{"id":39700,"date":"2022-10-07T01:41:41","date_gmt":"2022-10-07T08:41:41","guid":{"rendered":"https:\/\/www.jewishindependent.ca\/?p=39700"},"modified":"2022-10-05T12:52:31","modified_gmt":"2022-10-05T19:52:31","slug":"the-repackaging-of-a-hero","status":"publish","type":"post","link":"https:\/\/www.jewishindependent.ca\/index.php\/2022\/10\/07\/the-repackaging-of-a-hero\/","title":{"rendered":"The repackaging of a hero"},"content":{"rendered":"<p style=\"font-weight: 400;\">Anyone who knows more than a little bit about Holocaust hero Rudolf Vrba \u2013 a Vancouverite for 31 years \u2013 will approach Jonathan Freedland\u2019s <em>The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World\u00a0<\/em>(London, UK: John Murray, 2022) with delight and apprehension.<\/p>\n<p style=\"font-weight: 400;\">Will this <em>Guardian<\/em> journalist and thriller writer take the high road, encouraging everyone to seek out Vrba\u2019s own fascinating, still-in-print memoir? Or will he be more like Elvis swinging his hips, simulating Black-style music, because, hey, most people won\u2019t know the difference?<\/p>\n<p style=\"font-weight: 400;\">Rudolf Vrba\u2019s name is nowhere to be found on the cover. At the top of the jacket is the subtitle. At the bottom, Freedland\u2019s name. The main title, front and centre, implies 19-year-old Vrba was Houdini-like but, as Freedland well knows, Vrba and his co-escapee Alfred Wetzler took advantage of an escape plan and a hideout conceived and built by others.<\/p>\n<p style=\"font-weight: 400;\">The pair\u2019s report on Auschwitz was by far Vrba\u2019s greater achievement \u2013 exposing the vast scale of murder at Auschwitz to the world-at-large, convincing everyone who read it. The pair is now credited with saving 200,000 lives.<\/p>\n<p style=\"font-weight: 400; text-align: center;\">* * *<\/p>\n<p style=\"font-weight: 400;\">As someone who knew Vrba, I am sympathetic to Freedland\u2019s undertaking. How do we get more people, including academics and even Jewish community members, to celebrate one of the greatest heroes of the 20th century?<\/p>\n<p style=\"font-weight: 400;\">Thankfully, <em>The Escape Artist <\/em>is clear and precise storytelling. With access to Vrba\u2019s archival materials in New York\u2019s Franklin Delano Roosevelt Library and input from both of Vrba\u2019s wives, Freedland has also been able to add a good deal of fresh information to the public record.<\/p>\n<p style=\"font-weight: 400;\">It will be enlightening for most readers to learn that four other men actually planned and built Vrba\u2019s getaway hideout (where Vrba and his cohort Wetzler hid for three days). This seldom-cited quartet tested it for real, escaping for several days before being caught and tortured, but not killed.<\/p>\n<p style=\"font-weight: 400;\">Vrba\u2019s own narrative \u2013 first entitled <em>I Cannot Forgive<\/em> and later changed to <em>I Escaped From Auschwitz<\/em> \u2013 omitted crediting the extreme courage of these men. Without them, Vrba would never have reached Slovakia and co-written the Vrba-Wetzler Report, intended to forewarn 800,000 Jews of Hungary not to get on those trains. From Freedland, not from Vrba, we also learn how one of the tortured members of that quartet was able to assure Vrba that he and his escapees had not divulged their undiscovered hideout in the \u201cMexico\u201d section of the camp.<\/p>\n<p style=\"font-weight: 400;\">\u201cMexico\u201d was so-named, Freedland tells us, because poor souls marooned in the construction zone with makeshift shelters were not given clothes; consequently, naked prisoners had to drape themselves in blankets and other prisoners at Auschwitz-Birkenau thought they looked like New Mexico Indians.<\/p>\n<p style=\"font-weight: 400;\">Vrba did make clear, however, that in order to travel over land through hostile territory for a grueling 14 days, he and Wetzler had followed explicit directives that Vrba had received from a Russian prisoner named Dimitri Volkov. Hence, it was Volkov who was the master of escapology; Vrba was his disciple.<\/p>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/10\/oct-07-books.07.The-Escape-Artist-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-39703\" src=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/10\/oct-07-books.07.The-Escape-Artist-cover.jpg\" alt=\"image - The Escape Artist book cover\" width=\"240\" height=\"362\" srcset=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/10\/oct-07-books.07.The-Escape-Artist-cover.jpg 240w, https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/10\/oct-07-books.07.The-Escape-Artist-cover-199x300.jpg 199w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a>For virtually all of the people on the planet who have not sought out the two volumes of fascinating, self-published memoirs by Vrba\u2019s first wife, Gerta, <em>The Escape Artist <\/em>will be welcomed for divulging details of Vrba\u2019s first marriage. Gerta had to take her leave, penniless, with their two daughters, to escape from a philandering and distrustful husband who was clearly still in recovery after almost two years in Auschwitz.