Tag: Yom Hashoah

Basic facts not known

During the week of Yom Hashoah (Holocaust Remembrance Day), the Conference on Jewish Material Claims Against Germany (Claims Conference) released the results of a comprehensive national survey of Holocaust awareness and knowledge among adults in the United States. The survey found that there are critical gaps both in awareness of basic facts as well as detailed knowledge of the Holocaust, and that there is a broad-based consensus that schools must be responsible for providing comprehensive Holocaust education. In addition, a significant majority of American adults believe that fewer people care about the Holocaust today than they used to, and more than half of Americans believe that the Holocaust could happen again.

Major findings of the survey include that 70% of Americans say fewer people seem to care about the Holocaust than they used to, and a majority of Americans (58%) believe something like the Holocaust could happen again. The study also found a significant lack of basic knowledge about the Holocaust:

  • Nearly one-third of all Americans (31%), and 41% of millennials, believe that fewer than two million Jews were killed during the Holocaust, as opposed to the six million Jews who were killed.
  • While there were more than 40,000 concentration camps and ghettos in Europe during the Holocaust, almost half of Americans (45%) cannot name a single one, and this percentage is even higher among millennials (49%).

At the same time, there are encouraging notes in the survey. In particular, there are key findings underscoring the desire for Holocaust education. More than nine out of 10 respondents (93%) believe all students should learn about the Holocaust in school and 80% of respondents say it is important to keep teaching about the Holocaust so it does not happen again.

The findings show a substantial lack of personal experience with the Holocaust, however, as most Americans (80%) have not visited a Holocaust museum.

“This study underscores the importance of Holocaust education in our schools,” said Greg Schneider, executive vice-president of the Claims Conference. “There remain troubling gaps in Holocaust awareness while survivors are still with us; imagine when there are no longer survivors here to tell their stories. We must be committed to ensuring the horrors of the Holocaust and the memory of those who suffered so greatly are remembered, told and taught by future generations.”

The Holocaust Knowledge and Awareness Study was commissioned by the Conference on Jewish

Material Claims Against Germany. Data were collected and analyzed by Schoen Consulting with a representative sample of 1,350 American adults via landline, cellphone and online interviews. Respondents were selected at random and constituted a demographically representative sample of the adult population in the United States.

The task force led by Claims Conference board was comprised of Holocaust survivors as well as representatives from museums, educational institutions and leading nonprofits in the field of Holocaust education, such as Yad Vashem, the United States Holocaust Memorial Museum, American Jewish Committee, the Jewish Agency and George Washington University. Claims Conference president Julius Berman noted, “On the occasion of Yom Hashoah, it is vital to open a dialogue on the state of Holocaust awareness so that the lessons learned inform the next generation. We are alarmed that today’s generation lacks some of the basic knowledge about these atrocities.”

For more information, visit claimscon.org/study.

Yom Hashoah at KDHS

The Sir Charles Tupper Secondary School Grade 11 history class for which King David High School teacher Anna-Mae Wiesenthal (middle row, second from the right), did a presentation on the Holocaust. Their teacher, Bonnie Burnell, is to Wiesenthal’s left. (photo from Anna-Mae Wiesenthal)

“They were in awe of the Holocaust survivor,” said Bonnie Burnell, a teacher at Sir Charles Tupper Secondary, describing the reaction of her students to survivor Robbie Waisman’s talk at a Yom Hashoah assembly at King David High School (KDHS) on April 24. “Looking at him as he spoke at the podium, they could scarcely imagine him on the inside of a Nazi concentration camp.”

Students from Prince of Wales Secondary School and, of course, from KDHS also joined the assembly, which was organized by KDHS teachers Anna-Mae Wiesenthal and Aron Rosenberg, and included Cantor Yaakov Orzech chanting El Malei Rachamim.

The multi-school initiative was led by Wiesenthal, who is currently pursuing a master’s degree in Holocaust and genocide studies. Last year, she went to Austria and Poland with the Sarah and Chaim Neuberger Holocaust Education Centre of Toronto. In addition to teaching about the Holocaust at KDHS, she has been giving presentations at various public schools. She told the Jewish Independent that students have been very engaged and have asked many questions. This outreach led to the recent assembly at KDHS, where other schools’ students were invited to attend.

photo - Holocaust survivor Robbie Waisman addresses the assembly for Yom Hashoah at King David High School on April 24
Holocaust survivor Robbie Waisman addresses the assembly for Yom Hashoah at King David High School on April 24. (photo from Anna-Mae Wiesenthal)

“My students, in general, were impressed with the ceremony and glad that they had made the decision to come,” Burnell said. “We have had a real focus on racism in our curriculum this year, and this visit definitely adds something of central importance to that subject.”

Wiesenthal, who has taught at KDHS since 2006, became interested in focusing more on Holocaust education after attending an educators seminar at Yad Vashem in 2012.

“I feel Holocaust education is about giving voice to the millions of victims who were murdered simply because of who they were, and honouring their legacy and our history,” explained Wiesenthal. “It is about remembering the vibrancy of Jewish life both before and after the war. It is about preserving memory for future generations and across cultures. It is about taking the knowledge of unprecedented horrors, and keeping them in front of us so that we remain vigilant about our humanity in the face of genocides today.”

