started traveling around the world in 1982, there was very little information available, especially for women, as very few were traveling the world alone,” she writes. “The internet didn’t exist, and neither did smartphones, digital cameras, selfies, social media, travel and hotel apps, GPS or texting. Lonely Planet was just starting to publish travel books and National Geographic was about the only magazine that showed exotic places around the world. Travel guides and literature were written with men in mind and, with so few women traveling, there was no need to address our particular issues and concerns. Only a small selection of useful advice was available to address women’s needs.”

That situation continues to change, with some studies estimating that “women are the primary decision-makers for travel in households, influencing up to 80% of all travel decisions. That’s a tremendous amount of buying power and it has influenced the tourism industry to change to meet our needs,” points out Dolinko, whose guide takes readers through some of the history leading to this development.

She briefly highlights six women “who dared to travel in their day,” starting with Ida Pfeiffer, who was born in Vienna in 1797. While Pfeiffer’s “travel stories and books inspired future generations of adventurers … her ethnocentric views frequently led her to be critical and intolerant of other cultures,” writes Dolinko. “As a result, she could be a harsh traveler, lacking the ability to appreciate other cultures on their own terms.”

Dolinko places great emphasis on what can be learned from other cultures, and stresses the importance of traveling with humility, not just for our own education, personal growth and safety, but for the benefit of the people and communities we encounter.

“Through our spending habits, we have the power to influence local economies and cultures, so it’s crucial to make informed decisions and be mindful of our impact,” she writes. “By supporting local businesses and organizations that prioritize sustainability and conservation efforts, we can make a positive difference and be a catalyst for change. Your actions have real consequences, so aim to leave a positive impact and a gentle footprint wherever you go.”

Elsewhere, she shares warnings, like “It’s strictly a cultural taboo or against the law in some cultures to be gay, and open displays of affection are discouraged”; “In some cultures, it’s expected and even considered impolite to accept the initial price offered by the seller without attempting to negotiate”; and “When communicating nonverbally, it is important to be aware of cultural differences and the meanings behind certain gestures. Pointing with your finger, for example, can be seen as rude or confrontational in many cultures.”

Dolinko spends time on photography in this context – reminding readers that some religious sites may prohibit photography, some people may not want to be on your social media feed and some cultures believe that a camera can steal a person’s soul. She talks about selfies, camera types and photo composition. 

There is not a stone left unturned in A Woman’s Guide to World Travel. She covers factors to consider when deciding where to go (like safety, cultural norms and accessibility), budgeting (don’t forget admission fees, tips, snacks, SIM cards and so on), choosing luggage (suitcase vs backpack, for instance) and packing (she gives detailed lists of clothing, footwear, toiletries and medical supplies to bring, plus a host of other items to consider). She suggests where you should be in your preparedness two months out, one month out, a week before you leave and the day before you leave. She explains and lists the documents you’ll need, the insurance and vaccinations, how you should leave your home and office, and what the people you leave behind might need if something were to happen to you on your trip.

Specific to women, Dolinko talks about how to interact with men (“being aware of cultural differences that may affect communication and behaviour, as well as keeping an eye out for red flags and listening to your intuition”) and how to safely have a travel romance (with men or women), as well as what to do if, God forbid, you are sexually assaulted or raped. She lays out how to deal with some common gynecological issues while traveling. She offers advice on visiting religious buildings. She makes suggestions about traveling with kids. And she shares so much more. 

To say that the 384-page A Woman’s Guide to World Travel is comprehensive is an understatement. It encompasses 40 years of experience traveling around the world, lots of photos (which I wish had been captioned, with some in colour) and relevant anecdotes. It’s a one-stop “shop” for anything you might want to know – and lots you didn’t know you needed to know – about travel. 

Thriller delves into AI world

Daniel Kalla commands readers’ interest from the first sentence of his latest thriller, The Deepest Fake. And he keeps us turning pages straight to the end, not only as we contemplate who might be the culprit(s) of our hero’s apparent demise, but also as we consider the ideas Kalla puts forward about artificial intelligence, intellectual property, relationships, trust, measures of a successful life, and more.

