Sam Margolis – Page 22

Filmmaker aims to inspire

Esther Turan has produced an eclectic range of work. (photo from Moviebar Productions)

There is a Hungarian expression that translates roughly as “you are as many people as the number of languages that you speak.” This aptly describes the versatility of Budapest-born director and producer Esther Turan.

Turan, who spoke to the Independent from her home in Los Angeles, has melded eclectic cinematic styles into a considerable body of work. And she has done so within both a society and an industry frequently faulted for their limited opportunities for women. Among her credentials are director of documentaries about Budapest’s underground music scene; co-producer of an adaptation of G.K. Chesterton’s novel The Man Who Was Thursday; producer of In the Same Garden, a Bosnian film about Turkish-Armenian relations; and creator of commercials for dozens of internationally recognized companies.

Ever since the fall of the Iron Curtain, Budapest’s rich architecture and comparatively low production costs have made the city an attractive film location. Turan was barely out of her teens when, as a student at Hungary’s University of Drama and Film, her proficiency in English won her assignments as a casting director for several films shot in Budapest in the early 2000s, including Den of Lions, with Bob Hoskins.

In 2004, she became a founding member of Moviebar Productions, a full-service production company with offices in Budapest and – as of 2017 – Los Angeles. “I teamed up with a woman named Viktoria Tepper and we started producing television commercials,” explained Turan. “Soon our clientele grew, and we took on more projects for international companies.”

To date, Moviebar has produced 30 films and TV productions, in addition to more than 500 television commercials for brands such as BMW, Vogue and Nike.

“I have around 20 projects, in differing stages of development, underway at both the Budapest and Los Angeles offices,” Turan said. “One of my goals as a filmmaker is to tell stories that could inspire other women. My first TV series idea is about an exceptional woman who created a revolution and was a rebel herself. It’s also important for me to collaborate with other female filmmakers from all over the world and to share our visions. I would love to be involved in more projects, both with European and American female filmmakers.”

Currently, Turan is working on a miniseries about fashion designer Klara Rotschild, the “Coco Chanel of the East,” and contemplating a documentary about her grandfather, famed mathematician Paul Turan. His friendship and collaboration with eccentric mathematical icon Paul Erdos, known as “the oddball’s oddball,” would figure prominently in the film. Erdos was renowned for traveling from math conference to math conference around the globe, with a suitcase containing all his worldly goods.

Turan, too, has traveled to pursue her passions and her heritage. She studied at Hebrew University in Jerusalem, for example, to perfect her Hebrew. “Because of the fondness I had for it from earlier trips, I found myself missing Israel,” she recalled.

One of her latest projects is the anticipated The Reckoning, a horror film about a witch hunt set in 1665 New England that stars Charlotte Kirk (Vice), Joe Anderson (The Crazies) and Steven Waddington (The Imitation Game). Coincidentally, the movie is set against the backdrop of the Great Plague, and portrays the witch hunts conducted in its wake. Protagonist Grace Haverstock (Kirk) grapples with the tragic death of her husband, Joseph (Anderson), in a society consumed by fear and death. Later, in retaliation for having rejected the advances of her landlord, Squire Pendleton (Waddington), Grace is falsely accused of being a witch, and is imprisoned for a crime she didn’t commit.

In addition to The Reckoning, the third instalment of Turan’s documentary series Budapest Underground was just released. In it, in collaboration with co-director Anna Koltay, she explores Budapest’s musical subcultures in the late 1990s. This latest instalment focuses on electronic music. Accompanied by selected archival footage, it examines the genre’s emergence and growth, its key players, styles and sub-genres. The previous episodes delved into hardcore punk and hip-hop.

As Eastern Europe emerged in the late 1990s and early 2000s from several decades of communist rule, Budapest’s nascent underground music scene flourished, a blend of Western influences combined with a distinctively Magyar flavour. “I was into all this new music happening in Budapest at the time, especially rock and hip-hop,” said Turan. “It was really a great time.”

A fourth instalment in the series will be about underground rock and is currently in production.

For more information about Turan, her company and her career, visit movie-bar.net and her Facebook page, facebook.com/moviebar.productions.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

No barriers to music

Victoria composer Ari Kinarthy. (photo from Ari Kinarthy)

Victoria composer Ari Kinarthy has not let spinal muscular atrophy (type 2), a condition that has confined him to a wheelchair since the age of 6, inhibit his ability to create music. In fact, the very movements he makes in the wheelchair go into producing his music.

Using Soundbeam, an interactive hardware and software system that forms sounds from movements, Kinarthy’s music is recorded into multimedia platforms. For example, movements closer to the recording device establish lower notes and movements away spark the higher notes.

“I create all my music entirely with the computer. Sometimes, I will have access to a guitar player or singer but normally the music will be all done by the samples I use. I usually start with just piano and sometimes will write out a score. I think of a melody and/or harmony and continue from there. I love making themes,” Kinarthy, 30, told the Independent.

“I got into music at age 16 with music therapy sessions. I loved creating music. I started with remixing songs and then creating my own from scratch. I wanted to see what I could create and it just continued from there,” he said.

Starting out at the music therapy department at Canuck Place in Vancouver in 2006, he moved to the Victoria Conservatory of Music in 2007, where, over time and under the tutelage of music therapist Allan Slade, Kinarthy became adept at mastering the intricacies of his device.

