{"id":38815,"date":"2022-05-06T01:43:53","date_gmt":"2022-05-06T08:43:53","guid":{"rendered":"https:\/\/www.jewishindependent.ca\/?p=38815"},"modified":"2022-05-04T14:19:48","modified_gmt":"2022-05-04T21:19:48","slug":"orcas-inspire-creative-music","status":"publish","type":"post","link":"https:\/\/www.jewishindependent.ca\/index.php\/2022\/05\/06\/orcas-inspire-creative-music\/","title":{"rendered":"Orcas inspire creative music"},"content":{"rendered":"

The creation of Songs for a Lost Pod helped singer\/songwriter Leah Abramson explore her family\u2019s Holocaust history. (photo by Angela Fama)<\/em><\/p>\n

The world premi\u00e8re of Leah Abramson\u2019s Songs for a Lost Pod <\/em>was supposed to be part of this year\u2019s PuSh Festival three months ago. Delayed because of COVID restrictions at the time, it now will debut May 28-29, 7:30 p.m., at Studio T, SFU Goldcorp Centre for the Arts.<\/p>\n

Songs for a Lost Pod<\/em> is a \u201cnine-song cycle [that] makes spectacular use of orca vocalizations, transforming them into rhythmic beats in a musical exploration of historical trauma, environmental crisis and communication between species.\u201d The theatrical production is the most recent development in a process that includes an album by the same name, released in 2017.<\/p>\n

\u201cIt was just an outward spiral, really. The project started with dreams I had about whales, which turned into researching whales for fun, which then turned into a master of fine arts thesis, an album, a comic book, and now a stage show!\u201d said Abramson when the Independent <\/em>interviewed her in anticipation of the PuSh festival. \u201cWhen I made the album, I knew there was so much research and information behind the lyrics and music of each song, and I felt like I wanted people to understand that context, so I made the comic book to highlight some of the research and stories. Then, as I was arranging the music to be performed live, I realized that I wanted people to have that context, too, so I\u2019ve turned the research and background into a script. Then we decided that adding visuals would really help immerse the audience in the material. The project has just been expanding from the beginning.\u201d<\/p>\n

Abramson, who grew up in Burnaby, said she has been interested in music from a young age. \u201cMy grandma sang in her synagogue\u2019s choir and my dad played the piano, so they tell me it runs in the family,\u201d she said. \u201cBut I was also told that music was only for fun, and not a real career, unless you were a concert pianist or something like that. So, I tried to do other things, but I was miserable unless I was making music.<\/p>\n

\u201cOver the years, I\u2019ve done lots of touring and playing in bands and teaching, but writing and composing has always been what I love the most. I have pretty varied interests \u2013 I\u2019m fascinated by marine biology and I love learning about the environment, as well as human history. The great thing about writing songs is that you can research anything and put it into your work. Right now, I\u2019m really excited about writing music for the stage, as well as choral music.\u201d<\/p>\n

Along with her MFA in creative writing (with a focus on lyrics) from the University of British Columbia, Abramson studied classical music at Capilano University, and also has studied traditional Appalachian balladry.<\/p>\n

In addition to the song-cycle, Songs for a Lost Pod <\/em>features the narrative script that Abramson mentioned, which \u201cjuxtaposes the whale histories with Leah\u2019s own family and their experience surviving the Holocaust and its aftermath,\u201d according to the program description. \u201cMind of a Snail\u2019s handmade projections create an impressionistic and largely non-representational visual world to support the songs and narration, guiding the audience into a space of contemplation.\u201d<\/p>\n

\u201cWhen I first started looking into whale histories, the parallels presented themselves pretty quickly,\u201d Abramson told the Independent<\/em>. \u201cIt was not my intention to delve into my family\u2019s past, but, while learning about captures and commercial whaling practices, it was hard not to look at the bigger picture of human behaviour throughout history \u2013 aspects of cruelty and destruction that manifest in heartbreaking ways. But also, whales are similar to humans \u2013 whale intelligence is extremely high, and whale families are extremely tight knit.\u201d<\/p>\n