Jewish Independent readers will be familiar with Kalla, who, in addition to being a writer of many international bestselling novels, is an emergency room physician here in Vancouver. The JI interviewed Kalla in 2023 and has reviewed of a few of his previous novels.

image - The Deepest Fake book coverThe plot-driving topic of The Deepest Fake – artificial intelligence – is new territory for the doctor-writer, who has penned many medical and science thrillers, using his physician’s knowledge to powerful effect. But he also has written an historical fiction trilogy set in Shanghai during the Second World War, where thousands of Jews fleeing Europe found safe haven, even as China and Japan were at war, so we know Kalla’s not afraid to do the research necessary to create a realistic-seeming fictional world centred around places and concepts less familiar to him, and to most readers.

As much as The Deepest Fake highlights some of the moral issues surrounding AI, it also explores other big issues, like medical assistance in dying (MAiD), fidelity in marriage and business partnerships, the foundations of trust, and where the creative process begins and who owns it. Kalla manages to cover all this ground and raise so many relevant questions while telling a great story. The Deepest Fake begins with a bang – “Liam Hirsch never seriously contemplated dying before his forty-ninth birthday – until today” – and keeps up the pace throughout.

Liam, founder and chief executive officer of a thriving AI company, TransScend, is suffering from a mysterious medical condition that’s first diagnosed as an aggressive form of ASL (amyotrophic lateral sclerosis). His symptoms – twitches and challenges with movement – have been getting worse, and he’s likely to lose basic motor function within months, maybe a year.

Despite the seriousness of his illness, Liam hesitates to tell his wife and kids, the former not only because of the pain it will cause, but because, weeks before, he discovered, with the help of a private investigator, that his wife was cheating on him. Adding to Liam’s stresses and the book’s adventure are some accounting irregularities at his company, the competitive nature of the tech world and the potentially manipulative AI app that he helped create. So, when it becomes obvious that someone wants Liam gone, the suspects are numerous, including his wife, all his staff, an aggrieved former business partner, and the technology itself.

The Deepest Fake is a fun, satisfying read. 

Two different kinds of magic

It’s almost a new year. We’ve been taking stock more than usual throughout the month of Elul. It’s a valuable skill – being able to do regular cheshbon hanefesh, accounting of the soul, reflecting on our views and actions, with an eye to self-improvement, maybe even creating a positive ripple effect that extends beyond ourselves.

Two new children’s picture books introduce – or reinforce – the Jewish values of Shabbat (taking a break from work and technology, thereby recharging our physical and mental selves) and tikkun olam (taking care of ourselves, our homes, our neighbourhoods, and so on). They remind us that making the world better starts with us, what we do, how we treat ourselves and others.

Seattle publisher Intergalactic Afikoman released Fairy GodBubbie’s Shabbat by Ann Diament Koffsky this month. Koffsky has written and illustrated more than 50 kids books, with many about Judaism, its holidays, foods and symbols. Her website is worth checking out: there are reading guides, you can see her many artistic styles, download colouring pages featuring scenes from her books, as well as other images, and, of course, there are links to purchase her books.

In Fairy GodBubbie’s Shabbat, the Mazel family is busy and seems happy enough, Dad on his laptop, Mom on her phone, Sara playing games on a tablet. But, “Why is no one schmoozing?” wonders Fairy GodBubbie. “Noshing?? Kibbitzing!”

“Unlike regular fairy godmothers who come only when called, Fairy GodBubbies just show up to fix things.

“Even when they’re not invited,” writes Koffsky.

So, poof! With a couple of Shabbat candles and a frequency jammer, Fairy GodBubbie helps the Mazels experience a different kind of Shabbat, a much more fulfilling one, a magical one. And readers can create the experience at their own homes, trying out what Koffsky calls a “a Tech Shabbat – a day away from screens.” She asks, “If your family does choose to try out a Tech Shabbat, what would you most like to do during that time?” And offers some choices – “Will you eat a family meal? … Curl up with a good book?” – and encourages readers to come up with their own ideas to make their “next Shabbat feel magical.”

image - Ruby Finkelman Finds the Real Magic book coverThe Collective Book Studio’s Ruby Finkelman Finds the Real Magic, written by Mike King with illustrations by Shahar Kober, which came out earlier this year, also features a young heroine and, as the title indicates, “magic.” But there are no magical GodBubbies; rather, a self-realization that a beautiful village, a beautiful life, don’t just happen by magic – happiness, cleanliness, kindness, etc., require not only effort, but sometimes doing things you don’t enjoy doing. In Ruby’s case, she “especially didn’t like brushing her teeth,” so, one night, she decides, “I’m never going to brush my teeth again.”