<\/p>\n<p style=\"font-weight: 400;\">The extent to which both his daughters felt estranged from him is touched upon. We also learn more about his eldest daughter Helena\u2019s apparent suicide in Papua New Guinea in 1982 (an overdose of chloroquine in response to her love affair with a married man who left her) after she had all but severed ties with her father three years earlier.<\/p>\n<p style=\"font-weight: 400;\">As well:<\/p>\n<ul>\n<li style=\"font-weight: 400;\">Freedland notes there is a distinct possibility that Vrba\u2019s father might have died by suicide as a failed businessman (when Vrba was aged 4).<\/li>\n<li style=\"font-weight: 400;\">Vrba was his mother\u2019s only child (he had two, much older step-brothers and a step-sister from his father\u2019s previous marriage).<\/li>\n<li style=\"font-weight: 400;\">After his father\u2019s death, Vrba\u2019s mother was a traveling saleswoman for much of his early childhood, absent for much of his formative years.<\/li>\n<li style=\"font-weight: 400;\">Vrba\u2019s penchant for science might have emerged after all Jewish children were told to return their textbooks, but a friend named Erwin Eisler managed to keep his organic chemistry text by Czech scientist Emil Votocek.<\/li>\n<\/ul>\n<p style=\"font-weight: 400;\">Gerta\u2019s books have already revealed that Vrba, as a youth, emerged as a leader in a self-teaching circle of friends and that, when Gerta was 13, she was enraptured by his precocious intelligence and confidence. Vrba was 15 and sometimes dismissed her as childish.<\/p>\n<p style=\"font-weight: 400;\">Gerta Vrbova and Vrba\u2019s second wife, former Vancouver realtor Robin Vrba, were invaluable informants for Freedland but we have no idea who told him what. Their contributions to history are invisiblized, not unlike what could have happened to Vrba and Wetzler, who were advised by Jewish elders in their native Slovakia not to have their names attached to their momentous reportage.<\/p>\n<p style=\"font-weight: 400; text-align: center;\">* * *<\/p>\n<p style=\"font-weight: 400;\">One error must be cited: on page 8, Freedland states that Vrba and Wetzler were \u201cthe first Jews to break out of Auschwitz.\u201d Freedland later devotes three pages to Siegfried Lederer\u2019s marvelous escape on April 5, 1944, when Lederer [tattoo # 170521] outwitted Nazi guards by donning an SS uniform provided by SS officer Viktor Pestek.<\/p>\n<p style=\"font-weight: 400;\">Google will tell you that Siegfried Lederer, aka V\u00edt\u011bzslav Lederer (March 6, 1904-April 5, 1972), was born to a Jewish family in P\u00edsa\u0159ova Vesce in the Sudetenland. Czech sites convey he was a Resistance fighter who was transported from the Terez\u00edn Ghetto to Auschwitz-Birkenau (arrival on Dece. 18, 1943). He was forced to wear both yellow and red triangles, marking him as a Jew and as a political prisoner. After he escaped, he warned Judenrat elders at Theresienstadt about the mass murder of Jews at Auschwitz \u2013 but he was both disbelieved and told to remain quiet.<\/p>\n<p style=\"font-weight: 400;\">If Freedland has some contradictory information to prove that Lederer is not Jewish, he might well have provided it. Certainly, for marketing purposes, it sounds better to imply Vrba and Wetzler were first. Sure enough, an uncredited review now permanently appears on the <em>Guardian\/Observer<\/em> website and it baldly asserts: it took until 10 April, 1944, but eventually Vrba and fellow prisoner Alfred Wetzler \u201cachieved what no Jew had ever done before: they had broken out of Auschwitz.\u201d<\/p>\n<p style=\"font-weight: 400;\">One has to wonder who wrote that uncredited summary. On page 171 of his book, Freedland slyly covers himself by saying, \u201cFred Wetzler and Walter Rosenberg [Vrba\u2019s birth name] were on their way to becoming \u2018the first Jews to engineer their own escape from Auschwitz.\u2019\u201d Trouble is, he has already told us that four prisoners \u2013 named Citrinm, Eisenbach, Gotzel and Balaban \u2013 ought to be chiefly credited for building (ie. engineering) the hideout, not Vrba and Wetzler.<\/p>\n<p style=\"font-weight: 400;\">We like to assume people who write for the <em>Guardian<\/em> must have higher standards, but, hmm, maybe not. Now people all over the world can watch Freedland\u2019s June 18th promotional video on YouTube in which he self-assuredly states, \u201cI know, since I\u2019ve nailed this down, that only four Jews ever escaped from Auschwitz, and Vrba and Wetzler were the first.\u201d Either this is a lie or research standards at the <em>Guardian<\/em> have drastically plummeted.