{"id":37317,"date":"2021-08-27T01:53:54","date_gmt":"2021-08-27T08:53:54","guid":{"rendered":"https:\/\/www.jewishindependent.ca\/?p=37317"},"modified":"2021-08-25T11:27:40","modified_gmt":"2021-08-25T18:27:40","slug":"khazzoom-has-new-ep","status":"publish","type":"post","link":"https:\/\/www.jewishindependent.ca\/index.php\/2021\/08\/27\/khazzoom-has-new-ep\/","title":{"rendered":"Khazzoom has new EP"},"content":{"rendered":"<p><span style=\"color: #000000;\"><strong>The cover of Iraqis in Pajamas\u2019 new album, <em>Pijamama<\/em>, features Loolwa Khazzooom\u2019s grandfather, Abraham Khazzoom.<\/strong><\/span><\/p>\n<p>The multifaceted, multicultural and impossible-to-pigeonhole Loolwa Khazzoom is back, along with her band, Iraqis in Pajamas, with a studio-produced album, <em>Pijamama<\/em>, that was released on July 16.<\/p>\n<p>The new album by the Seattle-based musician honours her mother, E.J., who passed away on July 16, 2019, and who encouraged Khazzoom to pursue her music. Khazzoom credits E.J. with demonstrating that we all have \u201cthe ability to radically transform ourselves and our relationships \u2013 and to stop the crushing boulder of intergenerational trauma \u2013 when are willing to face and go through the darkness together.\u201d<\/p>\n<p>A photo of Khazzoom\u2019s grandfather, Abraham Khazzoom, who she describes as \u201cthe original Iraqi in pajamas,\u201d graces the album\u2019s cover. The band\u2019s name, she explained, derives from an uncomplimentary reputation Iraqi expatriates had in the Israeli city of Ramat Gan for putting on their pajamas when they had arrived home and the work of the day was completed.<\/p>\n<p>The EP features Khazzoom on vocals and bass, Robbie Morsehead on drums, Cali Hackmann on keyboard and backup vocals, and Alden Hackmann on guitar. The melodies and lyrics were written by Khazzoom. <em>Pijamama<\/em> showcases three songs.<\/p>\n<p>\u201cMahalnu\u201d explores the\u00a0 Jewish practice of asking forgiveness ahead of Yom Kippur. It then raises the question of what happens when someone asks for forgiveness, without changing their behaviour, especially in the case of violence. \u201cWhat is the difference between forgiveness of you and erasure of me?\u201d Khazzoom asks.<\/p>\n<p>\u201cThe Fixer,\u201d a declarative prayer, advocates the rejection of compensating for another person\u2019s not doing necessary work in a relationship. The chorus, \u201c<em>ashir shir hadash<\/em>\u201d (\u201cI will sing a new song\u201d), comes from \u201cEzer Musarai,\u201d an Iraqi Jewish song for Purim, which inspired Khazzoom as a child.<\/p>\n<p>\u201cFireball\u201d looks at being a caregiver in spite of emotional violence. The lyrics proclaim: \u201cYou can be downright vicious \/ Throwing a fireball \/ At the one who cares most about you \/ The one who is always there for you&#8230;.\u201d<\/p>\n<figure id=\"attachment_37318\" aria-describedby=\"caption-attachment-37318\" style=\"width: 240px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2021\/08\/aug-27-music.27.Iraqis-in-Pajamas_Loolwa-Khazzoom.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37318\" src=\"http:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2021\/08\/aug-27-music.27.Iraqis-in-Pajamas_Loolwa-Khazzoom.jpg\" alt=\"photo - Loolwa Khazzoom\" width=\"240\" height=\"341\" srcset=\"https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2021\/08\/aug-27-music.27.Iraqis-in-Pajamas_Loolwa-Khazzoom.jpg 240w, https:\/\/www.jewishindependent.ca\/wp-content\/uploads\/2021\/08\/aug-27-music.27.Iraqis-in-Pajamas_Loolwa-Khazzoom-211x300.jpg 211w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><figcaption id=\"caption-attachment-37318\" class=\"wp-caption-text\">Loolwa Khazzoom <em>(photo from Iraqis in Pajamas)<\/em><\/figcaption><\/figure>\n<p>Khazzoom has had a varied career. Among other things, she has been an educator, writer and health coach, all of which share, she says, the central principle of individual and collective healing. Ultimately, Khazzoom says she \u201cditched her power suit and Powerpoint in favour of combat boots and cat glasses to offer bold songwriting as the catalyst for deep and heart-centred conversation.