Even such seemingly inconsequential actions have repercussions. Other kids stop brushing their teeth. Then they decide not to wash their faces, tidy up after themselves or treat one another kindly. Parents nag, children kvetch. The grownups become so exhausted, they have “no strength left to lift a toothbrush, do the laundry, take out the garbage, and on and on.” Kvellville soon turns into what neighbouring villages start calling “Schmutzville.” A town meeting devolves into several arguments, everyone turning on one another.

Seeing the madness, and realizing how it all started, Ruby sets about to right the situation.

Mensch is a Yiddish word that means ‘human,’ but when used in the sense of ‘being a mensch,’ it means being a human in the best possible way, or being the best human that you can be,” writes King in an author’s note at the end of the story. “But it’s not only a Jewish thing – it’s a universal value, an idea of how to act in a way that makes the world a better place, simply because you behave in a good and kind way.”

While the toothbrushing premise is a little bit of a stretch, King is a pediatric dentist, so it’s no wonder, and he does manage to make the story work. It’s a wonderful message, of course, and Kober’s artwork is delightful. 

Ruta’s Closet reissued

Lady Esther Gilbert speaking at Vancouver City Hall April 8, when Vancouver Mayor Ken Sim proclaimed Ruth Kron Sigal Day in the city. (photo by Keith Morgan)

Ruta’s Closet, the Holocaust narrative of the late Vancouverite Ruth Kron Sigal, is being reissued for a new generation of audiences – and the book’s author is ensuring the survivor’s inspiring story of survival and resilience reaches the widest possible global audience.

Vancouver journalist Keith Morgan, who completed the book shortly before Kron Sigal’s passing, at age 72 in 2008, has updated the publication – and created an extensive range of multimedia projects to expand the impact of the written volume.

image - Ruta’s Closet book coverFirst issued as a fundraising initiative for the Vancouver Holocaust Education Centre, Ruta’s Closet was later published in the United Kingdom, with distribution there reaching new audiences. 

The book recounts the harrowing survival story of the Kron family, imprisoned in the tiny Shavl (Šiauliai) ghetto in Lithuania, through the eyes of the youngest daughter, Ruta (later Ruth). Their survival against Nazi persecution hinged on the courage and resourcefulness of her parents, Meyer and Gita Kron, as well as the bravery of non-Jewish rescuers. Depicted with novel-like narrative power but rooted in rigorous research and eyewitness testimony, the memoir vividly portrays atrocities such as mass murder, a Nazi ban on Jewish births and the deportation of children to Auschwitz, while also shining a light on courage, compassion and human resilience amid the evil.

Kron Sigal didn’t live to see the book in print but she saw the final draft.

“She said to me shortly before she died, ‘You are going to carry on telling my story, Keith, aren’t you?’ And I said, of course I am,” Morgan told the Independent. “So, I took that on as a mission.”

Surveys indicating widespread ignorance of Holocaust history, combined with skyrocketing antisemitism, motivated Morgan to launch a series of Ruta’s Closet-related projects. 

“We updated the book and decided it was time to go basically worldwide with this,” he said. 

In addition to the re-release of the hard-copy, Morgan and his small team of colleagues recorded an audiobook and released an ebook. They revamped the existing Ruta’s Closet website and made it more interactive.

Working with Bill Barnes, a local radio producer, Morgan developed a 25-segment podcast.

“We are doing Zoom interviews with people around the world who are a part of a driving force behind an imaginative, creative initiative in spreading Holocaust awareness and education,” he explained. “I’ve got Ruth’s kids – Michael, Marilee and Elana – each week doing an introduction for book clubs.”

The VHEC has produced a downloadable guide for book clubs, as well as a teacher’s guide to the book, which makes it additionally relevant as British Columbia’s education curriculum mandates Holocaust education this year for the first time as part of the Social Studies 10 coursework. 