The Soundbeam device, which looks like a large red microphone, is stationed in Kinarthy’s studio. It transmits ultrasonic sound, i.e., sound that is inaudible to the human ear, which, in turn, intersects with motion. This then transforms the resulting sound into MIDI, a digitized protocol for electronic instruments.

In 2012, Kinarthy released his first album, A Lion’s Journey, a play on his Hebrew name, Ari, which means lion. It featured an eclectic blend of many genres, including jazz and rock, mixed through the assistive technology. Though he is inspired by several music styles, he admits to loving orchestral music, specifically what one hears in Hollywood films, with Hans Zimmer and John Williams among his favourite composers.

When Soundbeam held an international competition to mark the company’s 25th anniversary in 2013, Kinarthy was one of two winners selected by a jury of musical heavyweights, which included Led Zeppelin bassist and keyboardist John Paul Jones, conductor Charles Hazelwood and composer Edward Williams.

“Pain E Motion,” the composition he presented, was lauded by the jury. Of it, Jones said, “A very interesting idea of performing live with a pre-recorded composition. A very good piece of work in its entirety.”

It was at that moment when Kinarthy decided he would devote himself further to studying music. He enrolled in the Berklee College of Music’s online program and received his certification in orchestration and music composition in film and TV in 2017, but not before releasing his follow-up album, A Lion’s Roar, which also delved into his extensive musical interests.

Judaism, too, has an important role in Kinarthy’s creative process, and his faith has been a source of inspiration. “I recently created a piece of music to honour my local temple. Creating music to share with my congregation made me very happy. I would say that Judaism has helped me share beautiful music,” he said.

After the High Holidays last year, Kinarthy wrote a song called “Kolot Mayim,” with lyrics in Hebrew and English, taken from the Book of Psalms.

His physical challenges have not infringed on his ability to perform live, which he has done on several occasions throughout Victoria.

Presently, Kinarthy is looking for people who might need original music for their project, as well as focusing on promotion and small personal pieces for family and friends.

“I don’t know if it will ever be a reality, but composing for visual media would be a dream come true, be it film, TV or even a commercial. Other than that, I just keep composing music and maybe take some more music classes. There’s always more to learn,” Kinarthy said.

“I never thought I would be able to not only create beautiful songs but also perform them live! That’s all thanks to the technology I have in my home studio.”

To learn more about Kinarthy and hear some of his music, visit facebook.com/arikinarthymusic.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Illustrating Holocaust stories

Gilad Seliktar, left, and Rolf Kamp in Amsterdam. They are drawing the last hiding place of Nico and Rolf Kamp in Achterveld, which was liberated in April 1945 by Canadian troops. (photo from UVic)

A University of Victoria professor is orchestrating an international project that links Holocaust survivors with professional illustrators to create a series of graphic novels, thereby bringing the stories of the Shoah to new generations.

Charlotte Schallié, a Holocaust historian and the current chair of UVic’s department of Germanic and Slavic studies, is leading the initiative, which connects four survivors living in the Netherlands, Israel and Canada with accomplished graphic novelists from three continents.

The project, called Narrative Art and Visual Storytelling in Holocaust and Human Rights Education, is supported by the Social Sciences and Humanities Research Council of Canada. Its aim is to teach about racism, antisemitism, human rights and social justice while shedding more light on one of the darkest times in human history.

UVic is partnering with several organizations in the project, including the Canadian Museum for Human Rights in Winnipeg, the Anne Frank House in Amsterdam and the Vancouver Holocaust Education Centre.

Many historians of the genre have argued that the rise of graphic novels as a serious medium of expression is largely due to the commercial success of Art Spiegelman’s Maus in 1986. Maus, the first graphic novel to win a Pulitzer Prize, depicts recollections of Spiegelman’s father, a Shoah survivor, with Jews portrayed as mice, Germans as cats and Poles as pigs.

Schallié told the Independent that the idea for the project came from observing the interest her 13-year-old son has in graphic novels and the appeal Maus has had among her students, who have continually selected it as one of the most poignant and memorable materials in her classes.

“Though a graphic novel, Maus could hardly be accused of treating the events of the Holocaust frivolously,” she said from her office on the campus of the University of Victoria.

As most survivors are now octogenarians and nonagenarians, the passage of time creates an ever more compelling need to tell their stories as soon as possible.

image - Barbara Yelin’s illustration of Emmie Arbel, now — Barbara Yelin’s illustration of Emmie Arbel, now. *(image from UVic)*

image - Barbara Yelin’s illustration of Emmie Arbel, then — Barbara Yelin’s illustration of Emmie Arbel, then. *(image from UVic)*

“Given the advanced age of survivors, the project takes on an immediate urgency,” said Schallié. “And what makes their participation especially meaningful is that each of them continues to be a social justice activist well into their 80s and 90s. They are role models for the integration of learning about the Shoah and broader questions of human rights protection.”

The visual nature of a graphic novel allows it to bring in elements or depict scenes that are not possible with an exclusively written work, according to Schallié. A person may describe an event in writing but leave out aspects of a scene that might add more to the sense of what it was like to be there at the time.

One of the survivors participating in the project, David Schaffer, 89, lives in Vancouver. He is paired with American-Israeli comic artist Miriam Libicki, who is also based in the city. The two met in person in early January so that Libicki could learn the story of how he survived the Holocaust as a child in Romania.