<\/p>\n<p style=\"font-weight: 400;\">Overall, <em>The Escape Artist <\/em>is an intelligent, valuable and easy-to-read account by someone who is bright enough to know that a warts-\u2019n\u2019-all portrayal of Vrba\u2019s life is the best possible way to get the world interested.<\/p>\n<p style=\"font-weight: 400;\">If Freedland treads lightly when it comes to defending Vrba and foremost Vrba expert Ruth Linn in their battle with Yad Vashem historian Yehuda Bauer, well, perhaps he can be excused for wanting as many readers as possible in Israel. Robert Krell, as the founding force behind the Vancouver Holocaust Education Centre, was interviewed but he appears on only one page. Two other Vancouverites, Dr. Joseph Ragaz and Prof. Chris Friedrichs, were interviewed by Freedland, but their input is not cited except in an acknowledgements section. Linn, an Israeli academic and a part-time Vancouverite, who was for eight years the only scholar that Vrba permitted to interview him, declined to be interviewed. Linn and Freedland both first became aware of Vrba\u2019s existence by watching Claude Lanzmann\u2019s nine-and-a-half-hour documentary <em>Shoah<\/em>.<\/p>\n<p style=\"font-weight: 400; text-align: center;\">* * *<\/p>\n<p style=\"font-weight: 400;\">I greatly appreciate the effort it took to fashion a potential bestseller for a new generation that knows increasingly less about the Holocaust. I am certain Vrba\u2019s co-author Alan Bestic, who overcame different obstacles for his time, would likewise approve. Unfortunately, the bibliography omits any mention of Bestic\u2019s co-writing of the memoir <em>I Cannot Forgive<\/em> and it\u2019s only mentioned once in the text, on page 272. For that matter, Vrba\u2019s own book, with its current title, is cited precisely once in small print within the depths of a seven-page bibliography. (There it is, on page 358, included alongside a scientific paper Vrba published about his research on rat brains.)<\/p>\n<p style=\"font-weight: 400;\">London-based Bestic was a fantastic writer. Freedland is a very fine one, too. He can turn a phrase. He can step back and be invisible. He has poise and tact. It is unfortunate, therefore, that Bestic\u2019s essential role as Vrba\u2019s co-writer has been ignored and even somewhat denigrated (\u201ca supremely skilled Fleet Street journalist of the old school\u201d). We don\u2019t learn anything about him. If Freedland has the means to undertake research in New York and Vancouver, why is there no apparent digging to tell us anything about the man who wrote most of the text upon which <em>The Escape Artist<\/em> itself is necessarily based?<\/p>\n<p style=\"font-weight: 400;\">As a writer, Freedland has a very cool, even calculating hand. That\u2019s good for journalism; it might even be good for thriller writing. But the drama of Vrba\u2019s story has been subdued in this modern version. <em>The Escape Artist<\/em> is nonetheless an essential and welcome work, if it gets the world aware of one of the greatest whistleblowers of the 20th century. Ideally, the book will lead more people to seek out the latest version of Vrba\u2019s own narrative, <em>I Escaped From Auschwitz: The Shocking True Story of the World War II Hero Who Escaped the Nazis and Helped Save Over 200,000 Jews<\/em>, released in 2020, co-edited by Nikola Zimring and Robin Vrba, minus its original opening chapter.<\/p>\n<p style=\"font-weight: 400;\"><strong>Alan Twigg<\/strong><em>\u2019s 20th book is <\/em>Out of Hiding: Holocaust Literature of British Columbia<em> (Ronsdale Press, 2022). This year, he received an honorary doctorate from Simon Fraser University.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anyone who knows more than a little bit about Holocaust hero Rudolf Vrba \u2013 a Vancouverite for 31 years \u2013 will approach Jonathan Freedland\u2019s The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World\u00a0(London, UK: John Murray, 2022) with delight and apprehension. Will this Guardian journalist and thriller writer take the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":39702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[784],"tags":[20176,21834,4242,53,21150,21833,8501],"class_list":["post-39700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","tag-biography","tag-guardian","tag-history","tag-holocaust","tag-holocaust-literature","tag-jonathan-freedland","tag-rudolf-vrba"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/39700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/comments?post=39700"}],"version-history":[{"count":0,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/39700\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media\/39702"}],"wp:attachment":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media?parent=39700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/categories?post=39700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/tags?post=39700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}