The Jewish Independent about uscontact ussearch
Shalom Dancers Dome of the Rock Street in Israel Graffiti Jewish Community Center Kids Wailing Wall
Serving British Columbia Since 1930
homethis week's storiesarchivescommunity calendarsubscribe
 


home > this week's story

 

special online features
faq
about judaism
business & community directory
vancouver tourism tips
links

Search the Jewish Independent:


 

 

archives

Dec. 29, 2006

Confronting Far East

Maugham love story set amid cholera epidemic.
BAILA LAZARUS

The stunning Guangxi province in southeastern China is known for the beautiful karst limestone hills that jut skyward, turning the scenery into something that would look at home in Lord of the Rings. Within these mystical surroundings, Somerset Maugham placed the dramatic love story The Painted Veil.

Originally made into a film in 1934, starring Greta Garbo and Herbert Marshall, The Painted Veil has now been remade starring Edward Norton and Naomi Watts, in what can be described as quite good, but not inspired, performances.

Set in the 1920s, The Painted Veil follows a British couple – Walter and Kitty Fayne (Norton and Watts) – as they travel to Shanghai, where Walter works as a bacteriologist.

Coming from an upper-class, spoiled background, she must quickly adapt to doing with less in her new home. When she first sees where her new husband has been living in Shanghai, she looks around, disappointed, and asks, "You don't have a piano?" After she becomes bored with shopping and socializing, she starts an affair and falls in love with a consul, Charles Townsend (Liev Schreiber). (Although Kitty was not in love with Walter, she agreed to the marriage in order to get as far away from her family as possible.)

When her husband finds out about the affair, he offers her a strange deal. He will grant her a divorce if she can get Townsend to divorce his own wife to marry Kitty. Otherwise, Kitty has to follow Walter into the heart of China, where he plans to fight a cholera epidemic. When Townsend refuses, Kitty's options disappear.

The two-week voyage into the countryside demonstrates what life will be like. Amid stunning scenery, the weather is stifling. You can almost hear the mosquitoes buzzing around in the humidity. The accommodations are not much more hospitable – an abandoned house with the most basic of necessities, high up on a hillside near a convent and hospital where Walter will treat the cholera patients.

Left alone, and barely spoken to by her estranged husband, Kitty has little to do, but soon starts playing piano for the children in the convent's school. The foreigners don't make friends easily, particularly when Walter closes the well and blocks access to the river, both of which have been contaminated.

Walter and Kitty are like two soldiers in the trenches. They're not together by choice, but their need to rely on one another causes deep bonds to form. Gradually, the two earn new respect, admiration and, eventually, love from each other as they cope as well as they can under the severe conditions. Ultimately, the story is about what can happen when we shed preconceptions and judgments in order to see the good in another person.

While the movie and actors will probably not win any Oscars next year, this is still a beautiful and interesting film to watch, if only to get a glimpse of what life was like in early 20th-century China.

Baila Lazarus is a freelance writer, photographer and illustrator living in Vancouver. Her work can be seen at www.orchiddesigns.net.

^TOP