In 1941, Schaffer was forcibly sent with his family to Transnistria, on the border of present-day Moldova and Ukraine, by cattle car. There, they suffered starvation and were subjected to intolerable and inhumane living conditions.

image - One of the illustrations by Miriam Libicki, who is working with survivor David Schaffer — One of the illustrations by Miriam Libicki, who is working with survivor David Schaffer. *(image from UVic)*

“The most important thing is to share the story with the general population so they realize what happened and to avoid it happening again. It’s very simple. History has a habit of repeating itself,” said Schaffer.

Libicki, who was the Vancouver Public Library’s Writer in Residence in 2017, is the creator of jobnik!, a series of graphic comics about a summer she spent in the Israeli military. An Emily Carr University of Art + Design graduate, she also published a collection of essays on what is means to be Jewish, Toward a Hot Jew. (See jewishindependent.ca/drawing-on-identity-judaism.)

“The more stories, the better. The wiser we can be as people, the more informed we can be as citizens and the more empathy we can have for each other,” Libicki said. “Graphic novels are not just a document in the archives; they’re something people will be drawn to reading.”

image - Gilad Seliktar drew this sketch of Rolf Kamp — Gilad Seliktar drew this sketch of Rolf Kamp. *(image from UVic)*

The other illustrators are Barbara Yelin, a graphic artist living in Germany, and Gilad Seliktar, who is based in Israel. Yelin is the recipient of a number of prizes for her work, including the Max & Moritz Prize for best German-language comic artist in 2016. Seliktar has illustrated dozens of books – from publications for children to adult graphic novels – and his drawings frequently appear in leading Israeli newspapers and magazines.

Brothers Nico and Rolf Kamp in Amsterdam and Emmie Arbel in Kiryat Tiv’on, Israel, are the other three survivors who are providing their accounts of the Holocaust.

The books will be available digitally in 2022. A hard copy version of each book is planned, as well. When finished, the graphic novels will be accompanied by teachers guides and instructional material designed for schools in Canada, Germany, Israel, the Netherlands, the United Kingdom and the United States.

UVic hopes to match a larger number of survivors with professional illustrators in the future. To learn more, contact Schallié at [email protected]. You can also visit the project’s website at holocaustgraphicnovels.org.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Israeli pucksters visit

Members of the Hockey Academy of Israel. (photo from Kyle Berger)

The Jewish Community Centre of Greater Vancouver, along with the Jewish Federation of Greater Vancouver, played host earlier this month to 27 young hockey players from Israel’s Northern District who were in town for an eight-day visit.

The stops for the athletes, ages 10 to 14, on their March 5-13 Vancouver trip included a fundraising exhibition game against the JCC league (which had some former NHL players in attendance), the JCC Purim party March 9, which had a hockey workshop for kids in the gym, and a Canucks game on March 10, where Vancouver took on the New York Islanders. The Israeli junior players also had a practice skating session with Barb Aidelbaum, one of Canada’s top power-skating coaches, and ate meals at the Israeli-owned Chickpea and the Palestinian-run Aleph restaurants.

The co-ed group, comprised of youth from a variety of backgrounds – Jewish, Muslim, Christian and Druze – is part of the Hockey Academy of Israel (HIA). Situated in Metula, Israel’s northernmost town – along the border with Lebanon – the HIA (formerly the Canada-Israel Hockey School) was started in 2010 thanks to the drive and ambition of a local Israeli apple farmer and hockey aficionado, Levav Weinberg, and the initial financial support of Canadian media mogul Sidney Greenberg. Presently funded by donors from around the world, the HIA sees as its goal to make hockey fun and affordable for kids who otherwise would not get the opportunity to play.

Since its inception a decade ago, the HIA has witnessed a growing passion for the game in Israel and now boasts more than 400 young players in its academy, all of whom play at the Canada Centre in Metula, home to the only full-sized hockey rink in Israel. This is the second time a group from the HIA has visited Vancouver, a trip that was organized by the JCC and financially supported by the Jewish Federation. Members of the HIA also have visited other NHL towns, such as Ottawa, Pittsburgh and Winnipeg.

The existence of a camp in an area that has frequently made headlines for regional animosities has shown that much good can arise from sport. Many lasting friendships between players of different ethnicities have been formed at the academy.

“There are few things in the world that bring people together the way sports can,” said Kyle Berger, sports coordinator at the JCC and local delegation head for the Maccabi Games. “Sports bonds teammates together, it bonds countries together and, in some rare cases, sports can even bring peace and unity when such things seems almost impossible. This is the magic of the Hockey Academy of Israel, which brings both Jewish and Arab youth and their families together in the name of hockey.”

The HIA says it has found that, as passion for hockey grows in a region surrounded by political conflict, so too grow the bonds and respect these teammates from different cultural and political backgrounds have for one another.

Berger, along with other members of the Metro Vancouver Jewish community, has visited the hockey academy on several occasions, starting in 2012. He told the Independent that he “was blown away” by what he saw when he first arrived. “I had no idea as to the extent of the passion and the intensity the hockey academy has created for the game in Israel, and how much it has done to unite people of different cultures,” he said.

Hockey in Metula, which was featured in the 2013 TSN documentary Neutral Zone, has had a short, yet storied, history. Before the HIA was created, Canadian coaching legend Roger Neilson taught a camp in Metula in the late 1990s and played an integral role in establishing a fervour for the game in Israel.

The HIA is presently coached by Torontonian Mike Mazeika, who believes “the main goal of the academy is to integrate Jewish and Arab kids together, playing hockey, so that they can understand each other and make a difference for the future. Is that going to get us peace in the Middle East? No, probably not. But, if you don’t start small and take small steps, you’ll never be able to take a big step.”

