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Sept. 22, 2006

Writers put forth ideas on life

New releases contain messages pertinent to the High Holy Days.
CYNTHIA RAMSAY

Existence. Memory. Atonement. Three common themes of three diverse new releases. How appropriate as we enter a new year.

Importance of words

Fans of Israeli author Aharon Appelfeld will gain insight into his writings – and to the purpose of literature itself – in The Story of a Life (Schocken Books).

Appelfeld, a Holocaust survivor, describes this personal work as "an attempt (and perhaps a desperate attempt) to integrate the different parts of my life and to reconnect them to the wellsprings of their being." His life is indeed comprised of disparate influences: the horrors of the war, during which he hid – a child, alone – in the Ukrainian forests; the pressure to forget his heritage and assimilate into Israeli culture once he managed to reach what would become the Jewish state; and the finding of his voice, to eventually write more than 20 works of fiction and nonfiction that have been translated into more than a dozen languages.

Rather than being an emotional memoir, The Story of a Life is more analytical. Understandably, perhaps, Appelfeld writes with a certain level of detachment and he acknowledges this: "I don't like to talk about emotions, " he writes. "Too much talk about emotions will always lead us into a thicket of sentimentality – to trampling on and flattening true emotions. But emotion that emerges from action is the absolute essence of feeling." In this respect, Appelfeld seems to have led a fulfilling life – through the action of writing.

The written word is of immense importance to him: "literature, if it is genuine, is the religious melody that has been lost to us. Literature gathers within it all the elements of faith: the seriousness, the internality, the melody and the connection with the hidden aspects of the soul."

The reflections on literature and language, as well as Appelfeld's candidness, are intriguing and refreshing. While there are less interesting sections of The Story of a Life, there is an overall forward momentum and there are many intellectually stimulating and/or poignant parts. For example, during the Yom Kippur War in 1973, Appelfeld, a lecturer in the army's education corps at the time, was stationed with a unit alongside the Suez Canal. The conflict finally came to a cease-fire and, writes Appelfeld, "I found it hard to part from this unit of young people on whose soldiers rested the fate of a people welcome neither in Europe nor in this part of the world. As different as the struggle was here, it was, nevertheless, the same ancient curse pursuing us."

Despite his experiences in the Second World War, or maybe because of them, Appelfeld accepts human beings for what they are, with all their imperfections. He's open about his own failings and he doesn't require resolution – in The Story of a Life he captures life's incomplete moments and humanity's inherently contradictory nature. May we all so ably come to terms with our own existence.

Meaningful memories

Local poet Renee Norman offers introspection of a different sort. The poems in True Confessions (Inanna Publications & Education Inc.) depict women's roles in Western society, as daughter, mother, grandmother, wife and lover. Norman uses language adeptly and most of her writings resonate.

"Chop" is a subtly tender poem about the difficult role reversal that occurs between mother and child as old age approaches. "The Truth Is" is a bitingly witty reprisal of how the intellectual establishment has viewed women, using "Truth is a woman" – a comment attributed to Nietzsche – as its starting point. "After reading Sharon Butala's Perfection of the Morning" is a dark portrayal of living with an illness.

Norman's range is broad and, while she misses the mark occasionally – the title poem, for instance, lacks coherence, even though individual lines are appealing – she more often takes you to a feeling or thought with such ease and grace that you wonder how you got there. A respect of memory and past generations and a calm optimism about her own children and the future permeate this collection. True Confessions illustrates the realities of life, which are sometimes harsh, but communicates the importance of appreciating the mere fact of life and the moments we do manage to have with the people we hold dear.

A personal journey

Though he may believe that, to be a good Jew, one must live in Israel, A.B. Yehoshua is not uncritical of the Jewish homeland in his latest novel, A Woman in Jerusalem (Harcourt Inc.).

This powerful and moving book centres around a woman who is killed in a suicide bombing at a Jerusalem market. Her body lies in a hospital morgue unidentified - until a local newspaper discovers that she worked in a bakery and accuses the business of "inhumanity and callous greed" because its staff never noticed her absence from work. The bakery's owner assigns the task of restoring his humanity to his reluctant human resources manager and A Woman in Jerusalem follows the manager's quest to do so. In the process, not only does the manager find out more about the woman – a non-Jew from the former Soviet Union who came to Jerusalem at great personal sacrifice – but he learns about himself and comes to accept who he is and to atone for the mistakes he has made in life, one of which is to have lost track of his fellow employee.

Yehoshua uses an interesting literary device in A Woman in Jerusalem: writing in italics, he introduces some sections with a first-person account of someone who is encountering the human resources manager or someone who is witnessing his actions. The device adds depth to the story.

Also adding to the authenticity of the novel is a frankness about the current situation in Israel and the antipathy that some people have toward the country and its people. Nonetheless, Jerusalem was where the woman chose to live: "It was her city. It was everyone's."

In the end, while Yehoshua despairs of Jerusalem's future, he retains hope. And, in his view, hope comes from those who make aliyah. As Diaspora Jews, we pray, "Next year in Jerusalem."

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