Wiesenthal also admitted to being inspired by a possible kinship with renowned Nazi hunter Simon Wiesenthal. Her great-grandfather, Mattityahu Wiesenthal, was a Russian boy saved from forced conscription in the Russian army by being “thrown across the river” from Russia into the town of Skala in Austria-Hungary, as many boys were at that time. As an orphan in Skala, he was taken in by Moshe Efroyim Wiesenthal, who supported many such refugee orphans, and the young boy took the family name Wiesenthal to honour his patron. Wiesenthal does not know if Moshe Efroyim was directly related to Simon Wiesenthal, but the latter remains one of her heroes, and she has been in touch with his granddaughter, Racheli Kreisberg.

Wiesenthal also recently initiated a pilot project at the Vancouver Holocaust Education Centre (VHEC), in which KDHS students trained as docents (museum guides) lead other students through the exhibit.

Another project was an art exhibit at KDHS, where her Jewish History 11 class viewed a video of a Holocaust survivor’s testimony, chose an aspect of the testimony that stood out for them and then created a work of art based on that aspect. Each work was accompanied by an artist’s statement, a picture of the survivor and why the student chose the testimony they did. Contributions included painting, sculpture, writing and music. “The quality of expression was very moving,” said Wiesenthal.

Rabbi Stephen Berger, head of Judaic studies at KDHS, said he is thrilled with the work Wiesenthal has been doing.

“She shares her passion with her students and fulfils the talmudic dictum, ‘Words that leave from the heart, penetrate the heart,’” he said. “Our school and students benefit immeasurably by having her as a teacher of history and Holocaust studies.”

Matthew Gindin is a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.

Marking Yom Hashoah

Claude Romney will give the keynote address on April 23. (photo from Vancouver Holocaust Education Centre)

Jacques Lewin, a Jewish physician in Paris, was arrested at the end of 1941 and was sent to Auschwitz on the very first convoy from Western Europe to that notorious death camp. His profession almost certainly saved his life, as he performed a role that the Nazis deemed useful: that of a prisoner-doctor.

Lewin’s daughter, Claude Romney, has studied the Holocaust experiences of prisoner-doctors like her father and has a forthcoming book on the subject. She will share her family’s story, and illustrate aspects of the experience of prisoner-doctors, as the keynote speaker at this year’s Yom Hashoah Holocaust Commemorative Evening, which takes place April 23, 7 p.m., at the Jewish Community Centre of Greater Vancouver.

Lewin’s arrest took place two weeks after Romney’s third birthday. She and her mother, Saya, survived the war in Bagnères-de-Bigorre, a small town near the Spanish border that was occupied by the Germans less than three months after they arrived.

Romney’s presentation will begin with some context about the state of French Jewry in the early part of the war, something she said is not as well known as it could be. She will share a bit about her and her mother’s experiences during the war, then turn attention to her father’s story.

That story is something that Romney has pieced together mostly after her father’s death in 1968. “I remember when he died, thinking that so much had remained untold,” Romney said. “He never talked about it.”

Years after her father passed away, Romney’s mother gave her a file containing documents from her father’s past, including a few articles he had written immediately after he returned to France after the war. These had been published in a newsletter distributed by the French resistance and never reached a wide audience.

Romney has obtained the transcript of the testimony her father gave at the 1947 trial of the Auschwitz commandant Rudolf Höss, but it is not comprehensive.

“The transcript of his testimony looks as though he was so frustrated that he wasn’t given more time to talk about it,” said Romney. “I don’t know if it was 10 minutes or what, but it looks as if he was really frustrated because at one point he enumerates a number of atrocities that he saw and he said, ‘it could take me days and days to tell you about them.’ I think that’s why he never wrote any more. I don’t know whether he was approached to testify anywhere else, but he never did.”

However, other prisoner-doctors did write and testify. Romney’s forthcoming book, Saving Lives in Auschwitz: The Written Testimonies of Prisoner-Doctors, is based on the experiences of 60 individuals who survived and told what they witnessed.

When Lewin first arrived at Auschwitz, he and the others in his transport were put to work constructing a new section of the camp – to be known as Birkenau.

Lewin was one of only a few from this group that survived the war, Romney said, because he was a medical doctor. The Nazis decided around the end of 1942 that they could use prisoner-doctors to treat ill and wounded inmates who were doing forced labour. Prisoner-doctors tried their best to help other inmates, but routinely confronted horrific ethical dilemmas. They were faced, Romney said, with what the Holocaust scholar Lawrence Langer called “choiceless choices.”

“If they had refused to obey orders outright, they would have sent them to the gas chambers too,” she said.

After the war, Romney studied at the Sorbonne and became a professor of French linguistics and literature, first in Toronto, then Sudbury and finally Calgary, before retiring to Vancouver. She and her husband, also an academic, thought Canada seemed an ideal place since he was English and she was French.

The annual Yom Hashoah evening is presented by the Vancouver Holocaust Education Centre (VHEC). It is supported by the Gail Feldman Heller Endowment and the Sarah Rozenberg-Warm Memorial Endowment Funds of the VHEC, and funded through the Jewish Federation of Greater Vancouver annual campaign.

In addition to Romney’s keynote address, the evening will feature cellist Eric Wilson, Yiddish singer Myrna Rabinowitz, Cantor Yaacov Orzech and the Kol Simcha Singers. Artistic producers are Wendy Bross Stuart and Ron Stuart of WRS Productions. Holocaust survivors are invited to participate in candlelighting.

Pat Johnson is a communications and development consultant to the Vancouver Holocaust Education Centre.

The resilience of survivors

Peter Suedfeld and his mother. Taken at Vajdahunyad Castle, Budapest, Hungary, circa 1939/40. (photo from Peter Suedfeld)

Dr. Peter Suedfeld has devoted his life to the study of how human beings adapt to and cope with challenge, stress and danger. Yet it was many years into his work that he acknowledged his choice of academic pursuit may be related to his personal life history as a survivor of the Holocaust.