The JCC and Jewish Federation were helped in various ways to support the HIA’s visit, including by host families, sponsors or venue/activity donors. For more information, contact Berger at [email protected] or 604-638-7286.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Healing powers of song

Seattle-based Iraqis in Pajamas, left to right: Sean Sebastian, Loolwa Khazzoom and Robbie Morsehead. (photo from Iraqis in Pajamas)

How do you take the wisdom of surviving and turn it into beautiful things?” asked Loolwa Khazzoom, front woman for Seattle-based punk rock group Iraqis in Pajamas, during an interview with the Independent recently.

One cannot easily classify Khazzoom, a cancer survivor, in a succinct journalistic fashion. Aside from being a musician, she is a writer, an activist, a polyglot and a journalist. Raised in California to an American mother and an Iraqi father, she was heavily involved in the Jewish feminist movement of the 1990s and the founder of the Jewish Multicultural Project, which provided resources about diversity to Jewish groups.

As with her stage presence, she transmits a raw, infectious energy in conversation, ever more so as Iraqis in Pajamas started this month by releasing a new single.

“Life brings with it an endless number of challenges. Negative experiences can be turned into art,” Khazzoom reflected.

“I was diagnosed with cancer in 2010,” she said. “I rejected the conventional option of surgery – despite a doctor proclaiming that I would die without it. ‘You can’t think your way out of cancer,’ he said, to which I replied, ‘You don’t know what I can do.’”

After the diagnosis, Khazzoom researched natural approaches to healing, and radically altered her diet – pulling everything out of her cupboards and moving to an all-organic and vegan diet. Through these and subsequent diet and lifestyle changes, she said she was able to stop the growth of the nodules, which remained stable for the next five years. The nodules began shrinking when she returned to music – her lost passion.

Formed in 2015, Iraqis in Pajamas combines ancient Iraqi Jewish prayers with its own original style of punk rock sung in English, Hebrew and Judeo-Arabic. The band’s songs examine a wide number of social issues – domestic violence, racism, mental illness, family caregiving, national exile – and cancer.

The band received a grant to produce the song “Cancer Is My Engine,” which was released March 1. “Cancer Is My Engine” combines an ancient Iraqi Jewish prayer with original punk rock, sung in Hebrew and English – challenging conventional medical approaches to cancer and putting forth the concept of music as medicine.

The song was produced by Bard Rock Studio, an independent Northwest music producer, and funded by the Lloyd Symington Foundation, which supports people living with and healing from cancer.

According to Khazzoom, singing has the ability not only to uplift but to heal. “This shift in consciousness is why, after hearing a particular song, our mood may change abruptly, or we suddenly may feel transported back in time. Singing bypasses our mental process, both awakening and soothing us at the core, without effort. Among other benefits, we are able to access, release and heal from the experience of trauma, without having to recount and risk getting triggered by painful memories,” she said.

Iraqis in Pajamas, which also includes drummer Robbie Morsehead and guitarist Sean Sebastian, got its name from a reputation Iraqi expatriates in the Israeli city of Ramat Gan had for putting on their pajamas when they had arrived home and the work of the day was completed.

The band is currently developing its next project: a debut double album. One CD will be an original a cappella version of 10 Iraqi Jewish prayers, which the band incorporates into its songs, along with a story about each prayer and why they chose it, while the second CD will be the 10 songs with those prayers woven through them. The project is sponsored by Allied Arts Foundation in Seattle and, in February, the band launched a fundraising campaign to develop, produce and promote the album: secure.givelively.org/donate/allied-arts-foundation-seattle/iraqis-in-pajamas.

Khazzoom’s first book, Consequence: Beyond Resisting Rape (2002), is a look at sexual harassment in everyday life. In 2003, she edited The Flying Camel: Essays on Identity by Women of North African and Middle Eastern Jewish Heritage, an anthology of the writings of Mizrahi Jewish women. Her writing has also appeared in the Forward, Tikkun and Lilith, as well as the Jewish Independent and other Jewish publications; she has written several times about Israeli hip-hop for Rolling Stone.

Iraqis in Pajamas hopes to find venues in Vancouver and on Vancouver Island in the coming year. For more information about Khazzoom and the band, and to listen to their music, visit loolwa.com. To purchase their music, go to iraqisinpajamas.bandcamp.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Life with inherited trauma

Dr. Gita Arian Baack, author of The Inheritors: Moving Forward from Generational Trauma. (photo from Gita Arian Baack)

Dr. Gita Arian Baack, author of The Inheritors: Moving Forward from Generational Trauma, was in town earlier this month to speak at the Cherie Smith JCC Jewish Book Festival and hold a three-day experiential workshop with the Second Generation Group in Vancouver.

The Ottawa-based counselor began her festival presentation with a quote from the late Israeli novelist Amos Oz, who wrote, “Our past belongs to us, but we do not belong to it.” For Baack, the quote underscores her message to inheritors of the Shoah – that “we were given life and an obligation to bear witness and honour the martyrs and heroes of the Holocaust. And that we also have the right to live full and joyful lives.”

“Generational trauma stems from devastating events which transpired before we were born,” Baack told the Independent. “In the case of the Holocaust, we have experienced it from birth; it is as if we were there. We carry an unrelenting sadness, sense of absence and betrayal.”

The ultimate question her book explores is: “How can we live a full life despite the difficult trauma we inherited?”