It was difficult for Abramson to explore her family\u2019s Holocaust history \u2013 \u201cthe loss and pain are pretty overwhelming,\u201d she said, \u201cand it\u2019s not always easy to find a way forward when that intensity is present. Whale families became a mirror for me, a way to understand and experience intergenerational trauma at a greater distance. The project allowed me to deal with my feelings in a more manageable way, through empathy for another species. And it provided a space for my grief, but also helped me find a way through it. Trauma is so common in families of all different backgrounds. Our ancestors may have lived through wars or other calamities and there are so many people living through these things right now. I think learning others\u2019 stories can help people start to process their own family\u2019s pain, even if the details are different. I felt like whale stories did that for me.\u201d<\/p>\n

Credit for Songs of a Lost Pod<\/em>\u2019s music and lyrics go to Abramson in collaboration with Antoine B\u00e9dard, J.J. Ipsen, Andrew Lee (Holy Hum), Aidan O\u2019Rourke (Lau), Sandro Perri, Arliss Renwick and Marten Timan. The program notes that credit also could be given to the A5 whale pod, as the musicians \u201cwere given selected A5 pod orca vocalizations, along with Abramson\u2019s other field recordings, to turn into beats and tracks, which formed the backbone of Abramson\u2019s songwriting process, and the rhythms behind much of the music.\u201d<\/p>\n

Fellow Jewish community member Barbara Adler also has contributed to the project, and is the show\u2019s narrator.<\/p>\n

\u201cBarbara and I have known each other for so long that we can\u2019t remember when or how we officially met,\u201d said Abramson. \u201cIt\u2019s like that with people in creative community sometimes \u2013 you grow up making art alongside each other. We have shared some special experiences and projects over the years, and continue to work together and in parallel. We have some shared Czech-Jewish roots, which makes Barbara a really good fit for this project in particular. She\u2019s working on a lot of interesting projects of her own, and I\u2019m also happy to be one of her composer-collaborators for Mermaid Spring<\/em>, which is a musical she\u2019s making with Kyla Gardiner (who also happens to be our lighting designer).<\/p>\n

\u201cBarbara has been sending me song lyrics over the last few years, which I have been setting to music. I love working with the characters she has created, and it has truly been a joy to work on those songs. I also really admire Barbara\u2019s artistic process. When she writes, she really digs into all the nuances of a situation or character. She welcomes complexity and the messy underside of creation. I think Barbara balances my impulsivity, and helps me step out from the shadows in my shyest moments. She\u2019s also a great performer!\u201d<\/p>\n

Co-presented by Music on Main and SFU School for the Contemporary Arts, tickets for Songs for a Lost Pod <\/em>($15) can be purchased from musiconmain.ca\/event\/songs-for-a-lost-pod<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The creation of Songs for a Lost Pod helped singer\/songwriter Leah Abramson explore her family\u2019s Holocaust history. (photo by Angela Fama) The world premi\u00e8re of Leah Abramson\u2019s Songs for a Lost Pod was supposed to be part of this year\u2019s PuSh Festival three months ago. Delayed because of COVID restrictions at the time, it now […]<\/p>\n","protected":false},"author":2,"featured_media":38816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[788,785],"tags":[875,2845,21519,53,21516,3036,21515,21518,21514,21517,4838,21520],"class_list":["post-38815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-performing-arts","tag-barbara-adler","tag-environment","tag-family-history","tag-holocaust","tag-leah-abramson","tag-music","tag-music-on-main","tag-narration","tag-sfu-school-for-the-contemporary-arts","tag-songs-for-a-lost-pod","tag-storytelling","tag-whales"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/38815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/comments?post=38815"}],"version-history":[{"count":0,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/38815\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media\/38816"}],"wp:attachment":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media?parent=38815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/categories?post=38815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/tags?post=38815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}