Suedfeld, professor emeritus of psychology at the University of British Columbia, will deliver the keynote address at the Vancouver Holocaust Education Centre’s community-wide Yom Hashoah commemoration at the Jewish Community Centre of Greater Vancouver on May 4.

Through the years, he has often been asked if his research was influenced by his family’s experience in the Holocaust.

His mother was murdered at Auschwitz; his father survived Mauthausen. Suedfeld was a hidden child in Budapest, living as a Christian in an orphanage run by the International Red Cross.

“My answer always used to be no,” he said, “because my research for a long, long time was fairly straightforward experimental psychology, cognition, perception, memory, things like that.”

But, when he was interviewed for the VHEC’s survivor testimony project, he “put it all together,” he said. “I started to think that maybe there really is a connection, because almost all of my research – not quite all, but most of it – has to do with how people adapt under unusual, extreme, challenging, sometimes traumatic environments and situations.”

His early work focused on sensory deprivation, looking at how removal of external stimuli affects things like cognition, studying astronauts, cosmonauts and people who work in polar research stations.

“I also started looking at people who were under stress because they had to make really important decisions in stressful circumstances, such as political and military leaders,” he said. “I realized that might have had something to do with my own experiences. How do people face unusual, extreme and sometimes dangerous environments – which people who have survived the Holocaust have had to do, including me? But, I want to emphasize that, at the time I was doing this research, I never thought this way. People asked me why I do all these things, and I said something interests me and I do research on it, that’s all, and I have a wide range of interests. But then, I thought maybe this does have something to do with my personal history.”

At the Yom Hashoah event, Suedfeld will reflect on his personal experience, discuss the Holocaust more broadly and then address the issue of the long-term adaptation of survivors of the Holocaust, a topic on which he has conducted a series of studies.

Suedfeld has reviewed the psychological reports written soon after the war about the long-term potential of survivors to survive and thrive.

“In general, what I found is that the early reports of psychologists and psychiatrists about how permanently damaged survivors are were, to put it bluntly, wrong,” he said. “Yes, of course, some people were permanently damaged and some people could never put their life back together again. But there are a lot of people who did put their lives together or build new ones, who were quite resilient and still are, did well in their occupation or in education if they were young when they came here, have family lives that are certainly no less happy than anybody else’s, are proud of their kids and grandkids if they have any, don’t think about the Holocaust all the time, don’t let it ruin their life.”

Many survivors, he said, have some post-traumatic stress, but not post-traumatic stress disorder. “Disorder means it really interferes with normal life,” he said. “And very few have that.”

Reviewing the early literature and knowing what he knows from personal experience and acquaintance with many survivors, Suedfeld is more surprised by the early negative prognoses than by the remarkable resilience of survivors.

“What did surprise me was the negativity of the scientific reports, which overlooked or ignored or never got to see any of the people who were so resilient,” he said. “There is now a substantial and rapidly growing literature showing not only resilience but post-traumatic growth and people’s strength instead of just emphasizing the weakness. And, again, that’s not to deny by any means that there are some people who were so terribly affected that they haven’t recovered, but that is not the norm.”

Suedfeld also cautioned that every experience of survivors is unique.

“We talk about the Shoah as though everybody had pretty much the same experience,” he said. “I want to bring home to people that that is also a mistaken idea, that people experienced very different things, all of which are lumped under the label of Holocaust or Shoah, but that’s an incredibly wide diversity of experiences to which an incredibly wide diversity of people responded in an incredibly wide, diverse way, so you cannot talk about survivors or victims as an undifferentiated lump. They’re not.”

Pat Johnson is a communications and development consultant to the Vancouver Holocaust Education Centre, as well as a member of the Independent’s editorial board. This article first appeared in the VHEC publication Zachor.

A moving Shoah memorial

Dozens of Vancouverites who survived the Holocaust were joined by their children, grandchildren and hundreds of others in a solemn, powerful commemoration for Yom Hashoah, Holocaust Remembrance Day.

The catastrophic impact of the Holocaust on individuals, families, communities and the world was made evident through words and music, as stories of survival and loss, and their impacts on the living, were interspersed with Yiddish songs that recalled the civilization destroyed by the Nazis.

The annual event took place at the Jewish Community Centre of Greater Vancouver on April 15, the eve of Yom Hashoah.

A procession of Holocaust survivors passed through the hushed auditorium, taking their places at the front of the hall and placing candles on a table before Chazzan Yaacov Orzech led the Kol Simcha Singers in a poignant El Male Rachamim, the prayer for the souls of the departed. Chaim Kornfeld led the room in the Kaddish.

Hymie Fox, a member of the second generation, told the audience that his parents, Jack and Freda Fuks (Fox), struggled to keep their experiences from their children, but the Holocaust permeated the family’s life in unanticipated ways.

“During the day, my mother could control her thoughts, her words, her stories,” Fox said. But at night, he would be awakened by his mother’s screams.

He wanted to ask about the trauma that caused the night terrors, he said, but his mother had devoted herself so completely to sheltering these memories from her children that to inquire would suggest that all her efforts to protect her children were for naught.

Fox’s father came from an extended family of more than 70 and was one of 11 children. Just Jack and one brother survived.

Though unspoken, his family’s Holocaust experience was especially present at holidays, when the small family of four would celebrate alone.

“Death was a part of our everyday life,” he said. “Yet, there was nobody to die.”