Prior to writing The Inheritors, Baack conducted doctoral research into the subject of intergenerational trauma and resilience, yet what she uncovered did not fit or go deeply enough into either. Often, resilience is described as bouncing back with support from others. But, she said, “You don’t bounce back from the Holocaust!”

She was resolved to unravel answers to these and other questions, such as why are so many of us resilient and compassionate despite our inherited trauma? Do we carry memory from one generation to another? How do we move forward, when the usual therapies for trauma have proven not to work for us?

“We are also faced with the difficulty of piecing together our family stories,” said Baack. “Much of our family stories are full of holes, unknowns and even secrets, our roots destroyed. Understandably, we have strong emotions but don’t know how to deal with them; for example, excessive sadness, fear of authority, worry, lack of trust, lack of safety, etc.”

Further, inherited trauma is often frozen, embedded in the brain stem, also known as the primitive brain – accessing it is difficult, but it can be done, she said.

Baack noted that ancient wisdom, the Bible and new epigenetic scientific research explain that trauma is passed onto generations in the DNA, and even the cells, for as many as seven generations. She strongly believes that this is the case if it is acknowledged and processed; if it is not, then it can take longer than seven generations.

Though Baack’s own experience is being a child of Holocaust survivors, The Inheritors encompasses others who have been victimized: Canada’s indigenous population, survivors of the Rwandan genocide and of several other horrible episodes of recent history. The book also looks at trauma on a personal level, from those who have suffered as a result of natural disaster, an accident, economic hardship, the justice or education system, illness or loss of a loved one.

The intent of The Inheritors is to serve as a tool for moving forward, said Baack. The book is filled with dialogues, poetry and stories from people of different backgrounds. Readers are invited to explore their story, and there are questions at the end of each chapter to help them process that story and, in so doing, transform their pain. At the least, in the end, they will have a written story as a legacy to their descendants.

The Inheritors has had other, unexpected, impacts. For example, the conductor of the North Carolina State University orchestra commissioned composer and flutist Allison Loggins-Hull to write a piece for an upcoming performance and she has chosen to write a work inspired by the book – Inheritors Overture will première on April 5 in Raleigh, N.C.

The group dialogues that Baack conducts offer a means of validation through other people with similar experiences and various experiential tools that can help further a deeper exploration of their trauma stories, the “undiscussables” and the unknowns. Group participants, she said, are often surprised by the creativity, laughter and camaraderie that arise.

The Inheritors is dedicated to (and inspired by) Baack’s two half-siblings. “From my earliest beginnings, I remember carrying a great sadness for my siblings, Henush and Halina Arian, who were only 4 and 3 years old, respectively, when they were killed,” she writes. There was no information about the circumstances of their death or burials, “But their existence was real and has mattered to me in an extraordinary way. And so I don’t fight the sadness; I embrace it. It has a special place. I am the carrier of their memory. This burden is the most cherished of all my burdens.”

At the age of 4 or 5, Baack had what she describes as a “knowing” or “inherited memory.” A “felt sense” told her, even at that young age, that her siblings, two of 1.5 million children killed by the Nazis, had both been shot in the back. When she asked her father how her half-siblings died, he said he didn’t know. Nonetheless, the memory (and feeling) she had inherited persisted, and could be placed on a spot in the middle of her back, with a knowing that her half siblings had been shot in that place.

Her research revealed that the timing of their deaths was before gas chambers had been built, and children under 5 were regularly shot. In 2019, a tour guide in Krakow pointed to the very street where the children and their mother were shot. To Baack, it was a stunning confirmation of her lifelong memory.

Baack has been consulting and coaching individuals and organizations for more than 30 years. She recently founded the Centre for Transformational Dialogue to help individuals and communities that have inherited devastating legacies. She also has written a book of verse, Poems of Angst and Awe, published in 2017.

For more information, visit gitabaack.com. Baack continues to research inherited memory and wishes to hear from others on the subject. She can be reached at [email protected].

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Increased cancer risks

Libby Znaimer was the keynote speaker of the inaugural BRCAinBC event One in 40: From Awareness to Empowerment. (photo from zoomerradio.ca)

An estimated 200 people gathered at Congregation Beth Israel last month for One in 40: From Awareness to Empowerment, the inaugural event of a project to increase knowledge of the cancer risks connected to the BRCA1 and BRCA2 gene mutations.

The Jan. 8 event title is based on the fact that, for people with Ashkenazi Jewish heritage, there is a one-in-40 risk of carrying the BRCA genes, which increase the risk of genetically linked cancers. This rate is 10 times that of the general population. Elizabeth Wurzel, author of the bestselling memoir Prozac Nation, who passed away in January from breast cancer and was found to carry the gene mutation, called BRCA “the curse of the Ashkenazi Jews.”

One in 40 was organized by BRCAinBC, a provincial group spearheaded by members of the family – wife Jane and daughter Catriona – of Geoff Remocker, who died of aggressive prostate cancer. BRCAinBC’s objectives are to increase awareness among community members and health professionals, educate community members about genetic testing options and reduce the fear and stigma that can surround genetic testing. (See jewishindependent.ca/brcainbcs-inaugural-event.)

Toronto-based broadcaster Libby Znaimer, the keynote speaker, led the audience through her story. In January 2009, after enduring a six-and-a-half hour operation, the only possible cure for pancreatic cancer, she didn’t consider the odds of survival that favourable. Pancreatic cancer is the only form of cancer for which the survival rate is in the single digits, said Znaimer in her talk.