\u201d<\/p>\n<p>The connections between her diverse activities have been subjects she has long contemplated.<\/p>\n<p>\u201cI have been keenly aware of interconnectedness since I was very young, partly because I was highly sensitive and thinking about things deeply, and partly because my identities were a crisscross of those considered at odds or even at war with each other \u2013 making it obvious to me that many social constructs and divisions were false,\u201d Khazzoom explained.<\/p>\n<p>\u201cMy songs reflect this awareness \u2013 explicitly or implicitly connecting dots between things that most people don\u2019t initially recognize as being related to each other, and inviting listeners to rethink their notions and paradigms.\u201d<\/p>\n<p>Khazzoom said she likes to play with this crisscross of identities. For example, people may react one way if she tells them she is Iraqi, and another way if she tells them she is Jewish.<\/p>\n<p>\u201cPeople generally like shortcuts or scripts in determining what to think about someone, instead of doing the work of getting to know someone, with all the complexity and nuance involved\u2026. I am the same person, yet an entirely different set of assumptions are projected on to me. Standing at the intersection of identities and experiences, I can poke fun at the absurdity of it all,\u201d she said.<\/p>\n<p>Khazzoom refers to her music as \u201cconscious rock,\u201d a way of exploring all our emotions, especially those that allow us to be loud in a healthy way.<\/p>\n<p>\u201cAs a collective, we fear intense emotions like rage and grief, and we suppress those feelings in ourselves and others, leading to astronomical levels of addiction and a host of other social and personal ills,\u201d she said. \u201cI believe that all of our emotions are a gift, a GPS system of sorts, pointing us in the direction of that which is true and good, and I find it tremendously liberating, healing and transformative, to express the spectrum of emotions in healthy and constructive ways.\u201d<\/p>\n<p>Khazzoom\u2019s songs are written in English, Judeo-Arabic and Hebrew, and blend Iraqi Jewish prayers, alternative rock and personal storytelling about subjects ranging from cancer, racism and mental illness to national exile.<\/p>\n<p>For more information, visit <a href=\"http:\/\/iraqisinpajamas.com\" target=\"_blank\" rel=\"noopener\">iraqisinpajamas.com<\/a>. To participate in the evolution of Loolwa\u2019s work, from poem to spoken word performance to song, go to <a href=\"http:\/\/patreon.com\/khazzoom?fan_landing=true\" target=\"_blank\" rel=\"noopener\">patreon.com\/khazzoom?fan_landing=true<\/a>.<\/p>\n<p><strong>Sam Margolis<\/strong> <em>has written for the <\/em>Globe and Mail<em>, the <\/em>National Post<em>, UPI and MSNBC.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The cover of Iraqis in Pajamas\u2019 new album, Pijamama, features Loolwa Khazzooom\u2019s grandfather, Abraham Khazzoom. The multifaceted, multicultural and impossible-to-pigeonhole Loolwa Khazzoom is back, along with her band, Iraqis in Pajamas, with a studio-produced album, Pijamama, that was released on July 16. The new album by the Seattle-based musician honours her mother, E.J., who passed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":37319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[788],"tags":[20788,2864,20098,9726,20787,665,4838,4180,1971],"class_list":["post-37317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-alternative-rock","tag-health","tag-iraqis-in-pajamas","tag-loolwa-khazzoom","tag-pijamam","tag-prayer","tag-storytelling","tag-world-music","tag-yom-kippur"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/37317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/comments?post=37317"}],"version-history":[{"count":0,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/37317\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media\/37319"}],"wp:attachment":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media?parent=37317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/categories?post=37317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/tags?post=37317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}