Kornfeld was the survivor speaker for the evening. He recalled his childhood in a village on the Czechoslovakian-Hungarian border, his early schooling and the strict adherence to Judaism with which he was raised, one that forbade the touching of an egg laid on the Sabbath until after sundown.

In March 1944, when the Nazis occupied the town, they rounded up the intelligentsia, Kornfeld assumes because it would be easier to control the masses if the heads of the community were removed.

A ghetto was established for the surrounding areas and, inevitably, Kornfeld was loaded onto a train car destined for Auschwitz.

An older inmate pointed out Josef Mengele and warned the young Kornfeld to tell the evil doctor that he was 18 years old and a farmer. A week later, Kornfeld was transported in a railcar destined for Mauthausen that was so packed people could only stand.

Mauthausen-Gusen concentration camp was a huge constellation of slave labor facilities, intended for the most “incorrigible political enemies of the Reich.” There, Kornfeld was put to work digging caves in a mountain where the Nazis constructed munitions and equipment, unassailable by Allied bombing.

At one point, he developed an abscess on his leg and was unable to walk. He was taken to the infirmary, which was an extremely dangerous situation in a dystopia where only those capable of work survived. One day, all patients capable of walking were ordered to leave the infirmary and a Polish man carried Kornfeld on his back, fearful of his fate should he remain in the infirmary. A German soldier ordered the man to put Kornfeld down. The officer put his hand toward his holster.

“I pleaded with the officer,” he said. “I begged for my life.”

He reminded the Nazi how effective he was as a worker and his life was spared. He was liberated from Mauthausen on May 5, 1945.

After a time on a kibbutz in Israel, Kornfeld came to Canada and learned of an opportunity as a Hebrew school principal in Saskatoon that allowed him to work evenings and study at university in the daytime. He became a lawyer, married and has four children.

Claire Klein Osipov sang and interpreted Yiddish songs that, while often melancholy in themselves, had added resonance as evidence of the people, culture and language that were almost completely extinguished in the Shoah. She was accompanied on piano by Wendy Bross Stuart who, with Ron Stuart, artistically produced the event. The Yom Hashoah Singers – a group of Jewish young people including members of the third generation – delivered a message of both mourning and hope with such songs as “Chai” and “The Partisan Song,” the defiant anthem of Jewish resistance that is an annual tradition on this day. Lisa Osipov Milton also sang, and Andrew Brown, associate principal viola with the Vancouver Symphony Orchestra, performed excerpts from Milton Barnes’ Lamentations of Jeremiah and Ernest Bloch’s Meditation.

Corinne Zimmerman, a vice-president of the Vancouver Holocaust Education Centre, which presented the event with support from the Jewish Federation of Greater Vancouver, the Jewish Community Centre and the Province of British Columbia, also spoke.

Moira Stilwell, member of the B.C. Legislature for Vancouver-Langara, said the day is a time to “learn, mourn and pledge, ‘Never again.’

“Yom Hashoah is not only about learning from history, but about passing those lessons on to the next generations,” she said.

Pat Johnson is a Vancouver writer and principal in PRsuasiveMedia.com.

 

The future to imagine

In the past several weeks, we have celebrated liberation and redemption on Passover. On Yom Hashoah, we mourned the victims of Nazism and the generations that never were. On Yom Hazikaron, we honored the brave defenders of Israel who gave everything for the dream of the Jewish people’s right to live as a free people in our own land. Then we joyously celebrated the realization of that dream on Yom Ha’atzmaut.

These four commemorations are drawn together in many ways by rabbis and thinkers. We are mere journalists, but if you give us a moment, we, too, have some thoughts that may be worthy.

There is a troubled narrative connecting the Holocaust and the creation of the state of Israel, a connection that is sometimes misunderstood and often deliberately misrepresented.

Critics have called Israel a “reparations payment” given to the Jews as recompense for the Holocaust. This formulation is a desecration, because there could be no recompense for the Holocaust. More to the point, it is false history. Israel was not given to the Jewish people. The Partition Resolution, significant as it was as a fulcrum for historical events, turned out to be another hollow United Nations vote. Israel came into being only because the Jews of Palestine, some from the Diaspora and a small group of idealistic non-Jews from abroad fought – some to the death – for the dream of a Jewish homeland.

The connection between the Holocaust and the creation of the state of Israel is not, as the popular narrative has it, because the world felt sympathy. If anything, the world wanted to create a place for the surviving remnant so that they wouldn’t have to take responsibility for them.

Where the genuine connection lies between the tragedy of the Holocaust and the joy of independence is in the realization that the Holocaust was a direct result of Jewish statelessness. Had Israel come into being a decade earlier, there may have been no Holocaust, or its magnitude would have been much diminished. That is one connection.

Another is the psychological effect the creation of the state had on Jewish people individually and collectively, in Israel and in the Diaspora.

After the Holocaust, the Jewish people worldwide could have been expected to plummet into individual and collective despair. Instead, Israel gave hope – and a future to imagine and to build after the collective future was almost destroyed. Whether Jews made aliya – or even visited – or not, Jewish Canadians helped build the state of Israel through a million acts of philanthropy and volunteerism.

Israel is many things to many different Jews. It is a resolution to 2,000 years of statelessness, the fundamental fact that was at the root of our tragedies. It is the culmination of the quest for sovereignty and freedom and, while Israel is not perfect by any stretch, we endeavor to work toward that ideal. Israel is the dream for which so many have given so much, as well as a complex, thrilling, sometimes infuriating, always cherished reality.

In the context of millennia of Jewish civilization, the comparatively new state of Israel is a part of all of us and we are all, in some way, a part of it.