She not only has survived pancreatic cancer, but breast cancer, which was also BRCA-related.

Znaimer has made a film about her experience, Cancer Saved My Life. “It’s more than just a catchy title to get eyeballs on my documentary. It’s true. And I am living proof that, when it comes to the BRCA mutations, there is good news, in addition to the bad news,” she said in her remarks to the audience, which she shared with the Independent.

When Znaimer found out she had breast cancer in 2006, she was not surprised. Because of her family history, she knew that she was at a greater risk. However, she said, she did not think breast cancer would kill her.

“I remember being at a boozy dinner just a few days after being told I had cancer. I was very lucky that a former neighbour of mine was visiting,” she said. “She was working in the States as the head of breast radiology at one of the famous Mayo clinics and, based only on what she knew about my family history, she pointed her finger at me and said, ‘Sweetheart, you have bad genes and, if I were you, I’d bite the bullet and have both my breasts and my ovaries removed … as quickly as possible.’”

Znaimer cited a study in Toronto in which Jewish women were tested for the mutation regardless of family history. Fifty percent of those who tested positive would not have qualified for testing because of their family history. Results from similar studies in the United Kingdom and Israel produced similar outcomes.

“And, having one of those mutations doesn’t just mean you’re at an exponentially higher risk of getting those cancers once,” she warned. “You are also more likely to contract a second cancer, not a recurrence – a completely new other cancer.

“It is especially gratifying for me that my case has helped others and to be here to talk about the importance of getting tested,” she said. “It is the dawn of a new decade. My second decade as a survivor since Cancer Saved My Life.”

The Jan. 8 educational evening also included panelists Dr. Rona Cheifetz, medical lead of the Hereditary High Risk Clinic, B.C. Cancer Agency; Dr. Intan Shrader, co-medical director, BCCA Hereditary Cancer Program; Len Gross, president of the Prostate Cancer Foundation of British Columbia; and Tovah Carr, a BRCA carrier.

BRCAinBC arose from the realization that many in the Jewish community are not aware of the risks of carrying the BRCA genes. They hope to support improvements in access to genetic testing throughout the province for members of the Jewish community, and to protect BRCA carriers from the potentially negative consequences of positive carrier status; in obtaining insurance, for example. For more information, visit BRCAinBC.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Community planning critical

Alex Cristall, chair of the board of directors of the Jewish Federation of Greater Vancouver. (photo from JFGV)

Long active in the Jewish community, Alex Cristall started his current volunteer position as chair of the board of directors of the Jewish Federation of Greater Vancouver in June 2019. He spoke to the Jewish Independent about the role, and where he sees the organization as it enters a new decade.

JI: Could you go over your professional background and your work with Jewish organizations?

AC: I grew up in this community and was always surrounded by a culture of volunteerism. My professional background is in real estate investment, and my family’s values always drove our approach to business and to community involvement. From my grandparents to my parents to the way my wife Jodi and I are raising our children, giving back and getting involved with community has always been a priority, both in and out of the office. I started volunteering as a young adult and it’s grown from there.

JI: How did you become chair of Federation?

AC: Before taking on the role of board chair, I held a number of other leadership positions with Jewish Federation and with other organizations. At Federation, I served as chair of the 2016 and 2017 Federation annual campaigns, as chair of major donors, chair of men’s philanthropy and as a member of the board.

Anyone who knows me knows my love of sports, so my previous involvement with the JCC Maccabi Games and with Maccabi Canada came about very naturally. I also chaired the JCC Sports Dinner.

Serving as vice-president and then president of the JCC [Jewish Community Centre of Greater Vancouver] was instrumental in giving me a unique perspective that has been indispensable as chair of Jewish Federation. I got to see firsthand how important the partnerships between the organizations are, and how much partners rely on the community planning and fundraising expertise that Jewish Federation brings. At the time, Jewish Federation organized local missions, where we visited various partners, including the Jewish Food Bank and Tikva Housing Society, and learned about the range of needs in our community – and the range of responses.

It was very eye-opening, and that was when I got involved in men’s philanthropy at Jewish Federation and decided to learn more about the community. That ultimately led to a role on Jewish Federation’s allocations committee, where we were fully immersed in the entire breadth and depth of need – and opportunity for impact – in our community.

In my mid-30s, I was fortunate to travel to Ethiopia with members of Jewish Federation’s National Young Leadership Cabinet to see the work we were doing there with two of our international partners, the Joint Distribution Committee and the Jewish Agency for Israel. That was where I really began to understand the big picture of what we can accomplish for world Jewry in need.

More recently, I was able to visit our partnership region in Israel and learn about the particular challenges of living in the north, and the impact we’ve been able to make there as the result of a long-term strategic focus.

I’ve been in Israel many times, but, in terms of our partnership region and Beit Vancouver, this past spring was my first visit. It’s such a successful country overall, but I really saw the inequity that exists in the periphery. To see the contributions of our community and the future development plans of the region was inspiring, as was seeing what our Israel and overseas affairs committee, through annual campaign funds, and many local families are doing there with their investments…. It was very rewarding.

We need to continue to raise up that entire region…. Every mayor of our region came to greet us and that’s how you know how important our dollars are for youth. So many different things going on. When you see the respect that the different mayors have for the work we do and the people involved, it’s clear that our impact matters.

JI: What are your goals looking ahead?

