{"id":38197,"date":"2022-01-28T01:47:33","date_gmt":"2022-01-28T09:47:33","guid":{"rendered":"https:\/\/www.jewishindependent.ca\/?p=38197"},"modified":"2022-01-27T18:12:12","modified_gmt":"2022-01-28T02:12:12","slug":"novels-about-love-art","status":"publish","type":"post","link":"https:\/\/www.jewishindependent.ca\/index.php\/2022\/01\/28\/novels-about-love-art\/","title":{"rendered":"Novels about love, art"},"content":{"rendered":"<p>Inspired by real people, Jai Chakrabarti and Michaela Carter have written novels that explore the Holocaust and its impacts. Their books also happen to share common themes. Notably, the power of art to change the world, and the power of love to change a person.<\/p>\n<p>Chakrabarti <em>(A Play for the End of the World<\/em>) joins Gary Barwin (<em>Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy)<\/em> on Feb. 6 in a Cherie Smith JCC Jewish Book Festival event, moderated by Helen Pinsky, called Mythical Quests. Carter (<em>Leonora in the Morning Light)<\/em> and Meg Waite Clayton (<em>The Postmistress of Paris)<\/em> take part in the event Art and War on Feb. 9, moderated by Hope Forstenzer.<\/p>\n<p>In Chakrabarti\u2019s <em>A Play for the End of the World<\/em>, the quest is that of child survivor Jaryk Smith, who travels from New York to India in 1972 to collect the ashes of his best friend and fellow Holocaust survivor, Misha, who died of a heart attack. Misha had ventured to India to help a village mount a production of Rabindranath Tagore\u2019s <em>Dak Ghar<\/em> (translated as \u201cThe Post Office\u201d), which Jaryk and Misha had performed when they were under the care of Janusz Korczak (aka Pan Doktor by the children) in Warsaw in 1942.<\/p>\n<p><a href=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Chakrabarti-A-Play-for-the-End-of-the-World-cover.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-38198\" src=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Chakrabarti-A-Play-for-the-End-of-the-World-cover.jpeg\" alt=\"image - A Play for the End of the World book cover\" width=\"260\" height=\"393\" srcset=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Chakrabarti-A-Play-for-the-End-of-the-World-cover.jpeg 260w, https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Chakrabarti-A-Play-for-the-End-of-the-World-cover-198x300.jpeg 198w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/a>While Jaryk, Misha and all the other characters are fictional, Korczak and <em>Dak Ghar<\/em> were very real. \u201cThe play is about a dying child living through his imagination while quarantined,\u201d writes Chakrabarti in the author\u2019s note. \u201cPan Doktor chose to stage the play to help his orphans reimagine ghetto life and to prepare them for what was to come.\u201d<\/p>\n<p>The Indian villagers are also being prepared for what is to come \u2013 they are under threat of expulsion, or worse, from the government; already, protesters have been imprisoned, even killed. The Indian professor promoting the play wants to bring international attention to their plight.<\/p>\n<p>Tangled up in all this is Lucy, who Jaryk loves but abandons in New York when he hears about Misha\u2019s death. One of the many choices Jaryk faces is whether he can accept the happiness that Lucy and life in general can offer him.<\/p>\n<p>Happiness is a rare and difficult-to-achieve state in Carter\u2019s novel, as well. The Leonora of the book\u2019s title is artist Leonora Carrington, who was born in England in 1917 and died in Mexico in 2011. An unofficial part of the Surrealist movement (because women weren\u2019t allowed), Carrington was an acclaimed painter and writer. Of her relationships, the most famed would be with fellow Surrealist Max Ernst, who was twice her age at their time of meeting.<\/p>\n<p>\u201cI was drawn to Leonora Carrington before I even knew who she was,\u201d writes Carter in the author\u2019s note. \u201cLong intrigued by the Surrealist artists, by their playful take on creativity and their celebration of surprise and strangeness, I had set out, in 2013, to write a fictional story placed among them, set between the wars and with a young woman at its centre.\u201d<\/p>\n<p><a href=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Carter-Leonora-cover.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-38199\" src=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Carter-Leonora-cover.jpeg\" alt=\"image - Leonora in the Morning Light book cover\" width=\"260\" height=\"392\" srcset=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Carter-Leonora-cover.jpeg 260w, https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2022\/01\/jan-28-books.28.historical-novels-Carter-Leonora-cover-199x300.jpeg 199w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/a>It was only later that Carter, at the Tate Gallery, came across a piece by Carrington, as well as the book <em>Leonora Carrington: Surrealism, Alchemy and Art<\/em> by Susan L. Aberth. For months, Carter says, she resisted the idea of writing a novel, but \u201cread everything about Leonora I could get my hands on, as well as everything available about Max and Peggy Guggenheim, who was, I realized, an integral part of their story.\u201d<\/p>\n<p>Ernst had many lovers, including Guggenheim, who helped him get to the United States, but Carter\u2019s novel posits that Carrington was his true soulmate, and that he was Carrington\u2019s. Their affair is interrupted by the Second World War, however, and, after we get to meet the couple in 1937, the novel mainly alternates between Carrington\u2019s story from that point and Ernst\u2019s from 1940, as he is trying to escape from France. While the two met in London, they moved to Paris \u2013 Ernst first (Carrington\u2019s father apparently had a hand in Ernst\u2019s work being declared \u201cthe product of an immoral mind,\u201d which was an arrestable offence at the time in London), then Carrington.<\/p>\n<p><em>Leonora in the Morning Light<\/em> \u2013 which is named after a painting Ernst made of Carrington \u2013 takes readers to 1943, by which time Ernst is in Arizona and Carrington is in Mexico; both married to other people.<\/p>\n<p>\u201cDuring her 94 years on this earth, she created thousands of magical, mystical works of art \u2013 drawings, paintings, statues, masks, plays, short stories and her masterful novel, <em>The Hearing Trumpet<\/em>,\u201d writes Carter of Carrington. \u201cShe was also an eco-feminist who fervently believed in the innate rights of all individuals \u2013 of humans, animals, plants and the earth itself.\u201d<\/p>\n<p>Visit <a href=\"http:\/\/jccgv.com\/jewish-book-festival\" target=\"_blank\" rel=\"noopener\">jccgv.com\/jewish-book-festival<\/a> for the full festival lineup and tickets.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inspired by real people, Jai Chakrabarti and Michaela Carter have written novels that explore the Holocaust and its impacts. Their books also happen to share common themes. Notably, the power of art to change the world, and the power of love to change a person. Chakrabarti (A Play for the End of the World) joins [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[784],"tags":[6133,8539,21120,4661,9857,21204,21203,21125,6691,21206,21205,6208],"class_list":["post-38197","post","type-post","status-publish","format-standard","hentry","category-books","tag-fiction","tag-historical-fiction","tag-jai-chakrabarti","tag-janusz-korczak","tag-jcc-jewish-book-festival","tag-leonora-carrington","tag-max-ernst","tag-michaela-carter","tag-painting","tag-rabindranath-tagore","tag-surrealism","tag-theatre"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/38197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/comments?post=38197"}],"version-history":[{"count":0,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/38197\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media?parent=38197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/categories?post=38197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/tags?post=38197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}