Yom Hashoah ceremony includes survivors and next generations

Marie Doduck, third from the left, with her family. (photo by Cynthia Ramsay)

“Although the sheer number of Jews who perished in the Holocaust, six million, is seemingly beyond human comprehension, we must remember that each life snuffed out belonged to a person, an individual with a past, present and a promise of the future, a human being endowed with feelings, thoughts and dreams. Tonight, we light candles in memory of the six million Jews, one and a half million of whom were children … and in memory of the millions of other victims – we commemorate them as persons, as individuals.”

Ian Penn of the Second Generation set the tone, as master of ceremonies, for Vancouver Holocaust Education Centre’s Yom Hashoah commemoration on Monday, April 28. A standing-room-only crowd at the Jewish Community Centre of Greater Vancouver’s Wosk Auditorium attended.

Survivors from the local community lit candles in memory of all those who died. Chazzan Yaacov Orzech (Second Generation) chanted El Maleh Rachamim and survivor Chaim Kornfeld, the Kaddish. Dr. Moira Stilwell, MLA, spoke on behalf of the province.

“Those who cannot learn from history are doomed to repeat it,” she reminded the audience. “Yom Hashoah is not just about learning from history, but about passing those lessons on to the next generation. Today, we honor the six million voices that were silenced during the Holocaust, we mourn them, we remember them, and by remembering them, we pledge to never let genocide happen again. Today, we join together and speak for them.”

Penn spoke briefly, but movingly, of his mother, Lola, who died in January, just shy of her 92nd birthday. She survived the Holocaust but, as with most, not without sustaining great losses and witnessing much horror. Addressing his peers, he said, “We grew up with physical comforts but some strangeness and confusion, with marginal understanding and appreciation of the difficulty of becoming normal. Our parents, like Lola, clung to their traditions, confronted the modern, the world they were jettisoned into, their escape route, as best they could, and drove us forward to fulfil their stolen dreams…. Our parents, your parents, were, perhaps, no less complicated than Lola, at times positive and resilient, loving and strategic. And, just as likely, suspicious and threatening, ever vigilant and occasionally hyper-vigilant…. They had to create and re-create themselves, their fears, their terrors, opaque to us, whilst we, their prized possessions, were shepherded with passion … they were survivors in every sense of that word.”

Survivor Mariette Doduck spoke. “The person you see before you is Marie Doduck, a mother, a grandmother and a community volunteer. But there’s another me, Mariette Rozen. A frightened little girl, a tough kid, an enfant sauvage who lived through a lost childhood.” She was only three and a half years old, living in Brussels, when her “life was suddenly ripped apart and irrevocably changed by Nazis.”

In 1939, her family – she was the youngest of 11 – was separated. “We were put into peril by the fact of our Jewishness, a crime under the rule of Nazis’ Europe…. My mother had made a fatal mistake of following orders and registering us at the police station as of Jewish descent. She was told that, if she did, she would not be [taken] … nor would any of us. We had to run and vanish in order to survive. We children were separated and put into different homes. We became the children of silence, like robots, no talking, no crying, no disturbance, a blank mind, with no feelings and really no future. We lived in the moment, we felt nothing except hunger, feelings like loneliness were a luxury.”

Her mother and her brother Albert were murdered in Auschwitz. Doduck saw them being loaded into the trucks. “I had come out of hiding to celebrate my seventh birthday. I hadn’t seen my mother since I was three and a half years old. That was the last time I saw my mother and my brother alive.” Her brother Jean, part of the French Resistance, was hanged by the Gestapo; her brother Simon died three weeks after liberation – “after eating, from the mistaken kindness of the American and Canadian soldiers who liberated the concentration camps and fed the fragile, thin and starving prisoners food that they could no longer digest.”

To survive, Doduck hid with non-Jewish families and in orphanages, took refuge in storm sewers, cellars, as well as in a hayloft, from which she bears a scar from a pitchfork wielded by a Nazi soldier looking for Jews. “I lived mostly in darkness, literally.” When she returned to Brussels years later, she said, she couldn’t recognize it in the light.

“I became tough and streetwise and, because of my young age and my unusual photographic memory, I was used as a messenger in the French Underground. I was even smuggled into a prison to pass a message into my sister Sarah…. Like a fugitive, I lived in fear and confusion in more than one country…. The people I lived with often beat me, and often treated me like a slave … even though they were paid by my family to keep me in hiding. There were also those that risked their lives to save me.” Among them, a convent’s mother superior and a German friend of Doduck’s brother.

Doduck recalled a friend’s death. Savagely beaten, the girl died in her arms. “If I had not forgotten to make my bed and, therefore, been forbidden to go outside [the convent],” said Doduck, she, too, would have been killed.

Doduck also experienced illness, one in which pustules covered her whole body; her skin had to be scrubbed with sulfur. “Despite this sickness and all of the physical and mental anguish, I, like millions of others, did survive, not unscarred, and, in a sense, wise for it. In a perverse way, perhaps, one could even say that I was fortunate because I have seen both sides of humanity.”

“It was only with great pressure from the Jewish community … [that, eventually] 1,123 Jewish orphan children and young adults were brought out of wartorn Europe to make a new life in Canada.”

Reading the book None Is Too Many, Doduck said she had to put it down often, so angered was she that such attitudes existed in Canada as well, “attitudes that nearly kept me, my brothers and sisters out of Canada. People like Prime Minister Mackenzie King and his sidekick Mr. [Frederick] Blair, then director of immigration, did everything in their power at that time to keep Jews out of Canada, even orphan refugee children. It was only with great pressure from the Jewish community,” she said, that, eventually, “1,123 Jewish orphan children and young adults were brought out of wartorn Europe to make a new life in Canada.”