AC: Our community is growing and changing all the time. As a Federation, we have been changing alongside it, which is positioning us to effect positive change in ways that can make an impact now and into the future.

We have a unique role in the community in terms of our planning function, and it’s a critically important piece that we bring to the table. We are focused on planning strategically to identify and prioritize needs locally, as well as in our partnership region in Israel. Our donors and fund-holders at the Jewish Community Foundation help us meet these needs. The partnerships we have developed over the decades are key to being able to get the work done in ways that are going to create lasting change.

We have made progress on every one of the areas of opportunity we identified in the strategic priorities, from affordability and accessibility, to seniors, engagement and, of course, community security. With big picture issues like these, the outlook is for the long term and so the work is ongoing.

At the end of the day, I would like people in our community to say that we made it easier for them to live Jewishly – whether that’s because we helped make a Jewish program more affordable, because we reached out to them where they live, because their aging parents were able to access a seniors’ program, or what have you.

JI: What challenges do you see before you?

AC: Our community is growing and its needs are constantly evolving, so there is always a lot of work to do, and that makes it exciting. I love a good challenge, and there are challenges everywhere we turn.

This community looks so different from when I was a child here. Even in the last decade it’s changed considerably. We’re more spread out and we’re more diverse.

More than half of our community is comprised of children, youth and young families, many of whom are really crunched by the high cost of living, and many of whom see their Jewish community engagement in ways that are very different from previous generations. At the same time, we have a growing population of Jewish seniors who need to stay connected and supported as they age. These are two of the big challenges facing our community right now. We also need to continue to meet our community’s needs through diverse revenue sources.

And last, of course, is the upcoming redevelopment of the JCC site into a true community hub. It’s still in the early stages, but Jewish Federation is poised to play an important role in this when the time comes. We’re proud to have entered into a memorandum of agreement with the JCC. [See jewishindependent.ca/historic-jcc-fed-agreement.]

JI: What excites you about the role?

AC: I feel very fortunate to work with an incredible group of volunteer leaders and professional staff, all of whom genuinely care about this community and about Israel.

From a personal perspective, some of the best lessons I’ve learned have come from volunteering with different community members and working with the Federation staff…. It’s very rewarding to meet with people in the community and see the reach and the impact of the good work we’re doing.

JI: What accomplishments are you most proud of thus far?

AC: One thing I am very proud of is how our donors have come to rely on Jewish Federation for our breadth of knowledge of community needs, our strategic approach and the strong relationships we’ve developed. Many of them trust us with all of their Jewish community philanthropy, and they come to us first when they have questions about where and how they want to make an impact.

I think we can be very proud of how we have taken a very strategic approach to growing the financial resources we generate, whether that’s through the annual campaign, through special project funding, or through legacy giving at the Jewish Community Foundation. As a result, our partners have more ways to access funding for the vital programs and services that align with high-priority community needs.

Community security is an area where we wish we didn’t have to focus our attention, but the reality is that we do. It was the first thing I really championed as chair of the annual campaign in 2016, and it was one of the first areas of strategic investment that we addressed from our 2020 Strategic Priorities [ourcommunity2020.jewishvancouver.com]. Since then, our community security advisory committee has taken an active role in addressing needs in this area and, on their advice, we hired a director of community security. Together, they are creating a culture of security consciousness.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Hurdles to become a doctor

Ruth Simkin with her dog, Kelly. (photo by Chris Wilson)

Feminism is really true equality between women and men; nothing more, and nothing less,” Ruth Simkin writes in her new book, Dear Sophie: Life Lessons in Feminism & Medicine, a memoir dedicated to her great-niece.

“There are many people who scoff at the word ‘feminism,’” Simkin adds. “But consider this – when I was in my first year of medical school, I, and any other woman, could not get a credit card in our own name. Until 1974, a husband’s signature was needed for women to have credit cards. At that time, I met women who were teachers who lost their jobs because they and their husbands wanted to start a family and they became pregnant – a no-no for working teachers until 1978. I could go on and on with examples like this to show why feminism was, and still is, such an important part of all our lives.”

Born in Winnipeg in 1944, Simkin has prevailed over many obstacles throughout her life and career. In Dear Sophie, readers join her as she struggles to get into medical school.

“There was stiff competition to get into an innovative medical program launched at the University of Calgary in the late 1960s,” she told the Independent from her home in Victoria. “I was one of 32 of roughly 1,200 applicants to be accepted.”

Admission to the program, however, would turn out to be an easier hurdle than those that were yet to come during her schooling and subsequent training. The length of her time in med school is replete with stories of sexual harassment and discrimination by both fellow classmates and senior members of the faculty.

“Male doctors, on more than one occasion, did all they could to get me expelled from med school, but I stood my ground,” Simkin said.

She managed to complete her residency, despite being blocked at almost every step, and clashing with the established medical community. But she prevailed. She was the first U of C med school graduate to open a practice – one that thrived – while also working as a professor and preceptor at the school.

In the memoir, Simkin details her experiences from that time to the present and uses her account as a way to demonstrate to Sophie, and to other women, how to live a happy, feminist life. She hopes that Sophie, a pre-adolescent during the time Simkin was writing the book, will learn from her experiences before entering adulthood.

Simkin’s long and varied career has seen her undertake many ventures. In the 1980s, she learned acupuncture in Shanghai and, ultimately, became the first physician to be approved by the Alberta College of Physicians and Surgeons to incorporate acupuncture in a medical practice. Later that decade, she went to London, England, to study with Dr. Katharina Dalton, who brought premenstrual syndrome to the world’s attention and also coined the term.