“The beauty of it, for British Columbia, is it’s technically a local story,” Morgan said. “It’s about Ruth. It’s about somebody who came here and did a lot for her adopted society.”

photo - Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience
Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience. (photo from Keith Morgan)

Morgan, who spent many years as the crime reporter at the Province newspaper, met Kron Sigal when his editor asked him to take on a more uplifting assignment and begin a series about people doing good works at home and abroad.

“Somebody said, ‘Oh, you should talk to Ruth Sigal,’” who was sharing her Holocaust story with students. “I went to meet her. I was very impressed. She told her story and it had an amazing impact on me. I just knew this was an important story to tell.”

He found immediate support from Dr. Robert Krell, the founding president of the Vancouver Holocaust Education Centre. 

“Robert Krell kind of took me under his wing – he was a close friend of Ruth – and he said, ‘I’ve got just the guy to introduce to you, who will be really helpful to you for pulling the story together.’” 

The person was renowned historian Sir Martin Gilbert.

“The British schoolboy in me thought, ‘How do I curtsy?’” Morgan joked.

Morgan met Sir Martin in London and got a one-on-one master course in writing about the subject.

“He looked me right in the eye and said, ‘You have to tell the story as though you were writing it for your newspaper and make it accessible to all people,’” Morgan recalled. “Sadly, Martin died [in 2015], but Lady Esther Gilbert took up his mantle and, since then, she’s been an ally and was very important in this edition in terms of going through it, adding bits here and there.”

She spoke at a ceremony at Vancouver City Hall on April 8 this year, when the mayor proclaimed Ruth Kron Sigal Day in the city.

Kron Sigal’s story resonates profoundly with people, according to Morgan.

“We can all relate to what happened to Ruth and her sister Tamara,” he said. “It also tells us compelling stories about how, through their own devices, they basically survived and helped others along the way. We also see what other members of the family did to help the broader community.… We get this family story, which, in itself, is very dramatic, but we also get this wider picture of how a community in the ghetto work with each other, help each other.”

Morgan sees Kron Sigal’s narrative as an inspiration not only because of her survival against the Nazis but in all she did after becoming a Canadian.

“Ruth came here, an adopted country, and spent 25 years at the Women’s Resource Centre and the VHEC Child Survivors Group,” said Morgan. “That’s an example to everybody: come into a new society, an adopted country, and just roll up the sleeves and get working. Isn’t that an example to anybody that comes in?”

No less a triumph, Morgan said, is the family Ruth and her husband, Dr. Cecil Sigal, created. 

“You look at that family and you think, ‘Victory!” he said. “Because they beat Hitler.” 

Rolls’ poetic Adventures at Vancouver Fringe

The Vancouver Fringe Festival runs Sept. 4-14. For the full lineup and tickets, visit vancouverfringe.com. (photo from festival listing)

Jem Rolls brings Adventures in Canadian Parking Lots to the Vancouver Fringe Festival Sept. 5-14. “Describing the contents of the show is difficult, as it manages to cover so much ground in so little time,” writes Aiden Robert Bruce in a June post on kingstontheatre.ca. “The series of poems answers a variety of questions like: ‘Why are Canadians so good at smiling?’ ‘What is the most sellable title for a show?’ ‘How do the English view history?’ and perhaps most curiously, ‘When is he going to get to the parking lots?’ Amidst this amalgamation of individual topics, there is beautiful poetic imagery, dark science fiction, Fringe history lessons, and throughout it all there is almost always humour. The constant comedy is not only helpful in keeping the audience engaged, but also is used to create extremely powerful moments where the humour ceases and nothing but a striking verse remains.”

Power of propaganda

Understanding the past, including the darkest eras, can help people recognize the symptoms of a society going off the rails. 

A forthcoming book for young readers, titled Can Posters Kill? Antisemitic Propaganda and World War II, by Torontonians Jerry Faivish and Kathryn Cole, explores how propaganda and racist imagery desensitized a society to atrocities. 

Faivish, a retired lawyer, has collected Jewish posters since young adulthood, building one of the world’s largest private collections. The son of Holocaust survivors, he created this book with Cole, an illustrator, art director, editor, designer and publisher, to educate young people about the dangers of hatred and the powers of persuasion used for evil ends.

image - Can Posters Kill? book coverThe richly illustrated publication spotlights how vivid imagery and repetition intended to evoke fear, distrust, loyalty or revulsion served to influence populations to accept (even collaborate in) barbarism.