Doduck was one of those children. “When I first started to tell people what had happened to me, they said, ‘Forget about the past.’ But I say to you, I learned from my experiences, both good and bad. Whatever we experience in life contains a message. God provides these vehicles, however painful. It is up to us to interpret and accept them. This we can choose to do either positively or negatively. Without sounding immodest, I had the courage, even as a child, to go on despite the feeling of mistrust, fear, pain and loathing. These lessons are in a significant way responsible for who I am today.”

Doduck arrived here in 1947, 12 years old and, once again, “plunged into a world of strangers.” Here, she said, “I saw goodness in people that I shall never forget, and that’s my adoptive family, Joe and Minnie Satanov and many other wonderful families that took in children of the Holocaust across Canada.”

The Satanovs raised Doduck as their daughter. They bought her first bike, her first pair of skates and many other such things. “You’ve got to understand, we survivors had no toys to play with, we had no blanket to hold on to, we had nothing…. Through their patience and love and understanding, they brought me back to my Jewishness and gave me back my humanity.” But it wasn’t easy, and she ran away from home many times in the first year. “How can you understand how angry, hurt, lonely I was, missing my own mother, brothers, sisters?”

With the Satanovs’ love and support, Doduck graduated high school. “I entered the business working world and eventually met my husband, whom they liked and, as good parents would do, they paid for our wedding. They are both at rest now, but the memory of them is forever ingrained in my heart and in my daughters’, who loved them as grandparents.”

Although encouraged to hide her Jewish identity during the war, between her brother’s reminders that she must remain Jewish and memories of her mother, for example, lighting Shabbat candles (her father died when she was a toddler), Doduck said, “My Jewishness was always part of me…. Now, I take pride in passing this on to my children and grandchildren, unafraid and unabashed, to show and teach them what it is to be … proud of their heritage. Yet, the future is not assured for them. What happened to me and to millions of innocents could happen again … we have the obligation to tell the world the horror of the Holocaust, to teach our children, and they to theirs, so that the past will not repeat itself.”

The hurt will never go away, but life for her has been “a step-by-step process, not something to take for granted, but to fight for. We turned out, survivors, we turned out [to be] decent people that help other people. We are involved in whatever is good: fighting hatred, fanaticism and racism. Although our childhood has been robbed from us – look what we have achieved.”

“I read that the truth is not only violated by falsehood, it may be equally outraged by silence. And I refuse to be silent. Future generations must know and learn. This must be done, however painful. It is our sacred duty – prejudice, hatred, racism, antisemitism have no place in our society.”

She warned, however, that there “are many who are now denying the Holocaust and so we must bear witness…. Because we survived, we have a duty, an obligation, to see to it that these truths are not forgotten…. I read that the truth is not only violated by falsehood, it may be equally outraged by silence. And I refuse to be silent. Future generations must know and learn. This must be done, however painful. It is our sacred duty – prejudice, hatred, racism, antisemitism have no place in our society.

“Tonight, we meet to mark Yom Hashoah, presented by Vancouver Holocaust Education Centre, of which I’m a founding member. I have spoken to countless groups of students about my experiences as a Holocaust survivor. Not everyone can understand how extremely painful it is for me, for us, to remember things I would rather forget. But we do it, I do it, regardless of the sleepless nights that follow. I do it because I know that education is the only key to prevention.”

Doduck concluded, “When I speak to young people, I speak as a child, Mariette; tonight, to you, as a peer, Marie. Yet, standing here before you, I find that I cannot separate the two so easily. But maybe these two different people, one that witnessed the horrors of the Holocaust and the other an active citizen in our community, are essential in the present day: essential to the remembrance of the Shoah and essential to working to ensure that it will never happen again.”

Throughout the evening, musical selections were performed by Claire Klein Osipov or members of an ensemble that included Gil Ashkenazy, Megan Emanuel, Samantha Gomberoff (Fourth Generation), Maya Kallner, Sasha Kaye, Jared Khalifa; Kathryn Rose Palmer, Brian Riback, Talya Kaplan Rozenberg, Ayla Tesler-Mabe and Lorenzo Tesler-Mabe, all of the Third Generation. Wendy Bross Stuart, who produced the evening with husband Ron Stuart, was on piano, Eric Wilson on cello. The organizing committee was Cathy Golden, Ethel Kofsky and Rome Fox, all of the Second Generation.

Holocaust survivor Peter Gary’s oratorio

Peter Gary (photo from Peter Gary)

April is a month of miracles for Peter Gary. An April baby, he was born in Poland in 1924, where he first developed his love – and talent – for playing music and composition. Starting piano by age 5, he was accepted into the Franz Liszt Royal Academy at age 11, being chosen to attend classes with Bela Bartok, Zoltan Kodaly and Leo Weiner. In 1941, however, Gary and his mother were arrested by the Nazis. His mother was murdered soon after, trying to protect him. After surviving the Warsaw Ghetto, Gary, who was in his late teens, was sent to Majdanek, then Dachau and, finally, Bergen-Belsen. He was liberated from there in April 1945, just as he turned 21 years old.

Following more music studies in Paris and a career in medicine in California, where he eventually settled, Gary retired in Victoria, B.C. For many years, he chose not to speak about his Holocaust experiences. Instead, in the mid-1970s, he returned to his love of music to compose something that would help express the immensity of the losses he experienced and the loss of six million fellow Jews. A Twentieth Century Passion will at long last be performed – on April 2 at the University of Victoria. It took 40 years to bring this 500-plus-page piece of music to the stage. And it almost didn’t happen at all.