Upon her return to Canada, Simkin opened the first PMS clinic in Western Canada. She also has opened Western Canada’s first hologram gallery, produced concerts, been involved in theatre projects and started the lesbian and gay political action group CLAGPAG.

In the 1990s, she moved to Salt Spring Island, where she became a farmer – growing “yuppie” veggies. A return to medicine saw her become the first fellow to study palliative care at the University of British Columbia. In 2014, she was honoured with a life membership from the College of Family Physicians of Canada.

Among her other published works, Simkin has written What Makes You Happy, a collection of short stories, both autobiographical and fictional; The Y Syndrome, a medical thriller set in 1990s Calgary; and Like an Orange on a Seder Plate, a feminist Haggadah. The Jagged Years of Ruthie J (2012) is an autobiographical account of her experiences in Winnipeg before medical school.

Over the years, she has written scores of medical papers and contributed to textbooks, as well as mixed media presentations. Having travelled extensively, she has an (as-yet) unpublished book, Come Away with Me, about her journeys through China.

Dear Sophie received the 2019 Rainbow Award in the LGBT biography/memoir category. In its review of the book, the prize committee said, “Dear Sophie is a flawless memoir that is not only a story of Dr. Ruth Simkin, but a story of feminism and women in Canada and the field of medicine, skilfully woven together with valuable life lessons.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

The comics rise again on Feb. 20

Kyle Berger, left, and Scotty Aceman, co-producers of Rise of the Comics. (photo from Rise of the Comics)

The outer limits of the laugh-o-meter will be tested on Feb. 20 at the Jewish Community Centre of Greater Vancouver’s Rothstein Theatre, when a group of Canada’s top funny people step on stage for A Night of Shticks & Giggles, presented by local comedy producer Rise of the Comics. This will be the third Shticks and Giggles show to raise money for the JCC Maccabi Games.

Headlining the event is Julie Kim, a two-time Canadian Comedy Award nominee for stand-up, who has performed at comedy festivals around the continent and appeared on CBC’s The Debaters and Laugh Out Loud. Her YouTube videos have amassed millions of views and, in 2018, she released her debut comedy album, Outside Voice.

Among other topics, Kim’s routine delves into modern parenting and various cultural issues, sometimes involving life seen from an Asian perspective. Yuk Yuk’s comedy club co-founder Mark Breslin called her “smart, funny, with enough self-awareness to deconstruct her life in a very sophisticated way.”

Other acts in the show, which Rise of the Comics describes as its “best line-up to date,” include Robert Peng, who bills himself as “an unemployed engineer who turned to stand-up comedy out of desperation”; New Zealander Sophia Johnson, “the one who keyed your car but probably shouldn’t have told you that”; Sean McDonnell, who Canadian comedy star Norm MacDonald has praised as “a fantastic talent”; and Brett Nikolic, a maven on Mountain Dew-flavoured weed.

Rise of the Comics is the brainchild of Vancouver stand-up comedian Scotty Aceman, who will also be on stage at Shticks & Giggles. Starting off as a weekly 30-minute program on Shaw Cable with the same name in 2015, the show has highlighted the work of many stand-up comedians who got their start on the local scene, such as Dino Archie and Ivan Decker, who has appeared on Late Night with Conan O’Brien.

Aceman, a University of British Columbia and B.C. Institute of Technology graduate, switched to comedy five years ago, after a 20-year stint in a sales job with Rogers in the corporate wireless phone department.

“Leaving the cellphone business after 20 years was a tough call,” he said. “But you have to chase your dreams. People would ask me, ‘What about my dignity and respect?’ I’d say dignity and respect went out the window the minute I had a Thursday morning bar mitzvah!”

In 2019, Aceman brought in Kyle Berger as co-producer of Rise of the Comics. Berger, sports coordinator at the JCCGV, will be the master of ceremonies for the Feb. 20 Shticks & Giggles.

Before joining the crew, Berger, in his role as JCC Maccabi Games delegation head, had hired Rise of the Comics for a fundraiser. He credits Aceman for allowing him to get his stand-up feet wet, with a debut performance at the Charqui Grill in Kitsilano in 2018.

“Stand-up was one of those things on my bucket list to do by the time I turned 40,” Berger told the Independent. “Scotty (and my then-girlfriend, now fiancée) were both big helpers in getting me up there on stage for a five-minute routine. My fiancée had had enough of me saying I was going to do it.”

Berger said, “Scotty’s reputation within the local comic community is a great asset. Nowadays, Rise of the Comics does all sorts of things, including parties in people’s living rooms. And, last year, we were hired by the Chutzpah! Festival to put on a show.”

Rise of the Comics currently works with a roster of more than 50 stand-up performers of all styles and experiences, and tailors its shows to any situation. They have created performances at such diverse venues as Hy’s Steak House, the Jericho Arts Centre and Ronald McDonald House, among others. Their gigs can cover everything from clean to dirty, social commentary to observational, but always, they say, with an emphasis on the funny.

Berger promises that he and fellow Shticks & Giggles comedians are likely to make mention, in one way or another, that their show is backed by the foundation created by Dr. Neil Pollock, a leading Vancouver male sexual health and circumcision expert, and his wife Michelle.

The show starts at 7:30 p.m. Tickets are $20 and can be purchased at m.bpt.me/event/4499277. For more information about Rise of the Comics, visit riseofthecomics.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.