{"id":23187,"date":"2017-02-24T03:31:53","date_gmt":"2017-02-24T11:31:53","guid":{"rendered":"http:\/\/www.jewishindependent.ca\/?p=23187"},"modified":"2017-02-21T22:56:53","modified_gmt":"2017-02-22T06:56:53","slug":"more-than-a-mere-contract","status":"publish","type":"post","link":"https:\/\/www.jewishindependent.ca\/index.php\/2017\/02\/24\/more-than-a-mere-contract\/","title":{"rendered":"More than a mere contract"},"content":{"rendered":"

An outer space-themed ketubah designed by thisisnotaketubah.com<\/a>.<\/strong><\/span><\/p>\n

Judging from its ritual text, the ketubah<\/em> (marriage contract) that is read aloud during a Jewish wedding ceremony isn\u2019t the most exciting, romantic or joyous document. It spells out a husband\u2019s fundamental Jewish legal obligations to his wife \u2013 food, clothing, conjugal rights \u2013 and guarantees the sum that the husband will pay his wife in the event of a divorce. Yet, increasingly, today\u2019s ketubah designs are anything but dry and transactional. Going beyond placing a plain document in a basic picture frame, or using common designs such as a view of Jerusalem or the kabbalistic Tree of Life, ketubah artists and consumers alike are developing more elaborate and personalized tastes.<\/p>\n

Morgan Friedman, chairman and \u201clead muse\u201d of thisisnotaketubah.com<\/a>, calls his initiative \u201cthe first company to do outlandish ketubot,\u201d starting in 2011. Friedman said he \u201cwanted a ketubah with super-crazy modern art\u201d leading up to his wedding in 2010, but couldn\u2019t find one. He approached his wife-to-be\u2019s friend, Argentine artist Yael Magenheim, and she designed a ketubah to match his wedding, whose theme was the colour orange. Today, Magenheim is the artistic director for thisisnotaketubah.com, which has created 3,000 ketubot to date. Most customers order designs that the website already offers, but Friedman has a separate site, bespokeketubah.com<\/a>, featuring commissioned artworks.<\/p>\n

\u201cMy official reaction and what I tell [customers] is, \u2018Whatever makes you happy.\u2019 What makes the world a wonderful place is that different people have different preferences,\u201d Buenos Aires-based Friedman told JNS.org, reflecting on some unique ketubot he has designed, such as one commissioned for a dragon-loving couple who are Game of Thrones<\/em> fans.<\/p>\n

Adriana Saipe was also inspired to enter the ketubah art business through the process of designing her own ketubah, in 2013. For customized ketubot \u2013 which make up 20% of her business on inkwithintent.com<\/a>, the rest coming from existing designs \u2013 the Vermont-based artist said she often starts \u201cwith a place that has significance\u201d for the couple. She asks them questions like where they met, where they\u2019re living and where they\u2019ve traveled together. For instance, one ketubah the artist is currently working on features landscapes from Miami, Pittsburgh and Providence, three cities where the couple has lived.<\/p>\n

Saipe also hides \u201clittle secrets\u201d in her designs. In a ketubah for a couple that enjoys rowing, she added boathouses along a river amid a nighttime Philadelphia cityscape; the average observer might not notice the small boathouses, but they are there for the couple to appreciate, Saipe explained, describing this design choice as the difference between the \u201couter layer that\u2019s art on the wall\u201d and the \u201cinner story for the couple.\u201d<\/p>\n

Although Friedman cites 2011 as the advent of the \u201coutlandish\u201d ketubah, other artists estimate that elaborate, unique or customized ketubot were popularized at least two decades ago.<\/p>\n

\u201cThe current trend to have modern art ketubahs began around the end of the 1990s,\u201d said San Antonio-based artist Nishima Kaplan, who runs artketubah.com<\/a>. \u201cI was one of the first few artists to be involved in this trend, which was customer-driven. In the 1990s, the technology didn\u2019t allow for just-in-time ketubah prints, so people who wanted an artistic piece with a unique text had to commission a handmade piece. I made a lot of these in the early 2000s. Now, there is such a wide selection of artistic designs on the internet that can be ordered with any text, so there is less demand for handmade pieces that are artistic but not personal, the unique designs that reflect a couple\u2019s life continue to be desired.\u201d<\/p>\n

Jerusalem-based artist Danny Azoulay took up ketubah design nearly 20 years ago, when Israel\u2019s tourism minister asked him to design award certificates for companies slated to be named as the top 50 businesses for tourism in the Jewish state. At least 10 people who saw examples of the certificates in Azoulay\u2019s store commented that they would make for compelling ketubot, prompting the artist to pursue that niche.<\/p>\n

Azoulay, who runs ketubahazoulayart.com<\/a>, recalled that, when he first began designing ketubot, most Judaica production took place in China and India, where manufacturing costs are lower than they are in Israel. He understood that he couldn\u2019t compete with sellers of standard mass-produced Judaica items, and needed a niche such as the ketubah. Simultaneously, more customers were asking him to produce commissioned ketubot.<\/p>\n

Saipe, who has produced about 1,000 ketubot, said that, based on her conversations with consumers of various ages, the trend of elaborate designs began \u201csomewhere between the 1980s and 2000.\u201d<\/p>\n

\u201cThere\u2019s a really interesting dichotomy among ketubah artists themselves,\u201d she said, noting that, on the one hand, there are \u201cwell-established\u201d artists who produce ketubot with a classic old-world feel, and, on the other hand, there has been the emergence during the last five years of \u201ccontemporary\u201d artists who employ \u201cmodern symbolism and modern times\u201d in their designs.<\/p>\n

What\u2019s the reason behind the trend? The artists agree that customized ketubot are simply indicative of the popularity of personalized art in general, in addition to reflecting the personalization of various aspects of weddings.<\/p>\n

\u201cEveryone loves personalized art. This is not a new thing,\u201d said Kaplan, who has created more than 3,000 ketubot since 1998. That said, some couples\u2019 desire to alter and personalize the ketubah\u2019s age-old Aramaic ritual text may also play a role in the trend of commissioned designs, she said.<\/p>\n

\u201cOnce a couple begins thinking about a text they want that is different from the traditional one on their parents\u2019 ketubah, it may be a natural next step to wanting an art ketubah,\u201d said Kaplan.<\/p>\n

Read more at jns.org<\/a>.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

An outer space-themed ketubah designed by thisisnotaketubah.com. Judging from its ritual text, the ketubah (marriage contract) that is read aloud during a Jewish wedding ceremony isn\u2019t the most exciting, romantic or joyous document. It spells out a husband\u2019s fundamental Jewish legal obligations to his wife \u2013 food, clothing, conjugal rights \u2013 and guarantees the sum […]<\/p>\n","protected":false},"author":2,"featured_media":23141,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[218,6787,3251],"class_list":["post-23187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-life","tag-judaism","tag-ketubah","tag-weddings"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/23187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/comments?post=23187"}],"version-history":[{"count":0,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/posts\/23187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media\/23141"}],"wp:attachment":[{"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/media?parent=23187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/categories?post=23187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jewishindependent.ca\/index.php\/wp-json\/wp\/v2\/tags?post=23187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}