“Gary’s musical composition takes the form of an oratorio. A Twentieth Century Passion not only draws on the works of famous German composers such as Bach, Handel and Mendelssohn, but also represents a musical intervention to that tradition. Instead of portraying the gospel narrative of the Passion, this oratorio focuses on the emotions and suffering of European Jews during the Shoah.”

UVic has put together a booklet on Gary’s composition and describes its immense scope. “Gary’s musical composition takes the form of an oratorio. A Twentieth Century Passion not only draws on the works of famous German composers such as Bach, Handel and Mendelssohn, but also represents a musical intervention to that tradition. Instead of portraying the gospel narrative of the Passion, this oratorio focuses on the emotions and suffering of European Jews during the Shoah. The libretto includes a composite of stories and perspectives – of men and women, young and old – beginning from the end of the First World War up until the end of the Nuremberg trials. In particular, A Twentieth Century Passion remembers and honors the lives of the murdered children.”

April is a significant month for Gary in other ways, as well. He and his wife, Judy Estrin, will celebrate their seventh wedding anniversary the day before A Twentieth Century Passion is performed for the first time – just two weeks before the composer’s 90th birthday.

The couple met on JDate and decided to marry after a brief online courtship, Estrin told the Independent. “We finally met in December 2006. As Peter’s mother was murdered on Christmas Eve, that has always been a difficult time for him. We opted to ‘say our vows’ to each other at approximately the time that corresponded to her murder on Christmas Eve, including exchanging rings. For us, that is the day we were married.” However, “on April 1, 2007, in the rain, hail, sleet and snow, we had an outdoor wedding, under a chuppah in our yard, followed by a civil ceremony on June 1, 2007.”

Gary credits Estrin for having the tenacity to get his oratorio to the stage, and it wasn’t an easy task.

“I tried to get orchestras interested in the piece when we first were married, to no avail,” she said. “We agreed that we had to let go of the vision of having a performance of A Twentieth Century Passion in his lifetime – which was my promise to him when we married. So, we let go, with the provision that if the universe wanted him to experience his piece in his lifetime, the universe would make it happen.”

How the concert possibility came about

It was during a visit with two UVic students that Gary unearthed his score, long since put away. The students, Jason Michaud and Andrea van Noord, were part of UVic’s month-long I-Witness Holocaust Field School Project, a program co-founded in 2011 by Helga Thorson, associate professor in the department of Germanic and Slavic studies. The project, which “focuses on the ways in which the Holocaust is memorialized in Central Europe,” sees students spending the first week together in Victoria and then “three weeks on the road in Central Europe, where we visit the sites of former concentration camps, museums, monuments, cemeteries and other memorialization projects,” Thorson explained to the Independent. “Along the way, the students meet young Europeans who are also studying the Holocaust and engage in cross-cultural dialogues about the relationship between the present and the past.”

It was during a visit with two UVic students that Gary unearthed his score, long since put away. The students, Jason Michaud and Andrea van Noord, were part of UVic’s month-long I-Witness Holocaust Field School Project, a program co-founded in 2011 by Helga Thorson, associate professor in the department of Germanic and Slavic studies.

She added, “During the 2011 field school, [Michaud and van Noord] came up to me separately and said pretty much the same thing – without realizing that the other one had approached me, as well. They both mentioned that they wanted to work on some form of Holocaust remembrance and education when they returned to Victoria. After the field school program, the three of us sat down together and decided to found an archival project in which we would collect local stories of the Shoah in Victoria and on Vancouver Island. It was in this context that we visited Peter Gary.

“During this visit … we explained our ideas for the archival project. We told him that our project was different from other projects that had taken place…. It was not our intention to repeat the work that others had already done. Our project, called Building an Archive: Local Stories and Experiences of the Holocaust, was interested in collecting the stories of individuals whose lives were affected by the Shoah, either as told by themselves directly or as told by their children, grandchildren or great-grandchildren….

“It was during this visit when Peter got up, ran to the other room, and came back with a copy of his oratorio…. Van Noord took the oratorio and brought it around to various musicians and conductors. She was the one who brought it to the attention of Timothy Vernon, the founding artistic director of Pacific Opera Victoria, who has agreed to conduct the piece during the April 2, 2014, première.”

Thorson said the university is “amazed at the diverse material we have collected for our archival project to date: from Peter Gary’s musical composition, to copies of art that was created in Bergen-Belsen, to an interview with three generations of one family, to many other stories in myriad creative formats. The entire collection is remarkable in a community as small as Victoria. Peter Gary’s musical score and libretto comprise a special part of the university archives because, as an oratorio, this musical composition represents an ambitious project dedicated to Holocaust remembrance and memorialization.”

About the university’s interest in her husband’s work, Estrin said, “It wasn’t me who made this dream come true. There are so many miracles that have manifested along the way. Helga Thorson, her students Jason and Andrea from the first I-Witness Field School, Timothy Vernon agreeing to conduct without having ever seen the piece, so many people, so many miracles.”

The plans don’t stop with the April 2 concert, she added. “Now, we have to have all the funds in place to pay for the concert itself and to fund a scholarship that the University of Victoria has established for the field school, in Peter’s name. Once we get to some surplus funds, then we can think about establishing a process to bring the music to the world, free of charge, to anyone who wants to produce it. Then, we’d like to develop a curriculum for middle and high school students. Hopefully, we will also have enough excess funds to complete the documentary that is in process to document how this all came about. If an angel appears, the last wish in my vision is to be able to have Timothy Vernon conduct the piece and produce a CD. A big dream at the moment!”