“By understanding the visual language of propaganda from the past, we can learn to recognize and resist messages of hate – an essential skill in a digital world where information is spread in seconds,” according to the publisher, Second Story Press.

Aimed at readers 13 and up, this book about the past has its purpose firmly planted in the present and future.

“Like social media today,” write the authors, “visual communication in the ’30s and ’40s – from movies to newspapers to paper posters – was clever and interesting, engaging and effective. But, under Nazi manipulation, it became deadly.”

The focus of the book is visual, befitting a volume of this topic, with just enough copy to contextualize the imagery and point out salient aspects that the reader might not have noticed. It is also perhaps a perfect mix of text and graphics for the generation it aims to reach.

The authors provide a brief overview of the post-First World War economic conditions in Germany, the impacts of the Treaty of Versailles, and Hitler’s rise to power. This history tilled the soil for the hate-messaging showcased. 

“A false message, when repeated often enough, can become the truth in the minds of people who are frightened, oppressed and searching for someone to blame for their misfortune during hard times,” the book warns. 

Can Posters Kill? also delves into how graphic design played into the success of the brainwashing – “clever use of different typefaces grabs the attention of passersby,” among other innovations.

Joseph Goebbels, the Nazis’ minister of propaganda, who more than any other individual is associated with this sort of material, did not overestimate his audience.

“The rank and file are usually much more primitive than we imagine,” he is quoted in the book. “Propaganda must, therefore, always be essentially simple and repetitious. In the long run, only he will achieve basic results in influencing public opinion who is able to reduce problems to the simplest terms and who has the courage to keep forever repeating them in the simplified form, despite the objections of intellectuals.”

The messages his department imparted were subtle as sledgehammers. 

In one poster, a doctor or scientist is looking through a microscope at a vicious “Jewish” disease devouring healthy tissue. Jews are characterized as sexual deviants and blamed for spreading tuberculosis, syphilis and cancer. 

“It’s a chilling message because it can quickly turn into ‘kill or be killed,’” the book says.

In another poster, a Jew hovers menacingly over the globe, spinning a web from his index finger. 

“This reinforces the Nazi-supported notion that Jews are power-hungry and backed by secret cabals or conspirators,” the authors write.

Jews are depicted as the mortal enemy of Christianity and the Star of David is equated alongside the communist red star, implying a dual-pronged threat to German society.

Faivish shares his family’s story: his mother’s experiences in various ghettos, work and concentration camps, and at extermination sites such as Auschwitz, and his father’s defiant escape from a cattle car headed for the gas chambers. Faivish’s father lost his parents and his eight siblings in the Holocaust. His mother had just one surviving brother and one remaining sister out of a family of 10. 

Faivish goes into some detail about the experiences of his mother in the constellation of Nazi ghettos and camps, and his father’s unlikely survival in hiding, thanks to a gentile Polish family. He places significant emphasis on the heroism of non-Jews. 

“After the war, my parents met in Bergen-Belsen, the DP camp where they married and started a family,” he writes. “My older sister was born there in 1949.… In 1952, my parents immigrated to Canada. In 1953, I was born in Montreal. For my parents, the question of how to deal with recurring hate, and what could be done about it, was more than philosophical. It became a guideline for how to live their lives and what to pass on to their children. The lessons they taught us are still applicable and valuable today.”

He includes nine values his parents instilled in him and that he hopes the book will pass on to others, including: be proud of who you are and embrace your faith and culture [because the] aim of the “Final Solution” was to annihilate Jews and to destroy Judaism; respect your fellow human beings and treat them well; and recognize and eliminate hate and evil as much as possible.

A timeline of historical events and an excellent glossary of relevant terms are included at the end of the book.

As British Columbia and other provinces institute mandatory Holocaust education in school curricula, books like Can Posters Kill? Antisemitic Propaganda and World War II provide powerful resources for educators to convey the lessons of history in ways that are impactful but age-appropriate, with undeniable and clear lessons around critical media consumption for contemporary generations. 

While not formally related, the book is also a valuable complement to the Vancouver Holocaust Education Centre’s current exhibition, Age of Influence: Youth & Nazi Propaganda, which is being reconfigured into a traveling exhibit.