She admitted, “There have been moments when it was totally overwhelming for Peter, which is why, after three fundraising events and a number of interviews, he is ‘off the hook.’ He is excited about it finally happening, although I suspect he has his moments of total disbelief, as it came close in the past but did not happen. We both hope that the piece makes people think and talk – about hate, about racism, and about antisemitism…. My hope is that after this world première performance, A Twentieth Century Passion will become the piece played around the world to memorialize and remember the Six Million, at least once a year, ideally played on Yom Hashoah.”

A fundraising event

One of the fundraisers was held in November at the home of Vancouver community members Dr. Michael and Linda Frimer, friends of Gary and Estrin, who came over from Victoria to participate. The Independent also attended the event, which featured music performed by cellist Eric Wilson and pianist Corey Hamm. Estrin spoke about her admiration for her husband and the life he’s poured into the music, and her delight at finally seeing the composition come alive this April.

Michael Frimer introduced Gary, noting, “He’s been our close, close friend for many years and an inspiration for our whole family. I’d say, the biggest inspiration for me, except for the 50 push-ups a day, is the fact that, from where he came, which is such a dark, dark place, he has such an amazing ability to look on the positive and the good, and to find the good where you would not expect it….

“This oratorio is really, I think, of potential historic significance…. This has been sitting for over 40 years now, and Peter’s been talking about it for so long. To have it finally come to fruition is amazing…. You think of Handel’s Messiah, which is a great piece of work written about this one Jewish rabbi, and it’s played every single year throughout the world, which is a wonderful thing, but I am hoping and I can see and envision this becoming something that is played on a regular basis in perpetuity in the capitals of the world to remember the lessons of this event that happened and the lessons that we have to take forward in the future.”

Peter Gary speaks about his work

Gary addressed those present, as well, and read selections from the oratorio’s libretto. “This is not about me,” he said. “The moment I put the last note down and put the double line, which means it’s finished, it has nothing to do with me anymore, it’s ‘it.’ And the next time, when Timothy Vernon, a very well-known Canadian conductor, raises his two arms, it’s his. It’s whatever his creativity, his insights [dictate]. Yes, we will have meetings and I will answer the questions, how do you envision this, but after that, it’s done. It has to exist and run on its own.”

Gary then read from notes he had written on his hopes for future generations. “How do you explain the inexplicable, the horrors that humanity brought and brings downs on its members? We are bombarded by the media in full graphic detail, in real time, the most horrific cruelty and suffering from time immemorial into our 21st century. The Shoah … was introduced to our history as a uniquely barbaric act. Unlike in wars before, it targeted strictly innocent children, women, men, the old, sick, for systematic torture and murder by the millions, not for what they did but who they were.

“Ever since the discovery at the end of World War Two of this permanent stain on human culture, without blinking an eye, we are still involved, as I’m speaking, and stoking the fires of death and destruction on each other. Is there a wonder why the public becomes bored as these acts are blaring at them from the pictures of newspapers, their television sets, computers and all other gadgetry of communication. Just to mention a few from the 20th century to the present: mass murder of the Armenians, Balkans, Congo, Sudan, Syria, Libya, many, many others.

“Back to the Shoah. We have been presented with vivid details from history books to films, novels, poetry, survivor personal testimonies, and some musical compositions, but only dealing with specific areas, like the piece on Terezin, which was the Nazi show camp. I have aimed, with A Twentieth Century Passion, to unify all those components. From history to the prisoners’ daily lives, their feelings, anxieties, fears, angers, of those abuse[d] … and, of course, always the unanswerable whys.”

“Back to the Shoah. We have been presented with vivid details from history books to films, novels, poetry, survivor personal testimonies, and some musical compositions, but only dealing with specific areas, like the piece on Terezin, which was the Nazi show camp. I have aimed, with A Twentieth Century Passion, to unify all those components. From history to the prisoners’ daily lives, their feelings, anxieties, fears, angers, of those abuse[d] … and, of course, always the unanswerable whys.

“This, I felt was only possible to achieve in the musical form of the oratorio,” he continued. “The oratorio, mass, requiem, Passion, comes to us in the Christian musical literature, in great compositions from Bach to Bernstein, Mozart, Beethoven, Dvorak, and many others. A Twentieth Century Passion was created incorporating all general and personal details in this musical form. In Latin, verba volant, scripta manent, words fly away, writing stays forever. I hope this music will bring for all times a memorial as well as a warning to humanity. I have begged over 66,000 young and old [as a survivor speaker] to stamp out hate, the most obscene word in the English language, if we want our children and grandchildren to survive on our planet.”

In an e-mail to the Independent, Linda Frimer shared her reflections on supporting their friend in bringing A Twentieth Century Passion to life. “We feel honored and privileged to have Peter in our lives,” she said. “Through the years, he has been an outstanding mentor and friend. He teaches, through his strength of character and noble heart, that one must never give in to the perpetrators of cultural genocide. By actively choosing to make his life a joy-filled creative service to humankind, he inspires others to give of themselves. The upcoming oratorio this April is the full flowering of the tree of his life, for through his composition he is ensuring that not only will those of all ages who perished in the Holocaust always be remembered, but the witnesses of the world, once hearing this, will be assured never to forget.”

The world première of Peter Gary’s A Twentieth Century Passion, conducted by Timothy Vernon, was scheduled for April 2. Unfortunately, it was cancelled.